loka;4040162 said:
Please, bring some arguments...
Did you know the previous versions of Smile and please answer :
What did MJ bring to the track, except his name ?
I hope you really give a try to Nathalie Cole version which stills the reference...
The Importance of Smile
Michael Jackson's Smile has always been one of my favourite records. Like many of my favourite MJ songs, I can remember hearing it for the first time, on the day HIStory was released when I ran to my room to play the album in its entirety.
To put Smile into perspective, you need to put the HIStory album into perspective. After the 1993 allegations, nothing about Michael Jackson would ever be the same, and that includes his music. Dangerous had already seen Michael move into darker territory; from light, pop melodies to a more sinister, anguished, socially conscious terrain.
With HIStory Michael went into full victim mentality, I've said before that if you want to know exactly how he felt following the occurrences of 1993, just listen to this album, it's the most auto-biographical he's ever been. In essence, it's a concept album with at least 8 of the tracks dealing directly with the allegations.
As such, it's a brilliant but very angry album. It's filled with hurt, hate, anguish, defiance and distress. Press play and after the initial distortion the first sound you hear is Michael Jackson screaming, setting the scene for songs like Scream, They Don't Care About Us, the beautiful but haunting Stranger in Moscow, D.S. This Time Around, 2 Bad – all songs answering his critics but all following the same themes. Only You Are Not Alone provides the listener with a respite from the album's theme, even songs not dealing directly with 1993 still show Michael's anger & feelings about the state of the world; Earth Song, Childhood & Little Susie.
Then we come to Smile, notable in itself being a cover version which up until Come Together had been absent on an adult Michael Jackson album, but also a song that the vast majority of listeners will not have heard.
After 70 minutes of Michael revealing himself to be tormented, lonely, fragile and hurt, he tells us that actually, life ain't so bad. The theme of anger is replaced by beauty. Beauty in the instrumentation, production and that sweet, sweet voice.
Lyrically, it's painfully obvious why Michael finally chose to record Smile for HIStory. He's telling us, and reminding himself, that despite all that's happened to him, he's the eternal optimist.