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But it seems the labels haven't accepted it! If the industry is making claims like he "sold a million albums" when we know he did not sell that many, and we don't know if he sold half a million or 0.1 million.We're deep into the era of streaming. Might as well accept it.
last friday figures.@kxthrills
"Michael Jackson's most streamed daily songs on Spotify (September 4)
*5 songs over 500k
*6 songs over 400k
*11 songs over 300k
*17 songs over 200k
*23 songs over 100k
Total daily: 10,822,798
Total overall: 18,504,171,984"
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last friday figures.
Can nobody find a way to do this? I think the seasonal effect (eg Thriller, Christmas songs, ones that are only popular in the summer) would be really fascinating.Like, I'm a numbers guy, but reading through a dry list like this is boring and pointless.
I might be more curious about it if it was presented in a novel or interesting way. Example: a pie chart showing the distribution by album. A line graph showing cumulatives Vs time for each song. Differences between the different streaming platforms. The data filtered by non-singles, etc.
In the last two pages I've literally posted graphics showing Chicago at No.3 in Spotify monthly and daily lists. There's one post literally two posts upthread from yours.I'd love to know if Chicago is popular on Amazon, Spotify, YouTube and Apple, or just one of them.
Maybe the people who post on X (or wherever) can help. @kxthrills @MJJSpotify2015 @mjchartdata @MJJCharts - those are the main ones that are still active. @BelgiumMJfan used to do stuff. Not sure if they are still around.Can nobody find a way to do this? I think the seasonal effect (eg Thriller, Christmas songs, ones that are only popular in the summer) would be really fascinating.
Yes, but my question was whether it was just Spotify, or the others too. For example, maybe it's only doing well because it randomly appeared on an auto-generated playlist, or was paid to be put on a particular editorial playlist. Most people aren't picking the songs they listen to.In the last two pages I've literally posted graphics showing Chicago at No.3 in Spotify monthly and daily lists.
Yeah, I was intrigued too. That's why I mentioned that it would be interesting to have a list filtered by non-singles, or "deep cuts".I post these graphics often bc I love the fact that Chicago is still doing well with its streaming figures.
All I'm saying is that it's pointless to keep reporting that Dirty Diana had 8700 listens today and 8600 the day before that. Trends are more interesting. Reasons why it happens are more interesting. Pie charts by album are interesting. Thoughtful analysis is interesting.Presumably the other X accounts use the same sources for data. Then they post stuff.
Those Spotify stats I re-posted are Spotify only bc, y'know, it was a Spotify list. LOL.Yes, but my question was whether it was just Spotify, or the others too.
No idea how you would get that data. I guess you would need to find a data specialist to help you out.For example, maybe it's only doing well because it randomly appeared on an auto-generated playlist, or was paid to be put on a particular editorial playlist.
Most people aren't picking the songs they listen to.
I think many people understand how the streaming thing works. Otoh, I also think a lot of people don't really care, lol.Sales charts used to report (almost) the whole market, they weren't broken down into Virgin, Tower, HMV, Walmart etc. But with streaming there is no way to know what everybody is listening to - we only have data from each of the 5-10 platforms. So even if you take the biggest one, you're still only looking at about 1/3 of the market. Which is why these numbers don't mean as much as people think they do.
My interest in this sort of data ebbs and flows. But I understand why people find it pleasing and like to post it.All I'm saying is that it's pointless to keep reporting that Dirty Diana had 8700 listens today and 8600 the day before that.
Is anyone doing that type of data breakdown? I had a really vague idea that @BelgiumMJfan used to do something a bit different than the other data peeps but I can't seem to find them - haven't seem them online for ages, actuallyTrends are more interesting. Reasons why it happens are more interesting. Pie charts by album are interesting. Thoughtful analysis is interesting.
Now you've confused me. Michael's Halloween thing gets tracked in minute detail. Not so much on MJJC but it does get monitored. Check out @andjustice4some on X (and presumably elsewhere online). By the end of Sept they'll be gearing up to run another Halloween Thriller Challenge in the last week of October.Things like seasonal effects (Halloween).
I guess that would end up trending on TikTok but would anyone actually be collecting that data?** I mean, apart from the record labels and maybe the Spotify playlist editors?One-off effects (maybe a song was used on a TV ad).
I'm stating the obvious here but ... we all do our 'Michaeling' in our own way and what makes sense or is pleasing to one person might not appeal to the next person.But raw numbers (especially incomplete raw numbers) are just pointless. It's just regurgitating tables for the sake of it. [...]
Exactly. Back in the day, people didn't care who sold records from Virgin Megastore. What people cared about was who sold the most records all together, from every store.Those Spotify stats I re-posted are Spotify only bc, y'know, it was a Spotify list. LOL.
That's what I mean. I'm just saying streaming numbers cannot be trusted. They're simply open to manipulation in the way that physical sales were not. Streaming numbers don't mean anything.No idea how you would get that data. I guess you would need to find a data specialist to help you out.I'm no longer even reading the Liz Pelly book about Spotify. There is a chapter called 'This Is ... Payola?' I got as far as the paragraph where she starts to explain about Discovery Mode and it's so depressing I just stopped.
Well, exactly. I don't care. I don't give a shit what other people like. I don't really understand why others here care about what strangers listen to.I think many people understand how the streaming thing works. Otoh, I also think a lot of people don't really care, lol.
What I'm saying is, it's better to have ONE really interesting article per week, rather than getting spammed 3 or 4 times every day with what boils down to a copy/paste of the last line from the bottom of a spreadsheet that I'm supposed to "read".My interest in this sort of data ebbs and flows. But I understand why people find it pleasing and like to post it.
I have no idea. I've never looked. But if there was it would be better than this thread.Is anyone doing that type of data breakdown?
You see - straight away I learn something. MJ's 2nd biggest city is Santiago. Interesting! Let's discuss that.musicmetricsvault.com does a graph but I'm not sure it's really what you're looking for. I think it's still far too basic for you.
So, most likely, if there was a graph of monthly listeners to Thriller, there's a big peak every October. But what other songs have something like this that we don't know about? There must be something buried in the data. Let's look for it.Now you've confused me. Michael's Halloween thing gets tracked in minute detail.
I think we can all agree that it would be more interesting if somebody did that, instead of obsessively mashing the Refresh button every few minutes and rushing here to tell us about it. I'm just trying to help Beltrano from wasting their time with this constant flood of trivia that isn't important today and will be even less important next week. Like, I get the impression that even Beltrano isn't reading each post before he presses the Post button.I guess that would end up trending on TikTok but would anyone actually be collecting that data?
Its a discussion board. How are we supposed to discuss something that has no value or nothing to actually talk about?I'm stating the obvious here but ... we all do our 'Michaeling' in our own way and what makes sense or is pleasing to one person might not appeal to the next person.