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Exclusive Q&A

Q&A with Patrick Allocco from AllGood Entertainment

MJJCommunity had the exclusive chance to conduct an interview with Patrick Allocco who is a principal partner of AllGood Entertainment which we thank him for taking this time out of his busy schedule to talk to MJJCommunity.

Thank you for sitting down with MJJCommunity to tell your side of what's going on. We appreciate you taking the time to set the record straight and to tell Michael Jackson's fans what truly happened between All Good Entertainment and Frank DiLeo.

Q: Please tell us about your company, All Good Entertainment.
AllGood Entertainment, Inc., is a concert promoter based in New Jersey, who promotes concerts in New Jersey, New York, Puerto Rico, the Caribbean and South America. In 2007, he has started operations in the United Arab Emirates and India. We are a young and vigorous company, AllGood has produced successful shows in venues in New York and New Jersey as well as in Puerto Rico and Tobago in The Caribbean with Bon Jovi, Stevie Wonder, Sting, Diddy, Julio Iglesias, Earth, Wind and Fire, Patti LaBelle, Natalie Cole, Paulina Rubio, John Leguizamo, Lindsay Lohan and Raven Symone, among others. Our core competency is promoting large one-off events and festivals.

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Q&A with Siedah Garrett

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MJJC: Were you a Michael Jackson fan before you met him? How did your perception of him changed after you met him / worked with him / toured with him?

Siedah: I had been a Jackson 5 fan my entire life. In fact, during my childhood, Michael Jackson was my play husband. I began to love Michael when he became a solo artist, and I really fell in love with him when he decided to record my song. It was then that I realized that he was more socially conscious than anyone had given him credit for.

MJJC: What was your first impression of Michael?

Siedah: He was so cool, so unexpectedly approachable.

MJJC: Where did the idea of Man In The Mirror come from?

Siedah: Two years before I wrote the song, I was in a writing session with composer John Beasley. In the heat of our session, he decided to answer an incoming call, and responded as if he really wasn’t busy at all. I was seething. I then heard him say ”The man? What man? Oh, the man in the mirror.” That phrase stuck in my mind, and I wrote it down in my lyric book of random ideas. Two years later, as my new writing partner Glen Ballard was searching for sounds on his synthesizer, I came across the notation in my lyric book, and it just jumped off of the page.

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Q&A with Joe Vogel Episode 1

At MJJC we are happy to bring you this exclusive Q&A with Joseph Vogel, the author of "Man in the Music: The Creative Life and Work of Michael Jackson " and "Earth Song: Inside Michael Jackson's Magnum Opus".Here are Joe's answers to your questions. We - as MJJC- would like to thank Joe for his time and willingness to answer our questions. Also, we'd like to remind you that Joe Vogel's book "Man in the Music: The Creative Life and Work of Michael Jackson " will be released November 1. Do not forget to pre-order it. Also do not forget to buy and read "Earth Song: Inside Michael Jackson's Magnum Opus" if you haven't already done so.

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Question 1: It's distressing to hear the analysis of how "Earth Song" was never released in the United States. Could you expand on the cultural reasons for this?
Joe Vogel: Well, there have been various explanations, including that the album was underperforming in the U.S. But I personally find that hard to believe when the previous two singles were Top 5 hits. In fact, "You Are Not Alone" was the first single in the history of the Billboard chart to debut at #1. "Earth Song" was next in line and went #1 all over the world, but it wasn't released in the U.S. Hit singles increase album sales, so there are really only two explanations: 1) it was blocked in some way, or 2) it wasn't seen as viable in the U.S. because of its content. The people I spoke with mentioned both of these as possibilities. Either way is disturbing.
 

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