Anyone who ever argues that lip syncing is okay in tours should watch WDAN and then realise why Live can elevate a song beyond all realms of brilliance.
I think his vocals on this song are great, especially on the dangerous tour.
I have never overlooked his WDAN live vocals. The dance moves enhance the vocals and vice versa. It's one of my favourite concert (especially Bucharest) parts.
The voodoo part during the which he's "the only one who can move" is great. It reminds me of the Smooth Criminal music video ritual/transe.
Last edited by Themidwestcowboy; 18-03-2017 at 09:16 PM.