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Thread: Get On Up" Official Trailer (2014) James Brown Biopic HD

   
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    Default Get On Up" Official Trailer (2014) James Brown Biopic HD

    Get On Up" Official Trailer (2014) James Brown Biopic HD



    http://youtu.be/vptGSENcXeI




    A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.


    Director: Tate Taylor


    Writers: Steven Baigelman, Jez Butterworth


    Stars: Chadwick Boseman, David Andrew Nash, Nelsan Ellis


    In theaters: August 1, 2014
    L.O.V.E. survives
    so we can Rock forever *

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    Default Re: Get On Up" Official Trailer (2014) James Brown Biopic HD

    This looks very good, hopefully they will make on with Michael one day.

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    Default Mick Jagger interview

    Why Did Mick Jagger Produce The James Brown Movie, 'Get On Up'? Let Him Tell You

    Posted: Mick Jagger has been a James Brown fan for actual decades. The Rolling Stones lead singer, who turned 71 on Sunday, has admitted he copied many of Brown's dance moves on stage. As the men rose to prominence as two of the biggest singers of the 1960s, they even became acquaintances. It was a relationship that lasted until Brown's death in 2006.

    "I saw him at a show in Cleveland. I can't remember when, but we were both there together," Jagger told HuffPost Entertainment when asked about the last time he saw Brown alive. "I went to see his show, and he came to see me. We had a good time."

    For Jagger, his connection to Brown has only increased in the eight years since the pioneering singer died. Peter Afterman, Brown's estate manager and Jagger's long-time friend, asked the Rolling Stones frontman if he wanted to make a documentary on Brown's life after securing music rights to Brown's catalog of hit songs. Jagger thought to take it one step further: a feature film about Brown that could work in concert with documentary. It was then that he connected with producer Brian Grazer, who had been working on a Brown movie himself for a decade with little triumph. Using a script written by Jez and John-Henry Butterworth, Jagger and Grazer put together "Get On Up," an unconventional biography about Brown that jumps through the singer's life, from his troubled upbringing in Georgia to his incredible career as a performer to his numerous issues with the law. (Brown was arrested multiple times on domestic violence charges and also spent time in prison for other offenses, including a three-year stint after leading police on a high-speed chase in 1988.)

    Starring Chadwick Boseman as Brown and directed by Tate Taylor, "Get On Up" hopes to capitalize on audiences who helped make "Lee Daniels' The Butler" and Taylor's previous film, Best Picture-nominee "The Help," surprise box office hits in the month of August. For his part, Jagger has everything in his power to make the film a success: In addition to being a hands-on producer for "Get On Up" during production, Jagger has promoted the film on the "Today" show and in interviews with TIME magazine, Billboard, USA Today and The Huffington Post. We spoke to Jagger about his involvement in "Get On Up" at the world famous Apollo Theater in New York on a hazy, hot and humid Saturday afternoon in July. An edited transcript of our conversation is below.

    You were producing the Alex Gibney documentary, "Mr. Dynamite: James Brown and the Power of Soul," and, as the story goes in the press notes, woke up one day and thought a feature on Brown would be great too. Why?
    It's just a different animal, isn't it? Obviously I thought of "Ray." I thought "Ray" was a great movie. I loved that movie and people loved that movie. But I thought, in a way, that James Brown's life story and his onstage persona was more interesting. The onstage performances are more vivid and alive than in Ray's story. As much as we love Ray Charles, and he's one of my favorite singers, but I mean, when I thought about it, I thought, "Wow, if you could make a movie like that [with Ray Charles], we can certainly do a movie about someone like James Brown." But without copying "Ray" in any way, so why not make a feature of it too? And we can do the documentary, too. They can both be fantastic.

    You've discussed how James Brown influenced you. Watching the movie, I couldn't help but think of how we can see parts of James Brown in singers like David Lee Roth and Axl Rose and also modern hip-hop artists like Kanye West and Jay Z. Do you think people even realize how influential Brown was across all genres of music?
    Well, probably not. Why would they? But he was definitely a role model on many levels. He's a role model as a guy who comes out on stage and really works his butt off. He always gave his best. He came out and did it. I never thought, "I want to be like that!" But obviously that rubs off on you. The other person I toured with was Little Richard. Every night he went out there -- didn't matter who the audience was, whether they were good, bad or indifferent -- and he just worked it. That rubs off on you. These are guys who were just always working it. So that's the way you want to be. On the other level, James Brown wanted to be in control of his own destiny. This movie is about someone who wants to be in control of their career and their life, especially when they came from a place where they weren't in control or they had very little to start with.

    The movie depicts the infamous T.A.M.I. concert, and shows a screen version of The Rolling Stones watching Brown perform. How familiar were you with Brown before that show?
    Very familiar. I had everything. I had all his music. I had seen his music here at the Apollo. I talked to him. I hung out with him.

    How much influence did you have on who was cast as a Mick Jagger for that scene?
    Not much, in the end. I was somewhere far away. I don't want to talk about it really. How can I talk about it without sounding ... there was a little bit of poetic license in that scene. In the end the scene works. It's a fun scene. It wasn't really what happened, but it works well.

    As a producer was there one moment that you really fought to keep in the finished film?
    I can't really remember. My thing was, I wanted you, the audience, to be pulling for James. Sometimes when I read the script, I felt there was some feeling that you ... I was really saying, "I'm not pulling for this guy enough." It was quite simple really: It was just a question of juxtaposition of a few scenes. It wasn't really taking things out, it was where things were in the story. It's just where you put the accentuation. It doesn't matter how bad he is or how good he is, you want to see both sides of a character. But nevertheless, you do want to be pulling for him.

    You obviously don't need to be a producer. Why do you do it?
    I quite enjoy doing it. It's a different discipline, but it has a lot of things that are the same [as leading the Rolling Stones]: managing large groups of people, making sure they get on with a common goal. But you've also got a lot of competing parties and you have problems to solve and so on. I also like the literary part of it, which I don't really get to do that much. I like the scripts. I like solving the puzzles. I kind of enjoy the dealmaking. I mean, as long as it doesn't go on forever. It's a lot of moving parts! As long as it doesn't take all my time, because I like to do creative things in other ways, it's a great thing. It's still a creative thing, it's not a business only thing. So it depends which route you take. Being a producer can mean many things. For this particular movie, it was quite interesting because it did have a good literary beginning. Other movies you're presented with a script and there is very little you can say. It's done. It could even be cast. You still get the same credit. With this, it was a much longer process.

    You weren't just a rubber stamp of approval.
    I'm not really interested in doing that. I don't mind doing that, you know, if it's a project you really love.

    With this film and the documentary, you've become the de facto caretaker of James Brown's legacy for a generation of young viewers. Do you think about who will do that for you and the Rolling Stones?
    Not really. I don't think about that much [laughs]. I always get asked about it!

    With that in mind, did you feel any pressure to make sure James Brown's legacy was shown in a way that was true to him?
    Yeah, I want it to be true to him. I think he's a wonderful artist and I didn't want it to be over-glamorized or too de-glamorized and sleazy. In making the documentary, it was the same thing. By shading and nuancing, you can destroy someone's reputation. In the documentary, for instance, it would be very easy to accentuate the negative side -- which everyone has in their life -- and that would be a mean thing to do. What I tried to do in both these films is to show not only the creative and other side, but to show him as a complete person as much as possible. But still really leave people with an uplifting feeling, which I think is a correct thing to do for an artist of his status.

    How did you decide on Tate Taylor as director?
    Brian and I, once we decided to partner up but before we had a deal, we decided to look for directors. We looked at lots of directors, and Tate was on the top of our list of people. We thought that even though Tate was relatively inexperienced, he did have experience with doing "The Help," which we liked. It was a bit of a leap of faith with Tate because he hadn't done a lot. But he convinced us that he could do this and he had boundless enthusiasm and energy and vitality to push the project through, especially for the limited amount of money that we had to make it. We decided that Tate could do it. I think we were vindicated at the end.

    When did you realize it was the right decision?
    When you start seeing the first assembly cut, after the first couple of weeks. You know, "Okay, I think it's working. We're going to keep going!"

    Tate's going to be forever connected with James Brown, and I wanted to ask you about your connection with Martin Scorsese. Do you have a favorite scene from his movies set to your music?
    I can't remember. He's used "Gimme Shelter" a lot. I'm doing this HBO series with Marty now. I think we're talking about using Stones music in that. Some of it. But, yeah he has a really great flare for using music. He was one of the first who used loud rock music, like, in your face. Before, it was sort of in the background, and he lets the music sometimes take over the scene in a really great way.

    Actress Octavia Spencer, producer Brian Grazer, singer/producer Mick Jagger, director Tate Taylor, actor Chadwick Boseman, producer Victoria Pearman, actor Nelsan Ellis, and actor Dan Aykroyd attend a special screening of 'Get On Up' hosted by The Academy of Motion Picture Arts And Sciences at The Academy Theatre at Lighthouse International on July 17, 2014 in New York City.

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    Default Get Up (I Feel Like Being A) Sex Machine


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    Default Re: Get On Up" Official Trailer (2014) James Brown Biopic HD

    I haven't been to a first-run movie in YEARS (thanks to Netflix and Hulu Plus, lol), but I will see this one!

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    Default Nelsan Ellis (November 30, 1978 - July 8, 2017)

    7/8/2017 by Ryan Parker Hollywood Reporter

    Nelsan Ellis, the actor who starred in HBO's True Blood as Lafayette Reynolds, has died, his manager Emily Gerson Saines, told The Hollywood Reporter.

    He was 39.

    "Nelsan has passed away after complications with heart failure," Saines said. "He was a great talent, and his words and presence will be forever missed."

    On True Blood, Lafayette was a short order cook at Merlotte's. In the books, he was killed off, but because Ellis made him such an enjoyable character, he survived in the series.

    "We were extremely saddened to hear of the passing of Nelsan Ellis," HBO said in a statement. "Nelsan was a long-time member of the HBO family whose groundbreaking portrayal of Lafayette will be remembered fondly within the overall legacy of True Blood. Nelsan will be dearly missed by his fans and all of us at HBO."

    True Blood creator, Alan Ball said: "Nelsan was a singular talent whose creativity never ceased to amaze me. Working with him was a privilege."

    Other cast members took to social media to express their heartbreak.

    "I don't know if I've ever seen the level of humility and kindness that came with the Magnificent Talent that Nelsan Ellis had. Miss u friend," said Sam Trammell.

    "Crushed today by the loss of my friend and castmate Nelsan Ellis. He was a wonderful person, a pioneer, and a one of a kind artist. RIP," said Joe Manganiello.

    "One of the sweetest most talented men I've ever met. A terrible loss for all of us. Rest In Peace Nelsan. You will be missed. I don't know how else to put words to this terribly sad news," said Kristin Bauer.

    "It was an utter privilege to work with the phenomenally talented and deeply kind soul .@OfficialNelsan I'm devastated by his untimely death," said Anna Paquin.

    Ellis appeared in numerous film and TV shows, inclduing The Soloist, The Butler, Get On Up and Elementary.

    Ellis was born in Harvey, Ill. He attended Thorn Ridge High School in Dolton, Illinois. He later attended Oxford University and Columbia College in Chicago, before graduating from the famed Juilliard School.

    Ellis is survived by his grandmother (Alex Brown), his father (Tommie Lee Thompson) and his son (Breon Ellis). He is also survived by his siblings - Lakeeia Thomson (sister), Tommie Lee Thompson (brother), Babon Ellis (brother), Maurice Turne (brother), Tianna Thompson (sister), Shaentika Beard (sister), Yvonne Ellis (sister) and Tartheaia Thompson (aunt).
    His mother, Jackie Ellis, preceded him in death.

    In lieu of flowers, the family has asked that donations be made to the Jenesse Center or The Restoration Ministries Church of God and Christ.

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    Default Chadwick Boseman





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    Post Chadwick Boseman (November 29, 1977 - August 28, 2020)

    August 28, 2020 The Hollywood Reporter

    Actor Chadwick Boseman, who played Black icons Jackie Robinson and James Brown before finding fame as the regal Black Panther in the Marvel cinematic universe, died Friday of cancer, his representative said. He was 43.

    Boseman died at his home in the Los Angeles area with his wife and family by his side, his publicist Nicki Fioravante told The Associated Press.

    Boseman was diagnosed with colon cancer four years ago, his family said in a statement.

    “A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much,” his family said in the statement. “From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more- all were filmed during and between countless surgeries and chemotherapy. It was the honor of his career to bring King T’Challa to life in Black Panther."

    Boseman had not spoken publicly about his diagnosis.

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    Default Re: Get On Up" Official Trailer (2014) James Brown Biopic HD

    OMG, I'm shocked. No way.
    "Girls want to see some cake."

    My Twitter: http://www.twitter.com/edog85

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    Default Re: Get On Up" Official Trailer (2014) James Brown Biopic HD

    This is gonna be a rough day for Spike Lee. Da 5 Bloods was Chadwick’s last film.



    And he continued to help others while he was battling cancer.



    Twitter: @ScreenOrigami
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    Default Academy Conversations: Get On Up


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    Default interviews




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    Default ‘Get On Up’ Director Tate Taylor Remembers Chadwick Boseman

    by Tate Taylor | August 31, 2020 | Variety

    Chadwick and I were on our way to Augusta, Georgia to meet James Brown’s family. We were hopeful the Browns would give our unlikely pairing the blessing to tell the story of the Godfather of Soul. Chad was relatively unknown at the time, having just played Jackie Robinson in “42” and I had just come off “The Help.”

    We were both anxious about putting what would be our sophomore films into the world. We talked openly about fear and what part it had played in our lives up until now. Chad turned to me and said, “What we’re really anxious about is proving to ourselves we can do it again.”

    At that moment I got a glimpse of how wise Chad was, and I wanted more. We won over the Browns that day and then as Chad put it with his intoxicating grin, “This s—’s about to get very, very real.” Later at the airport, we pledged to each other that if one of us thought the film wasn’t working in any way due to him or myself thinking that one, both or the other wasn’t up to the challenge, we could be truthful about it and stop the whole damn thing. I don’t know what the studio would have done if that had happened but we didn’t care.

    Establishing that level of love, honesty, trust and commitment between two men was the only way we were going to pull it off. We embraced and in that moment became friends and brothers for life.

    Chadwick was a perfectionist and a consummate professional. He shared my love of collaboration. He believed, like me, that good ideas can come from anybody anytime, anywhere. But he also taught me about dedication, resilience and so much about love. He listened to me as a partner, not as a critic. If he or I questioned the other’s opinion, we talked about it openly and deeply and always ended up with a solution neither of us saw coming. He let himself go in his performance without any sense that people were watching him. It was unlike anything I’d ever seen. He stayed in character not because that was his method, but because he became James Brown. He would strut up to my first AD (a beautiful blonde from Mississippi) pull her into his arms and as Mr. Brown says, “Hey pretty white lady, Mr. Brown needs a sandwich” then give her a gentle kiss on the cheek. At one point my AD looked at him and begged Mr. Brown to never leave her.

    That is just how talented and charming Chadwick was.

    The love and respect he had for the crew, the extras, the caterers was sincere and felt by all. In the beginning, he would ask for many takes because he had just discovered something else that he needed to try. In all seriousness, Chadwick explained to me that when he was acting in a scene, the real James Brown would talk to him from heaven. I would oblige him, and each take wasn’t better, but it would be completely different and equally as wonderful. I told him that we’d never finish the film under our limited time and budget. In character he said, “Mr. Taylor, Mr. Brown needs to do it again.”

    Under the spell of that grin, we go again. The next morning, I came to his trailer and I handed Chadwick a plastic red card.

    I told him that when I was happy with a take he needed to trust it as we promised each other in Georgia. When he wanted another take, he could present this card to me and I’d do it his new way as many times as he needed until he was satisfied but he only got one card each day, so he better save it and choose wisely when to use it.

    With curlers in his wig, he turned to me in character and very sternly said “Mr. Taylor, you gonna tell the Sex Machine he needs a card to do his thing?!” I immediately worried that I had done wrong. Not by Chadwick but by Mr. Brown. Then he burst out laughing and Chadwick, threw his arms around me and said that it was a good idea.

    We used that card for the rest of the shoot and once a day, usually at the end, he would present it to me. It wasn’t because he thought he could do better. It was because we were having so much fun together. How I wish I could go to him now and give him the red card and say “Please do it again.”

    This past March I checked on my friend, as we did, asking if he was in South Carolina with his family riding out 2020. He told me he was sick and not comfortable traveling, but he’d promised himself as a little boy he wouldn’t be in California when the world came to an end.

    Even as a little boy Chadwick knew his purpose and where his life was headed and where he was going to take it. Chadwick got what he wanted. He didn’t die in California because South Carolina went to him and his wife and family were with him until the end. Chadwick told me he loved me that day and that was the last time we spoke. He never shared his illness with me. I now realize he was telling me goodbye the only way he could.

    Chadwick Boseman wasn’t just a talented actor, dancer, writer or superhero, he was a beautiful, majestic creature put on this earth to help people. He changed everyone he ever met or worked with. I am one of those fortunate people. I’ll be talking to Chadwick just like Mr. Brown did with him because as James Brown always said, “You can’t stop the funk.”

    I miss and love you my friend.

    Tate Taylor is a writer, actor and director whose credits include “The Help” (2011), “Get on Up” (2014) and “The Girl on the Train” (2016)

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    Default Dan Aykroyd Remembers His Time With ‘Get on Up' Co-Star Chadwick Boseman


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