Yes. As well as whomever is in charge of the promotion of Xscape, it has been much much better than MICHAEL promotions. I wouldn't mind if they want to work on the next posthumous release.
To keep it real, MJ alone cannot sell itself anymore (gone too soon), as well as the sound presented in the originals/demos. Not that they're terrible, no... but in order to attract the
general public they need that "contemporizing" sound to introduce and remind the people who's the greatest (as what the collaborators coined). They could get the original collaborators yes, but would they meet today's industry's tastes? PEople need to remember it's not about only serving the hardcore fans, you also have the global audience. And this is my very own opinion, but I think they've done that, without going too far, they kept it respectable and in their efforts for the love of the King of Pop. Their work is not going to please EVERYONE, to be honest, who is ever satisfied in a fan community? There will always be compromises in posthumous releases.
I'm a young adult, but have been a fan of Michael ever since I was 5 years old (though I like to think I was before I was even born because mother would play his music all the time when I was in her belly

), so through the years just like others I've seen and felt the "magic" and excitement that surrounded Michael when he was still walking this Earth. We know his discography forward and backwards. We've heard demos and unreleased originals. But to me, doesn't mean I should stomp down the efforts of what the current team is trying to do, and I think they've done a fantastic job with what they CAN do and CAN have. Sure, there are songs that stand out to me than others, it just means I'll play those more. You have to get in a zone without knowledge of the sound of the demos in order to be touched by the production. Giving it a few listens.
Overall, from the sounds of what we heard so far, I think they did a good job bringing Michael into light and showcasing his works into tastes of their own while still maintaining the heart of the demos. Like painting a picture of the sunset... you won't capture it exactly right, but it's beautiful in it's own way because you'll paint highlights of it, the colors and luminosity that tugs your heart.

I like to think each collaborator did that, and since their mostly fans of MJ, his music and talent speaks to them and US in different ways. Ways that are subjective so it's not going to speak to everybody, but I like to think as long as Michael's voice does the job of telling a story in these productions... that it actually speaks to you, than that's what matters as well.