filmandmusic
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Agreed but does that mean he wasn’t very good anymore post 1975 to you?I'd definitely say most of the stuff from 1970-75. He was an amazing singer back then.
Agreed but does that mean he wasn’t very good anymore post 1975 to you?I'd definitely say most of the stuff from 1970-75. He was an amazing singer back then.
A Man’s Temptation, Maria (You were the only one), Ain’t No Sunshine, Who’s Loving You, Don’t Know Why I Love You, La La Means I Love YouAin't No Sunshine, Got to Be There, Ben, Happy, and One Day in Your Life all spring to mind.
Don't think that's what @R1chard said at all, but. Okay.Agreed but does that mean he wasn’t very good anymore post 1975 to you?
We’ll see what he says, it is at least implied imoDon't think that's what @R1chard said at all, but. Okay.
Agreed, although he had incredible vocal prowess his entire life. I think it was because his voice was still very youthful and had the ability to hit more climactic notes (think "Got To Be There" or "Too Young" especially).I love Michael’s 70s voice more than his 90s voice myself.
Interestingly enough, "Who's Loving You" was originally recorded by Smokey Robinson, but it was Michael's cover that made it popular. Even now, when Smokey performs it, people come to him and say, "I didn't know you did a Michael Jackson song!"This has probably been already said in here but Who's Loving You is a great example
Yea I know but Mike's version came to be the most popular oneInterestingly enough, "Who's Loving You" was originally recorded by Smokey Robinson, but it was Michael's cover that made it popular. Even now, when Smokey performs it, people come to him and say, "I didn't know you did a Michael Jackson song!"
Yea I know but Mike's version came to be the most popular one
Gloria Jones is American but she was quite well known in the UK.Well, its just one of those situations, where we can't always see or control what's going to happen. Another example is the 1980s pop hit "Tainted Love", by the British duo Soft Cell. I heard that song so many times as a kid, and I still enjoy it. But when I was in college, I learned it was actually a cover, originally done by UK soul singer Gloria Jones in 1964.
I never knew that! cool!Well, its just one of those situations, where we can't always see or control what's going to happen. Another example is the 1980s pop hit "Tainted Love", by the British duo Soft Cell. I heard that song so many times as a kid, and I still enjoy it. But when I was in college, I learned it was actually a cover, originally done by UK soul singer Gloria Jones in 1964.
Agreed, although he had incredible vocal prowess his entire life. I think it was because his voice was still very youthful and had the ability to hit more climactic notes (think "Got To Be There" or "Too Young" especially).
Once his voice dropped in puberty, it was harder for him to maintain those same notes. You can hear this especially on the live version of Got To Be There from the "Live in Japan" Jackson 5 album from '73, mainly when he sings "I need her sharing the world beside me", a line that originally had some of the most climactic notes in the song. But on this live version, he probably holds these notes for a third of the original time.
That's so crazy. It's also crazy how many live performance footage from the Jackson 5 era is unreleased or lost. Just think about all the stellar Got To Be There performances we will most likely never get to see and hear.This is the only available live performance of the song where Mike sings it like on the record
Hopefully it will be found so we can see all of Michael's performances!That's so crazy. It's also crazy how many live performance footage from the Jackson 5 era is unreleased or lost. Just think about all the stellar Got To Be There performances we will most likely never get to see and hear.
I would assume that a lot of concert audio is out there. Maybe not video footage but at least audio. The Jackson 5 Live at the Forum double album is testament to that.That's so crazy. It's also crazy how many live performance footage from the Jackson 5 era is unreleased or lost. Just think about all the stellar Got To Be There performances we will most likely never get to see and hear.
MJs "90s Voice" was very important. Any guy with a "falsetto", any kid who started performing, they all could do what MJ did unfortunately. Hence all these new "Kings of Pop". Almost every male artist gotten popular in the last few years did what MJ did back then. He outgrew it just like he outgrew Off The Wall disco. Imo anyway.We’ll see what he says, it is at least implied imo
I also don’t really care, I love Michael’s 70s voice more than his 90s voice myself.
That whole album is a good showcase for Michael’s vocals, really.
A really underrated song from The Jacksons. I love Mike's soulful vocals on this one and that "feel" note at 0.45 and 1.33 is wonderful
Definitely.That whole album is a good showcase for Michael’s vocals, really.
Ah, the Louis Armstrong growl! You’re right, he didn’t use that much later on.Definitely.
I like the way Michael sings "There" at 0:16 in Keep on Dancing. It's something he didn't do much of later and it's a little bit of a pity.
Sounds like his verse on Get It. Another great case of his vocal talents.Definitely.
I like the way Michael sings "There" at 0:16 in Keep on Dancing. It's something he didn't do much of later and it's a little bit of a pity.
Does he do it on Get It? Are you sure you’re not confusing him with Stevie? Stevie does it quite often indeed.Sounds like his verse on Get It. Another great case of his vocal talents.
I didn't quite mean that. Just trying to shine a light on the earlier stuff that this board mostly ignores.Agreed but does that mean he wasn’t very good anymore post 1975 to you?