BlackAnon
Proud Member
Guitar on Al Capone and TomboyDo we know what Roger Troutman did on Al Capone?
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Guitar on Al Capone and TomboyDo we know what Roger Troutman did on Al Capone?
Are you denying the direct melodic, structural and thematic through line from Billie Jean ---> Price of Fame ---> Who Is It? Believing Michael to be unaware of their similarities, in my opinion, insults his ability as a songwriter for self-quotation and intertextuality‚Blood On The Dancefloor’ is
‚Little Susie Pt. 2‘
Indeed. Teddy’s songs simply blew Bryan’s songs out of the water, as much as Bryan would have loathed to admit. Once Michael heard Teddy’s grooves, that was the way do go.Not sure I’d call Bryan’s music timeless. It’s all very distinctly late 80s / early 90s funk imbued NJS. I enjoy what he did with MJ and think he gets way too much hate, but his material was not at all worthy of making the final album. A lot of it felt like bargain bin Prince material (and this from someone who doesn’t like Prince).
All of this information has me convinced BB is nearly complete and for some reason, was held off the album at the last second.On the Victory album assistent engineer Mike Hatcher's name appears only on Be Not Always. What might be the other track he's co-engineered - BB?
Billboard 06/16/1984
![]()
Yeah, I still like Bryan's stuff a lot but it's obvious why MJ went the way he did.Indeed. Teddy’s songs simply blew Bryan’s songs out of the water, as much as Bryan would have loathed to admit. Once Michael heard Teddy’s grooves, that was the way do go.
Serious EffectIndeed. Teddy’s songs simply blew Bryan’s songs out of the water, as much as Bryan would have loathed to admit. Once Michael heard Teddy’s grooves, that was the way do go.