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Exclusive Q&A

Q&A with Ralphige about the prank call - Read Ralphige's Answers

After the recent news story that Michael Jackson Estate was going after Ralphige for the prank call he did to Michael, once again the contents of the prank call became the focus of the fans. In the light of the questions and anger, Ralphige volunteered to answer any questions - even hate - coming towards his way. As MJJC we decided to take this opportunity (not to promote or support Ralphige but) to get the answers that we always wanted to know. Below is the MJJC Exclusive Q&A with Ralphige. 

We want to thank everyone that asked the questions and Ralphige for the answers. 

1. How did you manage to get Michael’s number and get through to him?

Ralphige: I am able to dream up these numbers. I wake up in the middle of sleep with the celebrity and their phone number in my head. I sleep with a notebook next to me so I am able to immediately write down the phone number before I forget it.

As a matter of fact, TMZ published a story yesterday about how Dr Arnold Klein may have been the person who originally got Michael Jackson addicted to the medications. That story triggered Dr. Arnold Klein to show up in my dream yesterday. I woke up, went straight to my notebook and his phone number popped up in my head. As fans of Michael, I think you guys should have the phone number...... 310-xxx-xxxx

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Q&A with Siedah Garrett

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MJJC: Were you a Michael Jackson fan before you met him? How did your perception of him changed after you met him / worked with him / toured with him?

Siedah: I had been a Jackson 5 fan my entire life. In fact, during my childhood, Michael Jackson was my play husband. I began to love Michael when he became a solo artist, and I really fell in love with him when he decided to record my song. It was then that I realized that he was more socially conscious than anyone had given him credit for.

MJJC: What was your first impression of Michael?

Siedah: He was so cool, so unexpectedly approachable.

MJJC: Where did the idea of Man In The Mirror come from?

Siedah: Two years before I wrote the song, I was in a writing session with composer John Beasley. In the heat of our session, he decided to answer an incoming call, and responded as if he really wasn’t busy at all. I was seething. I then heard him say ”The man? What man? Oh, the man in the mirror.” That phrase stuck in my mind, and I wrote it down in my lyric book of random ideas. Two years later, as my new writing partner Glen Ballard was searching for sounds on his synthesizer, I came across the notation in my lyric book, and it just jumped off of the page.

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Q&A with Joe Vogel Episode 2

MJJC is happy to bring you the second Joe Vogel Q&A about his books and Michael's music. This Q&A is planned around the e-book release of "Man in the Music: The Creative Life and Work of Michael Jackson" as well as Joe Vogel's new book "Featuring Michael Jackson.

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MJJC: What peculiarity of Michael Jackson that initially attracted and motivated you to delve into the study of his music? In other words, why did you decided to analyze specifically Michael's work rather than any other artist's work? I guess there are many reasons why you appreciate him, many of them you probably discovered during your work, but I'd like to know exactly what was, so to speak, the trigger 

Joe Vogel: Michael Jackson was just so different. I’m fascinated by artists that defy conventions and categories, artists that can take us places we’ve never been before, that challenge us. Michael, of course, paid a terrible price for being bold and different. When I started my book in 2005, the vitriol, hate and deceit being directed at him were awful. If anyone takes a look at media archives from that time, the level of callousness and cruelty is appalling. And I remember watching it unfold and being really angry. At first, I envisioned writing a sort of alternative biography, something more humane and nuanced and objective than what existed at the time, but as the project developed I really felt strongly about letting Michael’s creative work be the focal point and revealing the man through the music.

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