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But you're assuming they are perfect for no real reason. If the audience isn't hearing it, there's no reason he'd waste his voice. I believe at most he would belt out lines, words, shouts here and there, but not actually put much effort if no one was hearing it.
I mean, if there is a recording that sounds good enough to use, great. But I just don't think he would bother.




im almost sure it's bucharest 96
edit yup
They shouldn't crop the image at all. The original is better because that is the full image.
They shouldn't crop the image at all. The original is better because that is the full image.
Problem is that Estate don't communicate a lot. We're still waiting for news but nothing happened, the Online Team is useless.. "rumors are just rumors" is not an answer.
I think we care more for Michael than they do.
Well of course they're not going to discuss unannounced products. At the end of the day, the Estate is a business and businesses almost never do that.
It may have been shot in 5:4 aspect ratio, which holds a little more resolution than some of the early digital cameras..
If you take Brunei 1996 as an example, that was shot in 5:3 aspect ratio. Prague being from the same year, it's likely to have been filmed with the same kinda camera's if there is fact of it being shot in high def of course! i think 5:3 is the ratio of 16mm film. Cropping material to 16:9 from the 5:3 source wouldn't make much difference, although it would be preferred to be untouched.
Looking into it, Standard 16mm is 1.33:1 (aka 4:3), whereas Super 16mm, introduced in 1969, is 1.6667:1 (aka 5:3). Assuming it was shot in Super 16mm, you could crop it to widescreen with little difference as seen below.
![]()
Looking into it, Standard 16mm is 1.33:1 (aka 4:3), whereas Super 16mm, introduced in 1969, is 1.6667:1 (aka 5:3). Assuming it was shot in Super 16mm, you could crop it to widescreen with little difference as seen below.
![]()
I'd prefer whatever the cinematographers intended![]()
Looking into it, Standard 16mm is 1.33:1 (aka 4:3), whereas Super 16mm, introduced in 1969, is 1.6667:1 (aka 5:3). Assuming it was shot in Super 16mm, you could crop it to widescreen with little difference as seen below.
![]()
I'd prefer whatever the cinematographers intended![]()