Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
MJJacksonizer;4321789 said:The beatbox sounds like the one from "Shake You Body". NGL, but this snippet sounded fishy right from the start. We have no proof of whether it's real or fake.
[video]https://youtu.be/kn1CPdH-81Q?t=54[/video]
dam2040;4321793 said:If it’s fake I’d love to know the source of those vocals.
Also, I know because I was the one involved that the person who has the song was one of the most esteemed song traders.
mind&magic;4321810 said:Exciting discovery. It can be the same acapella or it can sound similar just by chance. If it´s fabricated like the part of the cascio track I wonder where the main vocals come from. Does anyone know how far the AI development is of singing voices?
AlwaysThere;4321830 said:I still can’t see how anyone could question its authenticity. People have tried splicing together random acapellas before and they’re so obviously fake.
Besides, Michael Jackson always wanted to evolve as an artist and try new things rather than sticking to the past
Considering the value of unreleased songs/assets at over one hundred million, determined by a court in the IRS ruling, there must be many more songs that we know nothing about.
AlwaysThere;4321866 said:If I’m not mistaken, the Estate originally claimed that there was absolutely nothing left in the vault just a year or so ago, which we all know is objectively false. So I’m not entirely sure whether or not I believe this “we only found 83 songs” claim, especially since I can name at least 175+ unreleased song titles alone. (Of course knowing titles doesn’t mean that they exist in recorded form, but nevertheless.)
Jukebox AI is what a lot of people use these days, and as far as I know it's hit or miss with vocals. Sometimes it can sound convincing but super low quality like someone recorded the audio with a toaster. Other times it can sound like the souls of the damned screaming from the depths of hell. But neither times does it sound very coherent. It's a fun tool to use with trying to expand pre-existing snippets but I don't think it's very likely that this snippet was made whole-cloth from an AI. There's a few videos of MJ songs being continued by AI (there's even a Jukebox AI-generated continuation of this same snippet, found here: https://www.youtube.com/watch?v=RY_k0UjcdTE) but I don't think the technology's there yet, especially in trying to simulate MJ. Will sure be scary when it is, though.
Also @dam2040 I made the video earlier today but never got around to sharing it. The acapella generator was a bit rough with the original audio, and so the quieter parts of it got filtered out. I still think, though, that there's enough clear vocals for anyone to analyze and make up their own minds. I'm no audiophile or sound engineer, but to me the acapella doesn't show any signs of snippet-stitching or sampling or any Cascio-like shenaniganery. This leads me to think that it's real, but anyone else can give it a listen. Here's the link (it includes the original snippet and then the acapella after):
king_of_style;4321869 said:Sorry for not citing a source for this, but I swear I read something from around when Xscape came out about this -- I think it was L.A. Reid who said that there were only 24 songs in the Vault, and they used 8, leaving 16 songs left.
Sorry for not citing a source for this, but I swear I read something from around when Xscape came out about this -- I think it was L.A. Reid who said that there were only 24 songs in the Vault, and they used 8, leaving 16 songs left. Which means to me that we're getting all sorts of conflicting reports. I'd assume the true number of MJ's unreleased -- and to a certain degree releasable -- content is unknown. It could be as low as 0 (as in nothing is releasable, but I think we all doubt that) but I think the highest estimate is below 100. I do think Michael had a lot of stuff left, but let's not kid ourselves about hundreds of tracks. My man was no Prince or ABBA
AmitLal92;4321883 said:Yeah LA Reid had access to the vault. From 24 songs, they then narrowed the field to 20, which were then edited down to 14.
Jackson... frequently returned to [unreleased] tracks he liked on later projects, sometimes finding a “home” for them decades after they were written and recorded. With this process in mind, Jackson’s Estate began combing through the artist’s vast vault in late 2012, looking for some of the strongest material the artist left behind. Working with longtime Sony A&R man, John Doelp, they eventually narrowed in on about two dozen tracks that spanned over two decades of Jackson’s career. After this preliminary pull, L.A. Reid listened to the material, often blown away by the quality of what he heard. For XSCAPE, Reid determined to only use songs that seemed mostly complete and that contained Jackson’s vocals from top to bottom. This was not merely a practical decision. Since Jackson often waited until the very end of a song’s creative process to lay down vocals, a complete vocal signaled to Reid that Jackson must have really loved these particular songs.
mind&magic;4321880 said:I would say the snippet of Lovely way is real and not produced with AI technology, but it would be creepy and like christmas at the same time if we could use this technology for creating thousands of "new MJ" fanmade songs.
AlwaysThere;4321882 said:Yep! That was brought up quite a bit during the XSCAPE promo campaign, including in the album booklet.
Nobody ever said that there was only 24 songs left in the vault though. When the song selection process began for XSCAPE, L.A. Reid only wanted to consider tracks that Michael recorded top to bottom multiple times, and he was given 24 songs to work with. Reid wasn’t given unrestricted access to the vault; he just set a criteria and the Estate responded accordingly.
It’s impossible to estimate what’s left in the vault because the only people who can tell us definitively are Branca and McClain. People like Matt Forger and Brad Sundberg no doubt have knowledge, but they weren’t around for every studio session or album, so their scope is somewhat limited. (Bear in mind that Bruce Swedien once said there were only two to three outtakes per album, and neither he nor Bill Bottrell could identify “I’m So Blue”.) No doubt this isn’t a Prince situation, but there are nearly 200 as-yet-unreleased titles that are conclusively linked to MJ, and I find it INCREDIBLY hard to believe that only 16 of those can be released.
Derek1984;4321893 said:Right... So what L.A. Reid was looking for was which songs could be remixed best to sound modernized.
He may have listened to a song like Buffalo Bill, which might be a gem, but he might have thought the song would not have translated to the remix table.
He obviously heard and liked Chicago 1945, and when that was going to be remixed, that's when Porcaro said No.