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All the songs I mentioned were selected for posthumous albums.Demoes they put on Thriller 40 or Bad 25 is not the same as what they wanna put on a posthumous studio album.
We can't say that for sure since we only know half of the songs that were considered for Xscape, the other half is as mysterious as it gets. It could be songs that are even more unfinished or it could be the same unfinished songs that were picked for Michael which is possible that they'd consider them again since almost all of the songs that ended up on the album were remixed for Michael beforehand.At least, they did before Xscape. Now they seem to prefer full vocal takes.
Eh, the vocals on those songs are finished enough. No mumbling and no empty gaps. The instrumental on them is a different thing but that wouldn't matter for a remix. The songs I mentioned are less complete vocally.As a matter of fact, you would've bolstered your case better if you had mentioned the Anka songs because those are all as unfinished as can be but they're all available to hear just like that. Probably because they were forced to once they negotiated the contract with Anka after just using his song without permission lol.
Selected is the wrong word. They were 'considered', prepared, really. And to see if it'd work. WALWTG seems to have been decided as "not working", hence why it was left in storage 12 more years.All the songs I mentioned were selected for posthumous albums.
It's probably TYLA, The Loser, GYWOOM, Who Do You Know, some Loren demos, and they did want Chicago 1945. Maybe they wanted RedOne to come off a song? We know there wasn't any Hot Street or other Quincy tunes. Your guess is as good as mine.It could be songs that are even more unfinished or it could be the same unfinished songs that were picked for Michael which is possible that they'd consider them again since almost all of the songs that ended up on the album were remixed for Michael beforehand.
Because they were trying to backdoor pilot a duets album. That Bieber duet wasn't a coincidence. And neither was LNFSG with Timberlake. That had a verse, but they removed it. Anything to make a popular sound.Also worth to point out that Hot Fun is just a verse and a chorus and that was still picked for Xscape, so this "we only picked songs that MJ recorded top to bottom multiple times" or whatever claim the estate made is completely untrue.
Selected works if it went as far as being remixed, considered is just something you think over. Kind of like how GYWOOM was considered for Xscape but never went as far as being reworked.Selected is the wrong word. They were 'considered', prepared, really. And to see if it'd work. WALWTG seems to have been decided as "not working", hence why it was left in storage 12 more years.
24 songs were pulled from the vault for that project and only 8 of which were released. We know of 6-7 songs that were considered and around 9 if we count ones that are rumoured so that leaves us with 7-10 songs that are currently unknown. It could indeed be anything.It's probably TYLA, The Loser, GYWOOM, Who Do You Know, some Loren demos, and they did want Chicago 1945. Maybe they wanted RedOne to come off a song? We know there wasn't any Hot Street or other Quincy tunes. Your guess is as good as mine.
Good point. I guess that the way they had initially sampled one of Tupac's songs for the remix of Xscape is another proof of that. Maybe that's what they wanted to do with TMO depending on how complete it is.Because they were trying to backdoor pilot a duets album. That Bieber duet wasn't a coincidence. And neither was LNFSG with Timberlake. That had a verse, but they removed it. Anything to make a popular sound.
That's what I always told myself. It would be unthinkable to miss such a “record”.I'd say we will get a new track.... this decade. The fact MJ has a top 10 hit in 6 decades is insane, and i think the estate want to keep the train going.
That's what I always told myself. It would be unthinkable to miss such a “record”.I'd say we will get a new track.... this decade. The fact MJ has a top 10 hit in 6 decades is insane, and i think the estate want to keep the train going.
Guys do you think neverland landing and make a wish are better than dream away
Oh I missed that quote from Prince.Steve Porcaro said in a seminar that he was negotiating with the estate to get Chicago 1945 released shortly before that interview, so it's very curious that both him and Teddy confirmed that they were in talks with the estate to get new music released not too long ago. Prince also said recently that they were looking into getting unreleased music released along with the biopic so maybe it's in relation to that?
Who told you about Neverland landing and make a wish no one heard them even dream away better than the lost children and speechless
Why are you obsessed with those freaking songs
They're not even better than Speechless and The Lost Children
It has to be a masterpiece to be better than those twoThey're not even better than Speechless and The Lost Children
Does anyone have info on these songs?“Get Back on Me,” “The Hunt,
Were these worked on during Bad?Bad Company,” “Broken Chair
They were made during the Bad sessions. That's all we know.Does anyone have info on these songs?
I have a feeling Tomboy and Turning Me Off are going to be good ones. I don't know why, I've just got a feeling
It still amazes me how the best and most complete demos are from the Bad sessions, Mike was really focused and on form during the Bad era
Nope. not confirmed at all.So its confirmed that Stop That is indeed Tomboy. Tomboy would've been such a hit
It literally said that in the book dudeNope. not confirmed at all.
All we know is Stop That uses at least elements from Tomboy.So its confirmed that Stop That is indeed Tomboy. Tomboy would've been such a hit
Didn't say what song.All we know is Stop That uses at least elements from Tomboy.
Matt Forger said, Michael gave Roger the multitracks of Tomboy.
Where.It literally said that in the book dude
Where.
Stop That has MJ's Hee-Hees in the background as well as an ow! in the ending. It also has a funky guitar but isnt as prominent. Stop That seems to just be Tomboy but with a reworked and expanded instrumental of itDidn't say what song.
I think what they mean is till we hear Tomboy, we won't know how much, if any, of that song appears in Stop That.Stop That has MJ's Hee-Hees in the background as well as an ow! in the ending. It also has a funky guitar but isnt as prominent. Stop That seems to just be Tomboy but with a reworked and expanded instrumental of it
Well, I can hear the Captain EO-esque rhythm that people who have heard Tomboy confirmed.I think what they mean is till we hear Tomboy, we won't know how much, if any, of that song appears in Stop That.
I can hear that swung “i bet ya’ remember” melody in the guitar, which John Barnes has said is from Tomboy.Well, I can hear the Captain EO-esque rhythm that people who have heard Tomboy confirmed.
It doesn't sound like anything from captain eo tho imoWell, I can hear the Captain EO-esque rhythm that people who have heard Tomboy confirmed.
I kinda see/hear it?I can hear that swung “i bet ya’ remember” melody in the guitar, which John Barnes has said is from Tomboy.
Starts at 0:09 mark in the left-audio track for those interested- same melody as “I bet ya’ remember” from RTT.
He said it at an event not too long ago: https://x.com/michaelbiopic/status/1712502072153624836Oh I missed that quote from Prince.
This is common practice for Biopics. Rodney Jerkins participated in remixing certain songs by Whitney Houston for example.
Were these worked on during Bad?
That article isn't all true, Broken Chair is a song from the 2000's since Neff-U is listed as the producer and he only worked with MJ in the final years of his life.They were made during the Bad sessions. That's all we know.
Registration Number / Date: | SRu000994865 / 2010-08-16 |
---|---|
Application Title: | Broken Chair. |
Title: | Broken Chair. |
Description: | Electronic file (eService) |
Copyright Claimant: | Michael Durham Prince. Address: 30402 Vineyard Lane, Santa Clarita, CA, 91384, United States. |
Theron Feemster III. Address: 16830 Ventura Blvd., Ste. 415, Encino, CA, 91436, United States. | |
The Estate of Michael J. Jackson d.b.a. c/o Hoffman, Sabban, & Watenmaker, Transfer: By Will. Address: 10880 Wilshire Blvd., Suite 2200, Los Angeles, CA, 90024, United States. |