Psychoniff
Proud Member
- Joined
- Apr 14, 2015
- Messages
- 933
- Points
- 0
I'm am somewhat happy with his position on the list although I think they could have been a bit more persuasive with the information about his impact on songwriting.
http://www.rollingstone.com/music/lists/100-greatest-songwriters
Here's what I would have said:
As a songwriter he was brilliant at evoking pathos to communicate and translate to his audience the feel of every word. His use of different writing styles such as dramatic prose to create tension and suspense in songs such as "Who Is It" and "Billie Jean", narrative/storytelling to unravel tales metaphorical of his own life experiences in songs like "Price Of Fame" and "Heartbreak Hotel", monologues/soliloquies to reveal inner turmoil and contradictions in songs such "Dangerous" and "Will You Be There", and stream-of-consciousness to evoke a sense of urgency and desperation in songs like "Jam" and "Tabloid Junkie". He also covered many themes in his lyrics from the femme fatale is tales such "Dirty Diana" to more serious socially-conscious anthems from the Cold War-era inspired " Be Not Always", ecological destruction in "Earth Song" to anti-war sentiments in "We've Had Enough". He also employed other nifty tricks to enhanced the listening experience or advantage or coda the the song's narrative like spoken raps, rapping, beatboxing (including as part of arrangements) and scat singing.
http://www.rollingstone.com/music/lists/100-greatest-songwriters
Here's what I would have said:
As a songwriter he was brilliant at evoking pathos to communicate and translate to his audience the feel of every word. His use of different writing styles such as dramatic prose to create tension and suspense in songs such as "Who Is It" and "Billie Jean", narrative/storytelling to unravel tales metaphorical of his own life experiences in songs like "Price Of Fame" and "Heartbreak Hotel", monologues/soliloquies to reveal inner turmoil and contradictions in songs such "Dangerous" and "Will You Be There", and stream-of-consciousness to evoke a sense of urgency and desperation in songs like "Jam" and "Tabloid Junkie". He also covered many themes in his lyrics from the femme fatale is tales such "Dirty Diana" to more serious socially-conscious anthems from the Cold War-era inspired " Be Not Always", ecological destruction in "Earth Song" to anti-war sentiments in "We've Had Enough". He also employed other nifty tricks to enhanced the listening experience or advantage or coda the the song's narrative like spoken raps, rapping, beatboxing (including as part of arrangements) and scat singing.
Last edited: