filmandmusic
Proud Member
- Joined
- Nov 30, 2021
- Messages
- 5,481
- Points
- 113
Who would you have liked to see produce an MJ album?
<currently listening to In My Time of Dying>Jimmy Page
Everyone talks about Jimmy Page the guitarist, but his work behind the board is celebrated way less often. He's a master of riffs, as his great (if occasionally self-absorbed) work on Led Zeppelin albums proves, but listen beyond those famous guitar lines and you'll hear some of the best-crafted and meticulous-sounding records of the '70s. From the sonic onslaught of Led Zeppelin II to the details tucked away in the corners of their fourth LP to the intricate shadings heard throughout Physical Graffiti, Page was a master perfectionist when it came to how those Led Zeppelin albums sounded. All these years later, they're still capable of revealing small wonders. (Gallucci)
true<currently listening to In My Time of Dying>
Really interesting suggestion. Physical Graffiti-era Jimmy Page and Michael working on something together - definitely has potential.
god, yeah! That or a Kashmir vibe (not the actual song, just the feel, iyswim).true
a song with a rhythm like Trampled Under Foot would've been great for Michael
He was producing an album for MJ or the J5 in the 70s between G.I.T. Get It Together and Dancing Machine. I donāt think many tracks were finished but the song Buttercup was released officially from those sessions on the āI Want You Back, Unreleased Mastersā album in 2009.Any Stevie Wonder is brilliant for me. Stevie and Mike were always magic together
John Barnes always brought the best out of Michael as a songwriter
Dr Freeze around 1998ish. Mike's voice was exquisite at that point and I think Dr Freeze got the best out of Michael during there time together. I think a whole RnB/new jack style album would have been interesting. On the tracks they did together Michael sounded fresh, but still had that Michael sound just matured.
No.Jimmy Page
Everyone talks about Jimmy Page the guitarist, but his work behind the board is celebrated way less often. He's a master of riffs, as his great (if occasionally self-absorbed) work on Led Zeppelin albums proves, but listen beyond those famous guitar lines and you'll hear some of the best-crafted and meticulous-sounding records of the '70s. From the sonic onslaught of Led Zeppelin II to the details tucked away in the corners of their fourth LP to the intricate shadings heard throughout Physical Graffiti, Page was a master perfectionist when it came to how those Led Zeppelin albums sounded. All these years later, they're still capable of revealing small wonders. (Gallucci)