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This! The song's bland.or if the track actually sucks?
Cry is extremely bland and generic. The title is "Cry" but the song doesn't evoke any "cry" emotion, either through melody or lyrics.I wonder if people dislike Cry so much because R. Kelly wrote it, or if the track actually sucks? I try to stay unbiased about these things. I really love You Are Not Alone, and I can't just erase the magic of Michael's performances or his contribution to the song just because it was written by a monster.
Honestly, it's a good thing R. Kelly only wrote three songs for him. Otherwise, weād have to hate a huge chunk of Michaelās discography![]()
My main beef with Privacy is that rock sound! Dammit, itās a rock song, but why does the guitar solo sound so weak? I really wish Slash had actually worked on this track.Cry is extremely bland and generic. The title is "Cry" but the song doesn't evoke any "cry" emotion, either through melody or lyrics.
You Are Not Alone does so through both. Even though it's a very simple song
Heal the World and We Are the World are very simple, kinda childlike at times, but they're both very catchy, sweet songs and they convey their core message through melody really efficiently
And Cry is very long winded too. I don't know what that song is about. I think it's about empathy or something.
That all being said, I think I'd rather listen to Privacy. Privacy is just really not memorable at all, it pales in comparison to Leave Me Alone and Tabloid Junkie. Even outside of MJ's catalog, Piece of Me and Rumors are much more interesting
Yup, there's nothing in Privacy that stands out. Even the guitar riff! I guess that's the meaning of the word bland and generic, but at least it feels more solid a concept and a song. There's a clear concept in the first place. It's a rock song that leans too much into pop, but it's not great at eitherMy main beef with Privacy is that rock sound! Dammit, itās a rock song, but why does the guitar solo sound so weak? I really wish Slash had actually worked on this track.
To be honest, it didn't even have to be Slash - any decent guitarist who knows how to command attention with their skills wouldāve done! Why couldnāt they have brought in Lenny Kravitz? Honestly, why not?
With all due respect to Michael Thompson, I think inviting him to record the solo was a mistake. I don't know, maybe heās a legend to some people, but man... Compare the solo in Privacy to the one in Beat It - do they have anything in common? I donāt think so. When you bring a guest guitarist onto a track, he has to hook you with a unique riff!
Black or White, Beat It, Dirty Diana - we love those songs not just for Michaelās incredible vocals, but for those catchy guitar melodies. In Privacy, the guitar sound is underwhelming; Iād even say they totally blew it. I wanted more from this song! It could have been so much more
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