Jimi Hendrix Thread

@JimiHendrix

"On May 8, 1970 The Jimi Hendrix Experience performed two shows at the University of Oklahoma. The Norman Transcript’s Editor Rob Collins looks back at Jimi Hendrix's performance and introduces us to fans who attended the show, new photos and the source of an exciting audience recording ..."



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@JimiHendrix

"On May 17, 1967 The Jimi Hendrix Experience were photographed by Wolfgang Heilemann at L'Ange de la Paix in Maximilian Park in Munich, Germany. Some of the images first appeared in the June 26 issue of Bravo magazine."

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@JimiHendrix

"On June 11, 1968 Mitch Mitchell joined Jimi Hendrix at Record Plant studio in New York where the duo developed the new instrumental "Inside Out" with the second take having Jimi's guitar directed through a Leslie amplifier. The track's basic guitar part influenced future recordings of "Ezy Ryder." "Inside Out" is featured on the PEOPLE, HELL AND ANGELS release."

 
@JimiHendrix

"Rolling Stone Partners with Super Products to Release Jimi Hendrix™ Keepsake Collectible Trading Card Series.The inaugural trading card set will pay tribute to Jimi Hendrix’s iconic February 1, 1969, Rolling Stone cover, which recognized him as “Performer of the Year.” Collect now at https://keepsaketradingcards.com"


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Though people know who he is, what he contributed to music is taken for granted.
 
@JimiHendrix

“How could you not say that Hendrix is an influence on you!” explains guitarist Lenny Kravitz. “Being a guitar player first-of-all, being a musician and being black – what an amazing combination. I don’t know what I really call Jimi… a ‘Being’ I guess. He took it all the way, and to this day, I have not heard anything more modern or more expressive.”

In this 1997 interview with Lenny Kravitz, first published in Volume 1, Issue 2 of Experience Hendrix Magazine we explore his eclectic musical influences and how they help Kravitz’ music to continually evolve.

Read More: https://bit.ly/3G9xs5q #JimiHendrix #LennyKravitz"
 

Jimi Hendrix: “Come On (Let the Good Times Roll)” (1968)

This lesser-talked-about cover from Hendrix’s Electric Ladyland sessions is a blues rock firestorm. Hendrix injects sheer electricity into Earl King’s original, pushing the boundaries of blues with psychedelic fury. His phrasing, tone, and rhythmic sensibility feel futuristic even by today’s standards. In 2025, this track is a reminder of Hendrix’s genius, not just as a soloist but as a visionary interpreter of the blues. It still sounds unhinged, free, and miles ahead of its time.
 
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