^ I can't 'edit' my post, but I wanted to add that I really dislike that chalk outline on the packaging, it reminds me of old fashioned murder films....
Interview with Spike Lee (removed non MJ related parts)
Spike Lee on His Revealing New Michael Jackson Documentary and Why Donald Trump Is 'Bananas'
1/14/2016 by Rob Tannenbaum
Your new documentary, Michael Jackson's Journey From Motown to Off the Wall, is a lot of fun to watch. It was the simplest period of his life, wasn't it, before all the tabloid *headlines and abuse accusations?
Back in 1979, there was no big pressure on Michael for Off the Wall. There were no expectations. It all turned after Thriller -- things get complicated when you sell the most records ever. People got swept up in Thriller, but Off the Wall's my favorite of the three records he did with Quincy Jones. Many people say that in the documentary, too.
His mom, Katherine, says Michael was very hurt when he won only one Grammy Award for Off the Wall in 1980. How much did that motivate him?
Michael Jordan's a good friend of mine. Any *negative thing someone says to him, he uses that as fuel. When Michael didn't win the Grammys he thought he should have won, it's like, "Alright, motherf--ers. I got somethin' for yo' ass." And that was Thriller.
Michael never seemed like an "alright, *motherf--ers" kind of guy.
No, he was. Let's not get it twisted: Michael was competitive. Any record he did, he wanted the thing to be No. 1. He was hurt, and he came back with a vengeance.
Did you like Michael?
Yeah. Mike came to my house in Brooklyn. I put on the CD -- this was [1995's] HIStory -- and he said, "Pick any song you want to direct." So I picked "Stranger in Moscow." He said, "No, that's not the one you want! You want to do 'They Don't Care About Us.' " (Laughs.) Michael was slick.
When Michael was making Off the Wall, a lot of people thought his career was over, didn't they?
There were doubts. But Michael never doubted *himself. He just knew he had been given the freedom to do his thing. And to do that, he and his brothers first had to get out of a Motown contract. And then he had to step away from his brothers, too. Family is a cross to bear.
In the movie, you don't address Michael's accusation that his dad, Joe, was physically abusive. Why not?
Here's the thing, and I appreciate your *question: So many people focus on the other stuff. We wanted to focus on the music. People might say that's a cop-out. I don't care. Personally, I'm not going to say Joe Jackson was a bad guy. Have you ever been to the Jacksons' house in Gary, Indiana? There were nine kids sleeping on top of each other. He saw talent in his kids, and he made it work. Nowadays, if you hit your kid, you're going to jail. Back then, if you messed around -- I'm just talking for black folks -- you got hit. I don't think children should be beat, but sometimes, upside the head? (Shrugs.) Maybe I'm old-fashioned. And that house in Gary? That should be a national landmark. Alright, President Obama. You've got one year left. (Laughs.)
It seems like Joe was simultaneously the best artist manager of all time and the worst.
Joe's OK in my book. Of course, he wasn't my father! (Laughs.)
Michael's brothers Jackie and Marlon, who have good relationships with John Branca and John McClain, the executors of Jackson's estate, are in the film. But Janet, Jermaine and Randy, who have denounced the executors, are not in it. Why?
They didn't want to be a part of it. It's no secret that there's tension between [parts of] the family and the estate. Any time money's involved, there's going to be static.
There's one thing about your *documentary that isn't great: the title. Why such a *cumbersome title?
Wasn't me.
Was the title dictated to you by the estate?
It wasn't me. (Laughs.) Man, I should be running for office right now. That was a true politician's answer, wasn't it? Give me Iowa!
This is your second Jackson documentary -- the first was Bad 25. Do you want to do another one?
I'd really like to do a documentary about Thriller. I've let the estate know, but I've not been given the job yet.
Do you think the success of Thriller was bad for Michael's music? After that, he was *obsessed with topping it.
Thriller became a monster on his back. Every record after that, he was trying to sell more records. I think there's a cost for that.
http://www.billboard.com/articles/n...-lee-michael-jackson-documentary-donald-trump
^^I actually think HIStory documentary would be most interesting to watch and that it would be perfect for Spike Lee.
I liked the interview, but it made me think-How ironic and sad that Randy and Janet are the two helping Michael with DSTYGE and yet they have no part in this celebration.
Ironic and sad.
And black folks aren't the only people who beat their kids in the 60s and 70s. Just saying.
gives fans a chance to get creative with Michael’s original concept for the album artwork. (You’ll see when you get it!)
You'd imagine Spike would like to do something relating to HIStory considering he directed TDCAU at the time.
just so you know
According to Estate's statement it seems like the chalk outline/ chalk was Michael's original concept for the album artwork.
So if that's the case, are you criticizing the Estate release or mocking Michael's idea?
While it's understandable not everyone would like every idea (regardless of whose idea it was) cool your jets and kindly stop the childish talks (ex: used condom). Surely adults can express themselves better, no? Let's have a little more class.
He only likes "black" michael hence ignoring post bad. Guess he couldnt resist with tdcau
Despite having worked with a multitude of celebrities as both a designer and photographer, Salisbury had never worked with Michael Jackson but after seeing him in the movie, The Wiz, he contacted his agent. "I knew his agent and called him to say that Michael Jackson was going to be the biggest star ever and I would be anxious to work on something with him," said Salisbury. "Michael's agent called me in to his office and showed me an album cover mock up for his solo album and asked me what I thought. I told him that it looked like a cheap ad for the children's department at Macy's. 'I know,' he said. 'It sucks.' I thought Michael Jackson had the potential to be huge--the biggest, so I suggested he let me develop some ideas."
Salisbury returned to the agent's office with several variations of his concept, which only seemed to perplex the agent. "I explained that I was creating a metaphor. I told him that Michael was just a kid out from under his dad so I think the album cover should make a statement that his solo debut is as big as Sinatra coming on stage in Vegas."
According to Salisbury, at that time, young Michael was gangly and had an Afro. "I explained the concept by pointing to the fashion type drawing and saying, I put him in a tuxedo. That says big deal!"
"The agent hemmed and hawed and was just about to dismiss the whole nutty idea when a little, high-pitched voice softly squeaked, 'I like it,' and Michael stepped out from behind the drape covering the large office window. 'Let's just do it,' he said, and so we did," explained Salisbury.
Jackson liked everything about Salisbury's concept from the get-go and only requested one change. "'I want to wear white socks,' Michael whispered to me. They have to be über socks then…really glamorous," remembered Salisbury.
And until an interview I did after Michael’s passing, one focused on my involvement in creating his look and the cover of Off the Wall, I never understood exactly what I didn’t like about the title lettering. Looking at the CD back cover there was another – newer – photo of Michael, still in a tux but in front of a faux brick wall. He is holding a pre-school style chalk holder with a big piece of chalk in it as he affected a visibly awkward “Michael Jackson pose.”
Kindergarten chalk? Awkward pose?
Kindergarten chalk lettering on the original Off the Wall cover of mine? That’s what bothered me: another denial that Michael Jackson was not a child but a major entertainer.
Discussing this with Richard Lecocq I emphasized that I felt this lettering was as big a mistake as the printing quality of the original cover…and I wanted to redesign that title lettering in present time, for Michael Jackson KING.
So I decided I would. The kiddie school chalk was infantile and wrong but what would work? Graffiti? Wrong message at the time.
I liked the interview, but it made me think-How ironic and sad that Randy and Janet are the two helping Michael with DSTYGE and yet they have no part in this celebration.
Ironic and sad.
And black folks aren't the only people who beat their kids in the 60s and 70s. Just saying.
just so you know
According to Estate's statement it seems like the chalk outline/ chalk was Michael's original concept for the album artwork.
So if that's the case, are you criticizing the Estate release or mocking Michael's idea?
While it's understandable not everyone would like every idea (regardless of whose idea it was) cool your jets and kindly stop the childish talks (ex: used condom). Surely adults can express themselves better, no? Let's have a little more class.
He only likes "black" michael hence ignoring post bad. Guess he couldnt resist with tdcau
wow...is this true? then screw him, nobody should watch his shitty documentaries then
I'm glad it's not true...why do people make such ridiculous comments...very rude an disrespectfulNO! Don't believe such a slanderous ans unsubstantiated for comment.
not to be rude, but I think you should say this is your opinion. Not fact.He only likes "black" michael hence ignoring post bad. Guess he couldnt resist with tdcau
sorry for two posts in a row but just saw Psychonifs answer. It didn't really occur to me that it was a cultural thing but maybe so. That would make sense bc I've heard this often like being black is an explanation for beatings. Not just with Michael's family.Yeah, white people beat the shit of their kids too. But you have to understand, that to many blacks, beating kids is just as much a cultural thing as it is a form of obedience.
Elusive Moonwalker, you are being decitful because out of Spike's own mouth, he said that MJ's music got better after Thriller:
So Elusive, please explain how you came to this conclusion, please?
if the chalk outline was Mike's original idea, then I'm sorry but I personally don't like it? And I'm sorry if it's offensive to anyone, but whether it be the estate or Michael himself, as for the chalk itself
I should add that I thought that the purpose of the documentary was to show Michael becoming a grown-up independent solo artist, so the chalk seems about as relevant to the CD/DVD package as , well, a plastic fork.....