MJJCommunity had the exclusive chance to conduct an interview with Patrick Allocco who is a principal partner of AllGood Entertainment which we thank him for taking this time out of his busy schedule to talk to MJJCommunity.
Thank you for sitting down with MJJCommunity to tell your side of what's going on. We appreciate you taking the time to set the record straight and to tell Michael Jackson's fans what truly happened between All Good Entertainment and Frank DiLeo.
Q: Please tell us about your company, All Good Entertainment.
AllGood Entertainment, Inc., is a concert promoter based in New Jersey, who promotes concerts in New Jersey, New York, Puerto Rico, the Caribbean and South America. In 2007, he has started operations in the United Arab Emirates and India. We are a young and vigorous company, AllGood has produced successful shows in venues in New York and New Jersey as well as in Puerto Rico and Tobago in The Caribbean with Bon Jovi, Stevie Wonder, Sting, Diddy, Julio Iglesias, Earth, Wind and Fire, Patti LaBelle, Natalie Cole, Paulina Rubio, John Leguizamo, Lindsay Lohan and Raven Symone, among others. Our core competency is promoting large one-off events and festivals.
MJJC: Were you a Michael Jackson fan before you met him? How did your perception of him changed after you met him / worked with him / toured with him?
Siedah: I had been a Jackson 5 fan my entire life. In fact, during my childhood, Michael Jackson was my play husband. I began to love Michael when he became a solo artist, and I really fell in love with him when he decided to record my song. It was then that I realized that he was more socially conscious than anyone had given him credit for.
MJJC: What was your first impression of Michael?
Siedah: He was so cool, so unexpectedly approachable.
MJJC: Where did the idea of Man In The Mirror come from?
Siedah: Two years before I wrote the song, I was in a writing session with composer John Beasley. In the heat of our session, he decided to answer an incoming call, and responded as if he really wasn’t busy at all. I was seething. I then heard him say ”The man? What man? Oh, the man in the mirror.” That phrase stuck in my mind, and I wrote it down in my lyric book of random ideas. Two years later, as my new writing partner Glen Ballard was searching for sounds on his synthesizer, I came across the notation in my lyric book, and it just jumped off of the page.