Michael did not have anything to do with remixes, so Sony put me in charge of the remix portion of it. Not that I was having to do it or oversee it, I was having to interface in such a fashion with all of the parties that were doing the remixing, and supplying them with what they needed, and then getting their results back. [...] After Michael completed the work that he was required to do in Los Angeles, Michael went to France, and he became a little bit more difficult to communicate a lot of details on completing mixes, so I had to step up, and take on a slightly larger role in the process. [...] I was having to, in the middle of some portion of the project, fly to Paris and play things for Michael, and then he got on the phone and gave the people back in LA notes as to what he wanted done. [...] In the mastering phase, I got to be the person supervising that, and then I was supposed to fly back to Paris and visit Michael again, but at the same time there was a deadline for the mastering of the album, and I decided I'd let someone else go in my place to Paris. [...] I think it might've been Brad Sundberg, and there was some kind of a glitch in the technology, and all the stuff that I had organized so well, they encountered some problems that I felt terrible about, but at least the album was delivered to Sony in time for them to make the release, so I completed what I was supposed to do.
.
