AlwaysThere;3718635 said:
Let's go back over the evidence. Kreen, if you can answer these questions, I'd appreciate it.
12 songs appeared seemingly out of thin air sometime in 2010. Why did NO ONE know about the recordings prior to that time?
Eddie Cascio, being a longtime friend of Michael, was looked at as a seemingly trustworthy source and sold the songs for $5 million, which was a dramatic step down from his original demand of $12 million -- $1 million per song. Why would someone ask for so much for one song?
According to Eddie, all other vocal takes were deleted from hard drives because they needed room. Why would anyone uncaringly delete Michael Jackson outtakes?
Work tapes featuring Michael's vocals are rumored to exist. Why, after TWO years, haven't they been released?
Around the time of the Michael album, Michael's three children were asked to write down titles to every song that they knew/could remember Michael was working on. Why didn't a single Cascio title appear on the list? (I would believe if they forgot a majority of them and only wrote down a couple, but not a SINGLE song?)
A cappellas prove that Michael's trademark foot stomps, hand claps and finger snaps, not to mention the way certain words are pronounced and his trademark vocal hiccups, are not present. Why did Michael suddenly decide NOT to do this?
Eddie and a majority of "believers" say that Michael's age played a factor into his declining vocal performance. Yet, we have Hold My Hand and Wanna Be Startin' Somethin' 2008, both of which were recorded months afterwards. Why does Michael sound normal in those songs, but not in the Cascio songs? (Keep in mind that WBSS 2008 WAS recorded in the Cascio basement, so the belief of "amateur recording equipment" is not valid.)
Michael's children have seen him record on various occasions; Paris apparently was in the room when Michael recorded Hold My Hand. Yet, none of his children were permitted downstairs while Michael recorded the Cascio tracks? (Sneaking into a high-profile recording studio is one thing; this is someone's house. It's not necessarily difficult to just walk down a staircase and stand outside the door to listen.)
Paris and Prince both said that they heard Michael singing downstairs while at the Cascio house, but not to any of the songs that came from Eddie around 2010. What was Michael singing? And if Eddie DID have real vocals from Michael, why record 12 songs with an impersonator?
If ANY believer will be willing to answer these questions for me, I welcome it.
I don't know how to divide a quotation in several parts, so I'll number your questions.
12 songs appeared seemingly out of thin air sometime in 2010. Why did NO ONE know about the recordings prior to that time?
1- Why didn’t we know about Abortion Papers before a few weeks ago? Why didn’t we know about Best of Joy before we saw its title appear on the “Michael” tracklisting? We didn’t know about them because they had not been talked about publicly.
Actually, Roger Friedman did know about them – the songs, at least. He’d heard some of them back when they were just material for James Porte.
Eddie Cascio, being a longtime friend of Michael, was looked at as a seemingly trustworthy source and sold the songs for $5 million, which was a dramatic step down from his original demand of $12 million -- $1 million per song. Why would someone ask for so much for one song?
2- Because that’s what he thought they were worth, and wanted money? Are we going to blame someone from legally making money from songs he owns?
According to Eddie, all other vocal takes were deleted from hard drives because they needed room. Why would anyone uncaringly delete Michael Jackson outtakes?
3- That story, if it really was told, was an obvious lie designed to get MJ’s nephew off their backs. The Cascios hate him, and he, them.
Work tapes featuring Michael's vocals are rumored to exist. Why, after TWO years, haven't they been released?
4- I don’t know. My guess is PR/financial reasons (they thought to keep the story alive would hurt sales more than anything), or legal reasons (they were told by lawyers not to say or do anything in case a class action lawsuit/Jacksons suit was launched).
Around the time of the Michael album, Michael's three children were asked to write down titles to every song that they knew/could remember Michael was working on. Why didn't a single Cascio title appear on the list? (I would believe if they forgot a majority of them and only wrote down a couple, but not a SINGLE song?)
5- I don’t know what they were asked precisely, or when, or what they answered. If anybody does, I’d like that info. Like I said, did they deny MJ recorded, or did they just couldn’t remember song titles? They were just children. The point is that the Estate still went ahead with the songs, so whatever the children said or not, it wasn’t conclusive.
A cappellas prove that Michael's trademark foot stomps, hand claps and finger snaps, not to mention the way certain words are pronounced and his trademark vocal hiccups, are not present. Why did Michael suddenly decide NOT to do this?
6- I haven’t heard all of the acappellas, so I don’t know about that. I seem to recall “Stay” having finger snaps. There’s certainly a lot of “aows” and other trademarks : do we know for a fact all of them were added later on? A lot of the MJ trademarks are missing starting from the Invincible era : there’s like two “aoows” on the whole Invincible CD, and almost no “hee-hee”. Besides, if those trademarks WERE there, would they convince doubters? Or would they say they were added by the impersonator to sound more MJ-ish. After all, Jason Malachi could have sung the songs with hiccups and foot stomps and hand claps if he wanted to fool people.
Eddie and a majority of "believers" say that Michael's age played a factor into his declining vocal performance. Yet, we have Hold My Hand and Wanna Be Startin' Somethin' 2008, both of which were recorded months afterwards. Why does Michael sound normal in those songs, but not in the Cascio songs? (Keep in mind that WBSS 2008 WAS recorded in the Cascio basement, so the belief of "amateur recording equipment" is not valid.)
7- MJ sounds like the usual MJ of old on KYHU. The voice is weirdly processed on BN and Monster, just like it is on HT, Shout or 2000 Watts. And MJ’s voice did deteriorate over time. I was listening to “One More Chance” just yesterday: electronic manipulation is all over those vocals. There’s a weird artifact on the word “mystery” at some point, and at the end of the bridge, another voice comes to lengthen the last syllable. Also, you’re comparing final takes (HMH, WBSS) with guide vocals.
Michael's children have seen him record on various occasions; Paris apparently was in the room when Michael recorded Hold My Hand. Yet, none of his children were permitted downstairs while Michael recorded the Cascio tracks? (Sneaking into a high-profile recording studio is one thing; this is someone's house. It's not necessarily difficult to just walk down a staircase and stand outside the door to listen.)
8- What’s your source on that?
Paris and Prince both said that they heard Michael singing downstairs while at the Cascio house, but not to any of the songs that came from Eddie around 2010. What was Michael singing? And if Eddie DID have real vocals from Michael, why record 12 songs with an impersonator?
9- Let’s not put too much trust into the reminiscences of 10-year-old children. I can’t believe anybody would seriously expect them to remember, 3 years after the fact, what songs they could faintly hear their father sing though the floor. As long as they remembered MJ did record with Eddie in the studio, that is all the evidence that can be expected of a couple of children.