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Hot topic Brad Sundberg Seminars: Making Music With Michael Jackson

Re: Brad Sundberg seminars: Making Music With Michael Jackson

wednesday said:
Thank you so much for your description SoCav!!! May I ask why you believe that the Estate will not release that footage? Why would they not want to show Michael the American master in his element? I pray they will (soon) release a documentary/DVD about Michael the musician in the studio being the BOSS! This side of him has not been promoted by his estate enough in my opinion (yet). I would love to see Michael direct people, tell them what to do, arrange, record, change things, discuss things and so on. Kind of like you can see in The Making of Ghosts where you can literally watch him create the dance moves etc. Well, hopefully in my life time...
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Oh, I'm just sceptical due to their releases thus far, it's not based on any particular information. Like you say, it just does not feel like showcasing and educating the public about Michael's artistry is much of a priority for them. Bad 25 comes closest, but even that documentary (which I enjoyed) does not really go into the artistic aspects of creating the album. And despite access to a lot of unreleased footage of MJ, we only got to see really brief clips, often played while someone was being interviewed. In the Xscape documentary Michael's original work is hardly discussed at all, when that would have been a great opportunity to tell us more about the origin and creation of the songs on the record.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

the childhood video has been removed from all future shows at request of the estate. seeing as i wont be then could anyone describe the video and how long it was? people on fb are all saying it was the best thing of an 8 hours show so i'd love to get an understanding of what made it so great :) also does brad play any other videos or is the rest audio and stories?
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

edit: also its quite sad that no questions were asked at that xscape listening party for fans in regard to where this material is going to be used and if it is it'll probably be cut to a few seconds like the bad25 doc
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Dilan said:
the childhood video has been removed from all future shows at request of the estate. seeing as i wont be then could anyone describe the video and how long it was? people on fb are all saying it was the best thing of an 8 hours show so i'd love to get an understanding of what made it so great :) also does brad play any other videos or is the rest audio and stories?
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I gave a description on the previous page. As for the length of the video, it's basically the length of the song with maybe a minute and a half before it (first showing the orchestra, then MJ preparing in the booth) added at the beginning, and a few seconds at the end of MJ walking out of the booth.

Brad also has some other videos, all from the HIStory sessions (he was the one who videotaped all of this with a camcorder at the time, that's why he has this footage). One was of the Andrae Crouch Choir preparing in the Hit Factory for their recording of TDCAU, while MJ watches on from the sidelines. Another showed MJ and Julian Lennon hanging out. And there was also a short clip which showed a children's choir in the studio for the Christmas song recording that in the end never materialized. Nice videos as well, but the Childhood video really was something extra special.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

SoCav said:
I gave a description on the previous page. As for the length of the video, it's basically the length of the song with maybe a minute and a half before it (first showing the orchestra, then MJ preparing in the booth) added at the beginning, and a few seconds at the end of MJ walking out of the booth.

Brad also has some other videos, all from the HIStory sessions (he was the one who videotaped all of this with a camcorder at the time, that's why he has this footage). One was of the Andrae Crouch Choir preparing in the Hit Factory for their recording of TDCAU, while MJ watches on from the sidelines. Another showed MJ and Julian Lennon hanging out. And there was also a short clip which showed a children's choir in the studio for the Christmas song recording that in the end never materialized. Nice videos as well, but the Childhood video really was something extra special.
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ah thank you so much. just sounds amazing. as sad as I am I won't see it, it's exciting to know that it exists. Also, seeing as Prince met MJ in NY during the history sessions do you think Brad would have seen both of them in the same room?
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Latest from Brad (Starke Lake Studios)....

Let me tell you a little secret. Recording studio control rooms are the heart of a studio. Well, maybe that's the billing department, but after the billing department comes the control room. Most studios that I have worked in at or visited have a control room, a tracking room, and sometimes an overdub room. The control room is where the big console is, the giant speakers, the recording equipment, outboard gear, patch bay, etc. It is where the engineer sits at the console and records and/or mixes the song in production. The artist, producer and special guests can hear how it is coming along, but sometimes the engineer will throw them out into the lounge where they can talk and joke around and allow him or her to work in peace. The control room is sort of the "inner sanctum" of a studio.

The tracking room (aka live room, recording room, etc.), is where the musicians and/or singer is set up to record. This is so the engineer and producer to can talk about them and make jokes without being heard. (I'm kidding!!!) The tracking room is kept separate from the control room for acoustic reasons which are slightly too complicated to go into on a Facebook post, but basically you do not want the microphone in the studio to be able to "hear" the speakers in the control room, or really really bad things can happen.

The overdub room (aka vocal booth, drum booth, etc.), is another recording room found in some larger studios, where the band or orchestra can play live in the tracking room, and the singer can sing in their own little booth with microphone only picking up their voice, not the band.

So why do I tell you all this, or why should you care? I can't answer the 2nd part of that rhetorical question, but I will answer the first. Typically when I do a seminar I use the tracking room of a studio, as I have done at Starke Lake Studios in Orlando several times. But I thought it might be fun to do things a bit different this weekend for Bradx2, so I am moving the seminar, Buxer, Michael Prince, the keyboards, computers, chairs, etc., into the control room. Why? Because I can! Sure it might be a bit cozy, but we'll be fine.

I want you to feel what a control room feels like when great music is thundering from the speakers. I want you to sit in the "sweet spot" and hear mixes the way very few people ever get to hear them. I might (if you are interested) even show you some very basic studio skills like signal flow and EQ.

Yes, we'll be squished a bit, but I think it might be worth it. You'll be close enough to Brad Buxer and Michael Prince that you'll have to move your knee when Buxer reaches for a high note on the keyboard. (Ha! That even make me chuckle...) But that's how it sometimes is in the studio. A few guests show up, they find a seat and watch music get made. That makes it fun! Dress comfortably - this is a studio, not a fancy dinner party, and it might be slightly close-quarters.

Oh, speaking of dinner! My rock-star caterer Linda is providing dinner again, and she has an amazing menu in mind, as always. Linda makes some of the best desserts on the planet, so you are in for a treat!

To make sure everyone fits, I have limited the remaining number of tickets to just a couple more. There is no way I could fit a large seminar into the Starke Lake Studios control room, but I think we'll be fine.

Let's see... does that cover everything? Control room, Brad Buxer, Michael Prince, me, Neverland, music, songwriting, memories, stories, laughter, Linda's food... yep, I think that's about it.

Bradx2 - Extended Mix, at Starke Lake Studios in the Control Room, launching in just 44 hours. See you there...

Don't Be Messin' Round!
http://inthestudiowithmj.com/events/
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

I am so going to this! The hype of the Xscape album is making this a good year for Michael fans. After this there may not be as many interesting unique events being put on for fans. It's been five years, and his legacy is still going strong but inevitably things like this will start to tail off. I'm going while I still have the chance!
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

No unreleased material anymore, according to Brad. Hmm, I wonder if it's worth paying around 200 dollars to listen to nice little stories and anecdotes...
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

wednesday said:
No unreleased material anymore, according to Brad. Hmm, I wonder if it's worth paying around 200 dollars to listen to nice little stories and anecdotes...
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He didn't actually say exactly NO unreleased stuff. Please, tell me that in what he wrote there is a possibility that he means some unreleased stuff when said '...the seminar a very unique experience' ... i've bought a ticket now lol :(
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

SoCav said:
x
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hi socav, since you attened V1 of the seminar and I probably won't experience the audios and visuals you did would you be able to list all the unreleased things you experienced? So far I take it, it is
Chicago 1945 (as a one off)
I can't help it demo
Childhood video
Lennon's son meeting michael video
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

I'm gonna attend the seminar in Frankfurt in November. I hope Brad still can use some cool demos/videos as he said there's gonna be a surprise or two. I just hope it's worth the huge price. Either way, I will tell you what happened in the V2 seminars and if they're worth it :)
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

I'm gonna see him in Copenhagen and can't wait to hear and see some magic stuff.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

wednesday said:
No unreleased material anymore, according to Brad. Hmm, I wonder if it's worth paying around 200 dollars to listen to nice little stories and anecdotes...
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Did he really say that? All I saw him say is that he revamped the seminar. I don't think it's just going to be all stories and anecdotes now. The Estate seems to have contacted him about certain elements in his seminars. I still don't really understand why, especially when it comes to things like the Childhood studio footage. But I suppose he can still play certain things. The whole purpose of In the Studio With MJ is to give fans a glimpse of what it was like to be in the studio with MJ. A part of that is Brad sharing stories, but a big part of it is listening to music. Heck, many stories even build up to Brad playing a demo. I think he would have made it clear if he suddenly could not do that anymore.

Personally I just think he will not be playing unreleased songs like Chicago 1945 anymore (it surprised me that he did that anyway, because he mentioned that he simply couldn't play unreleased songs at the seminar I attended), but still plenty of demos of songs that were released.

Dilan said:
hi socav, since you attened V1 of the seminar and I probably won't experience the audios and visuals you did would you be able to list all the unreleased things you experienced? So far I take it, it is
Chicago 1945 (as a one off)
I can't help it demo
Childhood video
Lennon's son meeting michael video
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I'd have to look up my notes to get the full list but some things that come to mind are an Earth Song demo from October 1988 with just MJ's voice and piano accompaniment, a Black or White demo, Streetwalker demo, APOM demo, 20 or so minute outtake of a 3 hour jam session during which MJ and Bill Bottrell composed Give Into Me, a For All Time demo (different than on the DAT leak), a Someone Put Your Hand Out demo (different instrumental, only vocals for the chorus if I remember correctly which did have the same vocal melody as the final version), an early instrumental demo for Jam (totally different than the final version). Then he also brought multitracks for some songs (Bad, SIM, BotDF) and played around with that, isolating different parts while telling stories about the recording of those tracks. He also played us the percussion track of Liberian Girl.

There was more, but this is what comes to mind now.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

thiron said:
I'm gonna attend the seminar in Frankfurt in November. I hope Brad still can use some cool demos/videos as he said there's gonna be a surprise or two. I just hope it's worth the huge price. Either way, I will tell you what happened in the V2 seminars and if they're worth it :)
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If the adapted seminar is anywhere close to the experience of the original (and I'm pretty sure it will be), it will be totally worth it. It was by far one of the best experiences I have had as a fan. I would recommend it to any fan I know. It's really interesting to be able to spend a day with someone who worked closely with MJ over the course of many years, with a group of fans who all share a similar detailed interest in Michael. Brad is a good storyteller, open to questions, and of course the material he brings along is amazing. I can only imagine how much fun the seminars with Brad Buxer, Michael Prince and Steve Porcaro must have been.

In my opinion, it's events like this that really celebrate Michael. When you spend a day listening and watching the audio and video Brad has, alongside the stories that put them into context, you really do get an impression of what it must have been like to work with MJ in the studio on these legendary projects. It's glimpses like this that no Cirque show or massive tribute project could ever achieve, imo.
 
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Re: Brad Sundberg seminars: Making Music With Michael Jackson

SoCav said:
Did he really say that? All I saw him say is that he revamped the seminar. I don't think it's just going to be all stories and anecdotes now. The Estate seems to have contacted him about certain elements in his seminars. I still don't really understand why, especially when it comes to things like the Childhood studio footage. But I suppose he can still play certain things. The whole purpose of In the Studio With MJ is to give fans a glimpse of what it was like to be in the studio with MJ. A part of that is Brad sharing stories, but a big part of it is listening to music. Heck, many stories even build up to Brad playing a demo. I think he would have made it clear if he suddenly could not do that anymore.

Personally I just think he will not be playing unreleased songs like Chicago 1945 anymore (it surprised me that he did that anyway, because he mentioned that he simply couldn't play unreleased songs at the seminar I attended), but still plenty of demos of songs that were released.


I'd have to look up my notes to get the full list but some things that come to mind are an Earth Song demo from October 1988 with just MJ's voice and piano accompaniment, a Black or White demo, Streetwalker demo, APOM demo, 20 or so minute outtake of a 3 hour jam session during which MJ and Bill Bottrell composed Give Into Me, a For All Time demo (different than on the DAT leak), a Someone Put Your Hand Out demo (different instrumental, only vocals for the chorus if I remember correctly which did have the same vocal melody as the final version), an early instrumental demo for Jam (totally different than the final version). Then he also brought multitracks for some songs (Bad, SIM, BotDF) and played around with that, isolating different parts while telling stories about the recording of those tracks. He also played us the percussion track of Liberian Girl.

There was more, but this is what comes to mind now.
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Thank you so much for that. I know it's hard to choose better mj songs for the most part because aslong as you hear his vocals everything is great but how does it compare? Is it entirely complete, do you prefer it to al capone?
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Also, when brad did a QA he avoided the question about particularly memorable unreleased song names. In the seminar did he mention anything he remembers that he didn't play?
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Dilan said:
Thank you so much for that. I know it's hard to choose better mj songs for the most part because aslong as you hear his vocals everything is great but how does it compare? Is it entirely complete, do you prefer it to al capone?
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You are very welcome. I hope you get to hear similarly wonderful stuff at the seminar you will attend!

Which demo are you referring to with your question exactly?

Edit: ah, I think you are referring to Chicago 1945. Unfortunately, I was not at that seminar (I wish I could have been!)! Morinen who posts here was. She wrote a great detailed review about it, the link should be somewhere in this topic.

Dilan said:
Also, when brad did a QA he avoided the question about particularly memorable unreleased song names. In the seminar did he mention anything he remembers that he didn't play?
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No, I don't remember him mentioning other songs in particular. He did make it very clear that he loved Streetwalker and that he would listen to it in his car when he'd drive home late at night from the studio while they were working on Bad.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

This is a response from In The Studio with MJ to a fan question on https://www.facebook.com/inthestudiowithmj:

"..., this is not a simple question for me to answer, but the Estate is very protective of unreleased material. My seminar has never focused on unreleased items, rather I try to tell the stories of how specific songs and projects came together. In short, V2.0 of my seminar will have some different elements than before, but I would prefer not to divulge everything. Childhood was, to many people, a highlight. That's why I announced that it is no longer allowed. My intent with the seminars has always been to promote Michael as a one-of-a-kind talent; to offer his fans a day of music, laughter and learning about his creative process in an actual studio; to share stories, memories and insights about his working style, humor and persona; to create an event that would be acceptable to the people (my friends and peers) that worked with us in the studio; and to offer an event that his family and friends might embrace. I am doing everything I can make the seminar a very unique experience for my guests, and I think many of the new elements will be a lot of fun. I'm sorry if that isn't the answer you were hoping for, but I choose to respect the wishes of the Estate, and continue to invite people into the studio."

Most of the demos he played were unreleased, weren't they? Well, I hope it'll be fun anyways. I imagine it's hard to sit there for 8 hours (it's 10 with brunch) and not have any visuals etc.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

wednesday said:
This is a response from In The Studio with MJ to a fan question on https://www.facebook.com/inthestudiowithmj:

"..., this is not a simple question for me to answer, but the Estate is very protective of unreleased material. My seminar has never focused on unreleased items, rather I try to tell the stories of how specific songs and projects came together. In short, V2.0 of my seminar will have some different elements than before, but I would prefer not to divulge everything. Childhood was, to many people, a highlight. That's why I announced that it is no longer allowed. My intent with the seminars has always been to promote Michael as a one-of-a-kind talent; to offer his fans a day of music, laughter and learning about his creative process in an actual studio; to share stories, memories and insights about his working style, humor and persona; to create an event that would be acceptable to the people (my friends and peers) that worked with us in the studio; and to offer an event that his family and friends might embrace. I am doing everything I can make the seminar a very unique experience for my guests, and I think many of the new elements will be a lot of fun. I'm sorry if that isn't the answer you were hoping for, but I choose to respect the wishes of the Estate, and continue to invite people into the studio."

Most of the demos he played were unreleased, weren't they? Well, I hope it'll be fun anyways. I imagine it's hard to sit there for 8 hours (it's 10 with brunch) and not have any visuals etc.
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Yeah, basically almost everything he plays is unreleased. He also asked during the seminar at times if we have already heard a certain demo (he is not 100% up on what has been released or already leaked) and when people indicated that it's been released, he makes a note of it.

I still think with 'unreleased material' he is mainly referring to songs that have never been heard before, rather than demos for songs that have been released. When I talked to him before the seminar (he introduces himself to everybody individually) he also said he "just can't play unreleased material." He was referring to things like Chicago 1945. Now, where exactly the Estate draws a distinction is not clear to me (for instance when it comes to the Childhood studio footage), but I really think Brad at the very least would have mentioned it, if not have cancelled his seminars, if he cannot play ANYTHING unreleased anymore.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Hmm, well, we'll see soon how In the Studio with MJ V2 will differ from V1... It's just a pity about Childhood though, or any footage of Michael Jackson recording.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

respect77 said:
^ But hopefully that's because they are planning to release it in some form soon.
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lol never, they never release such qualitaive stuffs... maybe they will release the Childhood Video remastered by George Lucas in ultra high defintion feat. Darth Vader... the Estate Sucks very hardly..
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

SoCav said:
Personally I just think he will not be playing unreleased songs like Chicago 1945 anymore (it surprised me that he did that anyway, because he mentioned that he simply couldn't play unreleased songs at the seminar I attended),
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I wasn't him, it was Porcaro. He was a one-off guest, so I guess he could afford some liberties. :) I believe even for Brad it came as a surprise, and it was one time only.
 
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Re: Brad Sundberg seminars: Making Music With Michael Jackson

morinen said:
I wasn't him, it was Porcaro. He was a one-off guest, so I guess he could afford some liberties. :) I believe even for Brad it came as a surprise, and it was one time only.
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Interesting! I did not know it came as a surprise for Brad.

I do wonder if that is what caused the Estate to intervene. Earlier this year Brad mentioned to us that the Estate lawyers had recently gotten in touch with him and more or less said that they are aware of what he is doing, but will tolerate it.
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

wednesday said:
No unreleased material anymore, according to Brad. Hmm, I wonder if it's worth paying around 200 dollars to listen to nice little stories and anecdotes...
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Wednesday, this is not true. Everything Brad plays is part of the whole experience because whether you have heard it or not, Brad puts it into context. There are songs I knew that I hear and appreciate in a whole new way because of the seminar. But still, Brad did not say it has all been removed, nor should he feel the need to detail that information to us.

Having attended and helped out with several seminars, I can say that certain segments come and go as the seminar develops. If you put it off, you will miss things. But, you will also get to see/ hear newly added materiel.

The seminar would not be as successful as it has been if it were only about this one video. It is hours of music you haven't heard, footage you've never seen, and stories you didn't know. I've now been to four seminars, plus two other events (demos and wine & bradx2) and I learn something new every time.

It was a special segment, but far from the only special segment. There are many electric moments, and personally I am looking forward to the new portion he is adding this fall.

Remember, nobody owes us anything. Brad puts an enormous amount of work into creating a memorable experience for his guests, and it goes much further then pressing play on a three minute video.
 
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Re: Brad Sundberg seminars: Making Music With Michael Jackson

Hello Lark, thanks for clarifying the situation! I will actually attend one of his seminars and am looking forward to it very much!
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

wednesday said:
Hello Lark, thanks for clarifying the situation! I will actually attend one of his seminars and am looking forward to it very much!
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Glad you feel that way! Honestly I would hate for somebody to miss out because of a misconception, it really is a wonderful day in the studio!
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Latest from Brad....
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Hey Guys, long time no post! I am sorry for the delay - I really have been very busy adding elements to the new seminar, and I think the new segments are pretty cool.

Germany, you are nearly sold out for Nov 1st! I am considering adding a second day (same material as day 1) on Sunday, Nov. 2nd. I have already held the studio, I simply need to know if there is enough demand.

If you are interested (and likely) to purchase a ticket for Sunday, Nov 2nd, please let me know. If you already have a seminar ticket for London, Copenhagen or Frankfurt and would consider coming a second time on Nov 2, I am happy to offer you a discount.

Now, there have been many questions of VIP lunches, locations, times, etc. If you are holding a VIP ticket to one of the events, you will receive an email explaining the details. Essentially, the VIP ticket allows you to arrive at the studio 2 hours early for a light lunch, bonus question and photo time, and access to preferred seating for the seminar.

I have had tremendous support with my V2.0 seminar from many of my old studio friends, musicians and engineers. One of the funny things about "ITSWMJ" events is watching new friendships form, AND, in my case at least, reconnecting with people that I have lost touch with long ago. The journey through life moves very fast, and rekindling those old friendships is very rewarding.

Today I have a remarkable 3333 "Likes" on this page. Now, I am smart enough to know that not all of those people are my "friends", but I am equally humbled that so many people would show interest in this endeavour. Since my first seminar more than 27 months ago, I have seen so many faces, smiles and tears, and heard so so many amazing stories. I don't remember every name (I wish I could), but each hug, each meeting, each helper, guest, student, host and studio is so deeply appreciated.

I remember in June when Porcaro was playing "Human Nature", and the whole room full of guests started singing along, and my arms filled with goosebumps as the lump in my throat grew. I remember the first seminar in New York, when the quality of music was almost overshadowed by my nerves - yet the guests were so kind. I remember the beautiful faces, stories and friendships forged in Russia - such an amazing time, place and group. The medical emergency and group compassion shown in Amsterdam. The beautiful friendships, beer and food in Brussels. The "Welcome Home" and almost family atmosphere in Stockholm. Matt Forger, Brad Buxer, Michael Prince and Captain EO in Orlando. And of course the place where it all started with my dear French friends: Paris, with it's amazing venues, dinners, conversations, laughter and encouragement. Music First!

All that in just over two years! Next year we are looking at Tokyo, Osaka, Gary, New York, Los Angeles, Toronto, Seattle... to name a few.

Next month we are finally (!) coming to London, then Copehagen and Frankfurt. I am getting so excited to make new friends, see some old friends and spend a day with many new guests.

Please forgive my lack of posts recently, and know that my focus is on refining the new seminar. Please continue to tell your friends that "In The Studio With MJ" is coming to Europe, and there is nothing like it! Tickets are still on sale.

Have a great week, let me know about adding a second day in Germany, and... Keep The Faith!

Respectfully,

Brad
www.inthestudiowithmj.com
 
Re: Brad Sundberg seminars: Making Music With Michael Jackson

Addition of 2nd November in Frankfurt:

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Tickets for the 2nd seminar in Frankfurt on November 2nd go on sale tonight. Will You Be There?
www.inthestudiowithmj.com


Good Morning Germany!! I am blown away by how quickly the Frankfurt tickets have been selling, so I have secured the amazing Cream Studios for a second day, Sunday, Nov 2nd, for a duplicate seminar experience of the day before.

First, let me say "Thank You." I am so excited to spend some time in Germany, as I know it was one of Michael's favorite destinations. The crew at Cream Studios have been very helpful, and I think it is going to be a really cool venue. The enthusiastic support I have received from my German friends has been amazing! I think we are really going to have a great weekend.

Now, to be clear - no two seminars are exactly alike, but the general format of both days in Frankfurt will be essentially the same. This is not a two-part event, rather both days will be very similar. Having said that, if you are holding a ticket for London, Copenhagen or Frankfurt Day 1, and would like to come a second time on Frankfurt Day 2, I will offer you a 15% discount off of your ticket(s) - just drop me a note after the purchase.

Michael had a very unique connection to Germany, from the Neuschwanstein fairy tale castle to Phantasialand amusement park near Cologne. I am very careful (honestly) about drawing many similarities between Michael and I, but we both loved theme and amusement parks. We talked about them and discussed favorite rides. Eventually I had the opportunity to help him build Neverland - a place that clearly had been influenced by parks he had visited throughout his life and travels. Neverland even had it's own little castle in the center of the park.

I am very excited about this upcoming trip to London, Copenhagen and Germany. I look forward to meeting so many new friends, and seeing many familiar faces.

London/Copenhagen/Frankfurt/Frankfurt

See you in a few weeks!

www.inthestudiowithmj.com
 
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