This is the beginning of the fear and paranoia that would go on to become staples in Michael's signature hits. A key moment in his growth as a writer. Instead of being haunted by the supernatural, it's female stalkers out to ruin his relationship. In fact, the majority of the 'Triumph' album follows this theme. Which is why I don't mind it being here. Besides we can't forget Latoya's scream and Tito's guitar solo! It really is an audio experience, with a dream sequence and recovery. Whilst cackling on the intro for 'Off The Wall' playfully portrayed party-goers as creatures of the night, the horror sound bites here (both manual and electronic) are played straight. Was this Pop? R&B? I feel this was when Michael was becoming a genre onto himself.