144000
Proud Member
as far as saying i'm dreaming...most great things happen from dreams. that's the way Michael operated. if record companies always operated as you say, they'd be non existent. if Michael Jackson didn't stay in a constant state of dreaming, which he was quoted as saying, Sony wouldn't be where it is, today. record companies cannot know what they are not aware of. nobody knows about people who are not counted officially as consumers. and to predict that everybody will always illegally download, doesn't mean you are going to be right. There are plenty of people out there who support their favorite artist. Again, you said you didn't want to be portrayed as knowing everything.. so..we don't. Outside factors always come into play, that we don't know about. and..by the way, the record company isn't just selling bad 25 cheap. i know there is a version out there that costs over one hundred dollars.sorry to be blunt but you are dreaming. It's no secret that the music sales have been declining for years and nothing sells as it's used to. Even though a super something is released people are a lot more likely to download it illegally then buying it. Also the world wide sales number is available. Record companies DO know how much copies they printed and sent out. Bad 25 sold 123,000 copies last week, Michael as Sony itself last said several months ago sold 2.5 Million total
But you are all missing the point why the sales number is mentioned on this thread. You might remember one of the main complaints on this thread hasn't only been the "fraudulent" vocals but also the production liberties taken. One side had stated such liberties were normal in posthumous releases , the other side stated it didn't make it acceptable. "Leave the songs as it is" has been a request coming from these discussions. And we have seen Estate go along with this request in Bad25.
This is where the sales numbers of Michael, Immortal and Bad25 comes into play. Not to compare it the sales in the 80s or compare it to the other artists or not to compare the content to other albums. Just plain look into what is selling and what is not selling in posthumous releases in today's world. As I said before their relevance is how the future strategy would be like.
If I was a profit seeking record company executive, I would have changed my focus from the fans (like they did in Bad 25) to the general public (like they did in Michael). I would have finished the songs and made them current with new mixes etc (like they did in Michael) and not leave them incomplete and the way they were decades ago. I would have kept the price low / cheap (less than $10) rather than having boxsets which is expensive.
Of course there's hope that a middle ground can be found such as such releases are accompanied by deluxe editions that also has the songs untouched.
That's what this has been about.
and it is soo not a good idea for a record company not to aim at people who you know will buy MJ music(MJ fans). why would a record company make the critical mistake of not selling to the one group of people who are policing themselves and making an effort NOT to illegally download? i do agree with your middle ground idea of making excuses to keep on re releasing untouched deluxe editions of his classics.
and, to qbee...IMO i think the only good thing coming out of Sony, these days, is that they are making excuses to keep re releasing his seven original albums. these outside demos and stuff can be considered the package surrounding the gift, that can be introduced to multiple generations. although it's hard to believe that Michael was totally out of the loop with those leaked songs. a song like Xscape would be a good one to put on the next project. That sounded like it was a done song and many MJ fans heard it and loved it.
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