What HIStory tracks would you have left from the tracklist and what would it look like?
If I was going to change it - which I wouldn't - I would drop CT. I'm all in favour of variety and I'm not bothered whether an album is thematic. It's not compulsory. But CT just doesn't fit, imo. It doesn't ruin the album but I wouldn't miss it.
I'm only talking about Disc 2. I would drop Disc 1 altogether. I'm not a record label exec so I don't have to worry about commercial viability or where Michael was in his career at that point and 'omg, Madonna has already done blah blah blah'. None of that is relevant for my scenario. If HIStory is going to be a double album, just give me more new songs.
PS you can also flat out say you won’t change a damn thing about it.
This.
Better would have been to release disc 1 first and then the next year the new album imo
For sure. Treat them as two separate projects - which they are, imo. I really think the 'compilation' thing could have been dealt with later. Yes, I know that's how HIStory got started, as a greatest hits thing, but I don't think Disc 1 was needed at that point but, if it was, then do it as a separate thing. Get the new songs out first and do the compilation at a later date. I would always wanna prioritise new stuff.
Also, off-topic, kinda, but I would want the booklet rewritten and redesigned. It's dreadful, imo. It needs a massive upgrade. If the project is going to be all 'fancy pants' I would make the booklet a bit bigger - which means bigger packaging which makes it more expensive but, hey, this is fantasy so it's allowed, lol. So make the booklet a bit bigger, make it a better product. Ditch Disc 1 to create space for the new, improved booklet. Maybe stick a little poster in there like they did for Xscape.
This line "I'm gonna be exactly what you gonna see" in Is it Scary is full of anger and emotion so powerful both in delivery and writing.
I think that whole verse is wild. I think it's strangely overlooked, that verse, especially the first three lines.
I'm just imagining him in the studio spitting out these lyrics, I'm wanna see his face so much during the recording of these songs.
ooh, I don't think I could handle that. I don't wanna be in the same building with a volcano about to explode. I love the emotion in the song but I wouldn't wanna get too close. Danger zone!
Also superfly sister, how funky is this?!? That break when the bass comes to the front is awesome.
It's freakin' brilliant, imo.
I know these tracks by hard and yet every couple of months it feels like it is the very first time I hear them again, he just keeps pulling me in with his music.
This is what he does, isn't it? This is the explanation to everything.