innuendo141
Proud Member
Now that the full version of the MJ only sung What More Can I Give has somehow leaked online, I think it's a nice time to reassess this little unfortunate gem.
To be honest, it's always been a case of "there's a good song underneath there somewhere" for me. I always liked the song, but I've been very vocal in many of my posts about how I felt about "popular" music at the time. My biggest gripe was that I disliked most of the singers chosen for the recording. Also, the fact that it seemed like 5,000 people sung the song made it sound so muddled. To this day I don't know quite a few of their names. Nor have I any interest in finding out.
With We Are The World, each line was sung perfectly and when I hear the song I see the video in my head, knowing who sung what line and how. With WMCIG, I felt that everyone tried to sing the same way, mainly go for the Rn'B style of curdling every note. The voices on We Are The World all had a different character and sounded like they had a different story to tell, where as with WMCIG if sounded so manufactured and "plastic" which is a term I use a lot about that period.
The song itself has a gorgeous melody, and I think even if it was just MJ and an acoustic guitar it would sound absolutely gorgeous. The production for the song doesn't over do it, and listening to the simplicity of Michael sing the song on his own really does confirm that it's a gorgeous simple song with a beautiful message.
Even though just a rough vocal, Michael sings flawlessly and does not overdo any line. This is where the final version fails. It sounds like everyone is trying to impress reather than to make an emotional impact. Michael simply here sings the lines and lets the message do the talking.
What really strikes me, as it did with toda Para Ti, is how lovely the chorus is WITHOUT the N Sync part, which smothered the song, effectively making the chorus muddled. Imagine Stevie's ad libs during the first chorus of WATW? Impact GONE.
Interesting to see that the "Say the word, I''ll lay me down for you" (always loved the Simon and Garfunkel nod here) part is the same vocal take used for the broadcast of the live performance at the Concert for NY.
I hope this version is released in HQ some day so we can really appreciate the simplicity of a nice good natured song with massive intentions that sadly never reached its commercial potential for one thing or another at the time of supposed release.
To be honest, it's always been a case of "there's a good song underneath there somewhere" for me. I always liked the song, but I've been very vocal in many of my posts about how I felt about "popular" music at the time. My biggest gripe was that I disliked most of the singers chosen for the recording. Also, the fact that it seemed like 5,000 people sung the song made it sound so muddled. To this day I don't know quite a few of their names. Nor have I any interest in finding out.
With We Are The World, each line was sung perfectly and when I hear the song I see the video in my head, knowing who sung what line and how. With WMCIG, I felt that everyone tried to sing the same way, mainly go for the Rn'B style of curdling every note. The voices on We Are The World all had a different character and sounded like they had a different story to tell, where as with WMCIG if sounded so manufactured and "plastic" which is a term I use a lot about that period.
The song itself has a gorgeous melody, and I think even if it was just MJ and an acoustic guitar it would sound absolutely gorgeous. The production for the song doesn't over do it, and listening to the simplicity of Michael sing the song on his own really does confirm that it's a gorgeous simple song with a beautiful message.
Even though just a rough vocal, Michael sings flawlessly and does not overdo any line. This is where the final version fails. It sounds like everyone is trying to impress reather than to make an emotional impact. Michael simply here sings the lines and lets the message do the talking.
What really strikes me, as it did with toda Para Ti, is how lovely the chorus is WITHOUT the N Sync part, which smothered the song, effectively making the chorus muddled. Imagine Stevie's ad libs during the first chorus of WATW? Impact GONE.
Interesting to see that the "Say the word, I''ll lay me down for you" (always loved the Simon and Garfunkel nod here) part is the same vocal take used for the broadcast of the live performance at the Concert for NY.
I hope this version is released in HQ some day so we can really appreciate the simplicity of a nice good natured song with massive intentions that sadly never reached its commercial potential for one thing or another at the time of supposed release.