BlackAnon
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Guitar on Al Capone and TomboyDo we know what Roger Troutman did on Al Capone?
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Guitar on Al Capone and TomboyDo we know what Roger Troutman did on Al Capone?
Are you denying the direct melodic, structural and thematic through line from Billie Jean ---> Price of Fame ---> Who Is It? Believing Michael to be unaware of their similarities, in my opinion, insults his ability as a songwriter for self-quotation and intertextuality‚Blood On The Dancefloor’ is
‚Little Susie Pt. 2‘
Indeed. Teddy’s songs simply blew Bryan’s songs out of the water, as much as Bryan would have loathed to admit. Once Michael heard Teddy’s grooves, that was the way do go.Not sure I’d call Bryan’s music timeless. It’s all very distinctly late 80s / early 90s funk imbued NJS. I enjoy what he did with MJ and think he gets way too much hate, but his material was not at all worthy of making the final album. A lot of it felt like bargain bin Prince material (and this from someone who doesn’t like Prince).
All of this information has me convinced BB is nearly complete and for some reason, was held off the album at the last second.On the Victory album assistent engineer Mike Hatcher's name appears only on Be Not Always. What might be the other track he's co-engineered - BB?
Billboard 06/16/1984
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Yeah, I still like Bryan's stuff a lot but it's obvious why MJ went the way he did.Indeed. Teddy’s songs simply blew Bryan’s songs out of the water, as much as Bryan would have loathed to admit. Once Michael heard Teddy’s grooves, that was the way do go.
Serious EffectIndeed. Teddy’s songs simply blew Bryan’s songs out of the water, as much as Bryan would have loathed to admit. Once Michael heard Teddy’s grooves, that was the way do go.
Yeah, those Bryan Loren songs you mentioned are definitely among the good ones of what he did with Michael... Serious Effect I think should have made the cut on Dangerous, that is Bryan's best song.Serious Effect
Work That Body
Superfly Sister
She Got It
Versus
Jam
Why You Wanna Trip on Me
Remember The Time
Dangerous
Like yeah. It’s not a contest. Jam alone sounds incredible still on sub woofers.
Yeah, those Bryan Loren songs you mentioned are definitely among the good ones of what he did with Michael... Serious Effect I think should have made the cut on Dangerous, that is Bryan's best song.
But musically & sonically it's obvious the Teddy songs hit another level... It moves me in a way that Bryan's material doesn't - the driving beats, the powerful sounds etc. I think Michael made the right decision to include those songs on Dangerous to complement other strong material - Black or White, Give Into Me, Heal The World etc.
There is a difference between a "good" song and a "great" song, and this is pretty much the case here between Bryan's and Teddy's material. Though that is subject to your own taste, in the end. But it was about what Michael wanted anyhow.
Michael would have dug Bryan's sound earlier in the recording (fall 1989/1990), with that Shanice record being his favourite.Bryan's sound was just too dated by the time Dangerous was being released.
with anyone else, they would be surefire hits. but Mike was constantly pushing, striving for innovation. Bryan simply couldn't really keep up.Bryan's sound was just too dated by the time Dangerous was being released.