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The Discussion of MJ's Unreleased Tracks

ChanceToDance said:
They're different sections of the song, kinda hard to tell since the song is quite repetitive but I think the snippet Zx1 shared was around the last minute of it. This one seems to be an extended snippet of the seminar recording that leaked a couple of years back.
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The song is just a loop after intro if someone make extended version of this to 3 minutes we have water in hq
 
i think im very late but i feel like all seven new snippets are so uninteresting.

Turnin Me Off especially let me down but i guess i shouldve expected it to sound like...that after how bill bottrell described it as very unlikable lmao

basing off that snippet im also surprised michael seriously considered Shut Up and Dance as of 2009, sounds pretty late 80s-early 90s

what even is Time Marches On though? did we ever hear of it before the leak?
 
MJ would have most likely spent some time totally reworking songs. So I don't think something sounding dated at the time means that it would be the exact same had he released it.

We don't know what ideas were in his head in regards to changing the tracks.
 
SmoothGangsta said:
MJ would have most likely spent some time totally reworking songs. So I don't think something sounding dated at the time means that it would be the exact same had he released it.

We don't know what ideas were in his head in regards to changing the tracks.
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I hope MJ would have kept the Korgnex tag in the final version if he got to complete it.
 
I love how people tend to see a well-written text and immediately take its side without asking who actually wrote it.

On one side, we have a member of our community who, the moment he got his hands on some unreleased material, shared as much information as he could — probably because he was trusted with it — including melodies, snippets, and structural details.

On the other side, we have a self-righteous jackass who leeches off unreleased material, using his connections and probably his wealth to take advantage of other members of the community (selling a DAT tape for €200,000 and a CD for €100,000), throwing around terms like “File Traders” as if he’s Brad Buxer himself, owning the original multitracks.

Brother, you were selling a CD with a FLAC file for €100,000 — drop the act.

And not only that, but you’ve acted like an elitist for years, never sharing a single shred of information. All you ever did was jump on the hype train whenever someone else leaked something, hoping you could sell your junk.

I’m genuinely happy that someone is finally messing with your collection.

I didn’t want to bring this up, but I can’t stand reading words like “hurting fans” coming from that guy. ****** elitists think they own the vault. Mike would’ve been disgusted by people like you.
 
NetflexKing said:
I love how people tend to see a well-written text and immediately take its side without asking who actually wrote it.

On one side, we have a member of our community who, the moment he got his hands on some unreleased material, shared as much information as he could — probably because he was trusted with it — including melodies, snippets, and structural details.

On the other side, we have a self-righteous jackass who leeches off unreleased material, using his connections and probably his wealth to take advantage of other members of the community (selling a DAT tape for €200,000 and a CD for €100,000), throwing around terms like “File Traders” as if he’s Brad Buxer himself, owning the original multitracks.

Brother, you were selling a CD with a FLAC file for €100,000 — drop the act.

And not only that, but you’ve acted like an elitist for years, never sharing a single shred of information. All you ever did was jump on the hype train whenever someone else leaked something, hoping you could sell your junk.

I’m genuinely happy that someone is finally messing with your collection.

I didn’t want to bring this up, but I can’t stand reading words like “hurting fans” coming from that guy. ****** elitists think they own the vault. Mike would’ve been disgusted by people like you.
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Its his irony and hypocrisy that really sells it, he’s just upset all the tiny bits of insignificant information he’s been gatekeeping about truly meaningless songs is finally going public.

Korgnex why don’t you tell everybody about “Tree of Life”

Probably just another instrumental isn’t it…😢
 
Korgnex said:
If it wasn't obvious, you just made it clear to everyone you think of your doing as some weird sort of d*ck-measuring-contest. Except there's no competition.

All this talk about collectors, gatekeeping and then look at you - a file trader - you just behave and act the same way that you and some of your pals are accusing and ridiculing serious collectors of. And they don't even do what you accuse them of.

It is just you doing all this nonsense:
- You're spreading (mostly) false and misleading info about unreleased work - from hearsay.
- You act like you are in possession of this material and make people anticipating a leak to follow. That's the worst thing you can actually do to a community because people often get very emotional when there's a carrot in front of their faces and they can't reach it.
People were expecting leaks for MJ's birthday this year. You made them wait and wait. That's not cool.
And here they are again. Waiting for Christmas this time? I dunno. Not cool, dude.

- You act like you know what other people have or don't have. As if any person on earth would be able to know such stuff.
- You are actually gatekeeping the snippets that are circulating for very obvious reasons. Gatekeeping snippets, think about it...
- Korg, Korg, Korg... Everything has to do with me. Whenever something leaks, whenever someone claims something, it has to do with Korg. It's all Korg's collection, it must be. Oh and his collection actually sucks, lmao.

You got some serious issues with me for no reason. You know zilch about me. I don't care about haters, they always exist and they always come up with crap.

You're different though, you keep on highlighting and feeding the most horrible aspect of this community. You give priority to jealousy, prejudice, greediness and abysmal hatred towards other individuals. And the development of this thread plus a minority of its readers acting like badly brought up children shows this.

So, as others have rightfully asked due to your continous trolling: Is gatekeeping and trolling the community WITH OBTAINED SNIPPETS the new standard? How more low can you go?


This is why I am calling you out for bullshitting & trolling with the community.
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Let me break you up, somethin' propah'
Mama say, mama got you in a zig-zag!

🙃
 
What about Peter Pan? Is this one real?
Although this isn't the studio recording, THIS IS HOWEVER Michael performing the track during an interview
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michael-jackson.fandom.com

Peter Pan

"Peter Pan" (also referred to by some as "I'm Peter Pan") is an unreleased song written and produced by American singer-songwriter Michael Jackson, intended for Steven Spielberg's musical of the same name. Jackson sang a snippet of the song in a 1983 interview.[1] ( listen) "Peter Pan" was...
michael-jackson.fandom.com michael-jackson.fandom.com
 
Was turnin me off confirmed to be real? It sounds sus


Also would Korgnex be pissed if GYWOOM HQ leaks now ? 🤣🤣
 
AlwaysThere said:
Leak battle! Everyone leak something their opponent has. Best leak wins. Go!
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  • “Hallucination” (Demo) – Steve Porcaro (vocals)
  • “Gone Too Soon” – Dionne Warwick version
  • “How Do I Tell You” – Babyface
  • Pepsi Commercial Demos – Writers’ demos for “I’ll Be There” and “Black or White”
  • “Tree of Life” – Instrumental demo by Bryan Loren
  • “2 Bad” – Instrumental demos
  • “Family Thing” and “Dream Girl” – Instrumentals by Bryan Loren
  • “In the Closet” – Alternate edits
  • “Smile” – Two studio master tracks
  • “Bombay Nights” – Instrumental demo
  • “Who Is It” – Alternate remixes
  • “The Lost Children” – Studio master track
  • “Family Thing” – Demo by Bryan Loren
  • “Dangerous” – American Music Awards 1993 studio version
  • “Planet Earth” – Unreleased project (not identical to the bonus track on This Is It)
  • Invincible – “Work in Progress” album (15 tracks)
  • “Don’t Be Messin’” – Unreleased long version (1990)
Essentially, a whole lot of nothing.
 
GYWOOM said:
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What's the point of covering up the dates? They're not THAT important in the long scheme of things, they're just recording dates. Korg's tendency to do stuff like that always baffles me, even with the explanation he gave me months ago.
 
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