yeah well we're talking about Will I Am producing and working with MJ...which is exactly what Q and Teddy did.
no they don't write the song but they produce the song...they work with the artist to make the song technically better and stuff right?
The song writer WRITES the lyrics and stuff...
A producer doesnt not change melody or music but does come up with beats and can pick what songs are on the album but MJ being the Executive Producer will have final say anyway. Also a producer can pay for the recording sessions in that he will get a profit of the album when released.
From wiki:
In the music industry, a record producer (or music producer) has many roles, among them controlling the recording sessions, coaching and guiding the musicians, organizing and scheduling production budget and resources, and supervising the recording, mixing and mastering processes. This has been a major function of producers since the inception of sound recording, but in the later half of the 20th century producers also took on a wider entrepreneurial role. These activities comprise record production.
The music producer could be compared to the film director in that the producer's job is to create, shape and mold a piece of music in accordance with their vision for the album.
I am a really huge MJ fan but in my opinion MJ should not have used those people to re-create those songs. I heard the music and I was a bit disappointed. I hope the new album does not sound like that. Thriller and Billie Jean ('80s) was a huge success; he should have just left it the way it was so people will remember how great it was. He should create new songs; not re-create something that he has already done. History should be just that; HISTORY.
actually, the majority of pop producers nowadays (well, since the 90's) have had more of a composition/song-writing role as well. will.i.am is one of those cats and so were Teddy Riley, Jerkins, Dr. Freeze, Jam & Lewis etc etc. Quincy didn't do that.A producer doesnt not change melody or music but does come up with beats
I am a really huge MJ fan but in my opinion MJ should not have used those people to re-create those songs. I heard the music and I was a bit disappointed. I hope the new album does not sound like that. Thriller and Billie Jean ('80s) was a huge success; he should have just left it the way it was so people will remember how great it was. He should create new songs; not re-create something that he has already done. History should be just that; HISTORY.
actually, the majority of pop producers nowadays (well, since the 90's) have had more of a composition/song-writing role as well. will.i.am is one of those cats and so were Teddy Riley, Jerkins, Dr. Freeze, Jam & Lewis etc etc. Quincy didn't do that.
Actually, they were credited for the beats they came up with which is what I said prior.
not really - you said they don't change melodies etc. Teddy Riley, Dr. Freeze, Jerkins, Andre Harris, Lewis&Jam and Dallas Austin were also credited for song-writing and composition on nearly every song they made the beat for - and that's how these guys usually operate with other artists.
point is, they do tend to have a role as composers or can tweak around with an already composed song. same as how mixers and engineers nowadays can have a minor role as producers or vice versa. there's no clear definition for what a record producer does.
no not just because of the rhythm (!). Teddy Riley in fact wrote the whole of Remember The Time and presented it to MJ. Dr. Freeze wrote Break Of Dawn and Jerkins and his brother for You Rock My World. Andre Harris is a great nu-soul producer who solely composes many of Floetry's amazing songs - that includes Butterflies and its dreamy Rhodes piano chords. then you got co-composition with tracks Michael wrote. etc etc etcThats the same thing. They were credited because of the rhythm they came up with along with the other artists who wrote lyrics or melodies.
They're not a composer for just coming up with a drum track. And they cant touch anything on the track without MJs approval. Well except Bill Bottrell who laid down the track of Come Together without MJs permission but when he heard it he liked it.
And I gave a definition of what a producer does above.
no not just because of the rhythm (!). Teddy Riley in fact wrote the whole of Remember The Time and presented it to MJ. Dr. Freeze wrote Break Of Dawn and Jerkins and his brother for You Rock My World. Andre Harris is a great nu-soul producer who solely composes many of Floetry's amazing songs - that includes Butterflies and its dreamy Rhodes piano chords. then you got co-composition with tracks Michael wrote. etc etc etc
those producers are professional musicians as well as song-writers and arrangers. they're not credited for simply coming up with a drum track - that's silly and that's NOT what a producer does. and if will.i.am makes it to the new album, then be sure he would have wrote a few songs here and there like he did with John Legend - won a Grammy for his song-writing skills.
having to quote wikipedia for what a producer does is working against you here mate - it's not as black and white as you seem to portray it.
yes, generally in these times they are. i just told you how many tracks all those producers wrote, mate! and that's just for Michael Jackson.Yes you're right that those artits are musicians as well as producers. But generally a producer is not a writer or composer and nothing on MJs album will be changed because of a writer unless the Executive Producer MJ says so. A producer is like a director of an album and not all directors are actors!
i didn't mean to put words in your mouth but you said "They're not a composer for just coming up with a drum track" which gave me the impression you thought they had a relatively minor role.BTW Im not basing my facts on wiki. Thats was just to help clarify a bit more what a producer does to someone. Im not claiming that producing is as cut and dry as someone who comes up with beats. Thats just silly and is putting words in my mouth.
My understanding is that you can get a song writing credit for writing a pretty small (or large) amount of lyric, music or beat. If you write something (anything) in a song, you should get a song writing credit for it. Quite often though, a producer will present a beat or piece of music to the artist and the artist will write or contribute to the lyrics and music of that track.
... of the MANY possibilities of how a song comes about! e.g. that was true of Jam and Lewis for Tabloid Junkie but on the other hand, Jerkins bros presented MJ with You Rock My World as a whole demo'd song for which he virtually collaborated with them to make.The producer submits an idea or beat or theme, and the artist develops the song around that. Or they work together to develop the song.
^ sure they don't have to be, but you'll find the majority of them are.
i don't know why you're going off on other genres when i specifically pointed out several posts ago we're talking about mainstream urban (pop) producers. certainly where Michael Jackson is concered (and that's our topic here), all his modern producers have had and will continue to have a role in songwriting /composition. i don't understand why you're defending against this when the facts are right in front of you! are you telling me those names and MJ songs i listed are falsely credited to their original songwriters who, god-forbid, just happen to also be beat-makers? lolThats where I disagree. You're only talking about some of the more popular albums as of late where the majority of producers in the industry are not musicians or writers. Classical albums, jazz albums, country albums, alot of those producers are not musicians or writers and even alot of producers on pop albums these days arent musicians wither but come up with sounds via computer and desks and then are still credited for writing but if you gave them are real instrument they wouldnt know what to do. They're more like DJ's coming with sounds. Like I said before producers are like directors and not all directors are actors.