@kelley Its confirmed now straight from the horses mouth it was the allegations causing the re-shoots.
DEADLINE: In terms of everything that happened where you initially shot the film, and then the whole upending between the dramatized accuser and the estate… Has there ever been a challenging film such as this in your career?
FUQUA: All movies have different challenges, but this one was really unique. It was an extra punch in the gut for me at that moment, because I was in the exact same situation with
Emancipation. I was literally handing in the director’s cut when Will [Smith] slapped Chris [Rock]. I was floored and devastated and knew what that meant overall and that the movie would be written off. This was a similar situation, because I was handing in the director’s cut and I get this call. That was a tough day.
DEADLINE: It’s clear the groundwork you’ve laid in Michael in regards to telling the story in a sequel about the accusations brought against him. The fact that it wasn’t addressed in Part 1, did that weigh heavy on your mind and the studio’s?
FUQUA: It definitely did for a while, because we had to rethink everything. That was a tough period. Graham, [screenwriter] John Logan and I banged our heads around. We had a lot of meetings. But we clicked into it at the same time: The movie is called
Michael so you have to focus on Michael. Unless you can truly take your time, let’s go back to the beginning and really show people who he was on the stage. He’s a superhero on the stage. Just like a human being, movies have the power of empathy to just say this is a human being. No one is perfect. It was important to take the audience through a process of how do you get to wherever it’s going to go in a second movie; for people to get a bigger idea of his personality and what shaped him.
What we realized, if you start there, some people who don’t know Michael, it’s out of context. His arc was so extreme. It was important for us to go back, and give them a journey to go on with Michael. There was also a certain amount of abuse he was always dealing with emotionally and physically in that household with his father. If you don’t do that, you won’t understand him and where the story goes. We planted the seeds: He starts talking to John Branca about the pills, ‘These pills are making me sleepy and the doctor is saying you gotta take these pills’; that’s what killed him. So, it was set up along the way that these are the things that led to wherever it’s going to go which we all know. That’s part of the tension you feel, because you know it didn’t end well, unfortunately.
DEADLINE: How long did it take John Logan to write the additional scenes?
FUQUA: I can’t remember the exact amount. We were writing while we were shooting. As we were shooting, we were discovering things. We had the structure down. Once we had that, Graham and I would go through that, then we’d sit with John. It was a lot of digging and going back at scenes we had before.
DEADLINE: You have a third of footage that can go into the potential sequel?
FUQUA: Absolutely.
'Michael' director Antoine Fuqua talks about the challenges in making the Michael Jackson biopic, the reshoots and an upcoming sequel.
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