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show me more please! I don't have spotify!I'm not sure how long these have been there and if I'm just finding out about this lol, but they have recently added canvas (background animations) on Spotify for the entire Invincible album.
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Dat girl I can takaMost of Darkchild's productions features LeShawn Daniels in the bg Vocals
Which color do you have?I also got it on release. The first MJ album I bought on release day. What can I say? I listened to it over and over and loved it so much that I started buying all the Jackson 5 albums, Jackson's albums, and missing MJ albums.
I doubt it is true. Unbreakable was recorded in the mid of 2000, while picture was taken in 1999In Unbreakable there is this line:
I'm steady laughin', while surfacing
If you look at the Invincible cover, you can see that he is constantly smiling. Do you think his smile could be inspired by the line in Unbreakable?
I'm just interested in the smile. It's been known for a long time that the entire cover was inspired by a photo. It's worth noting that the person in this photo isn't laughing. Could Michael's smile be inspired by Unbreakable, especially considering that Unbreakable was planned as a single?
(They're reusing the same video for all tracks)show me more please! I don't have spotify!
Wow! It's perfect(They're reusing the same video for all tracks)
look in this thread:Which color do you have?
That had nothing to do with Darkchild. When Michael started working on the album, he wanted to make something similar to OTW. So he chose this direction and tried to create album, inspired by his previos work. But when he showed material to Sony in 1999, they rejected almost everything except Break of Dawn and Cry. They said album was not good enough. They pushed on him. So he decided to completely change musical direction and make futuristic and "modern" album. That's how songs like Unbreakable, Heartbreaker, 2000 Watts and Threatened were born.I'd love to hear everything 97-99 material. Everything worked on prior to Darkchild coming on board the project basically.
That's no disrespect to Rodney, he's a brilliant producer and he's done some great work with Mike, but the album went in a different direction when he joined the album.
According to Rodney Jerkins, it was the other way around.That had nothing to do with Darkchild. When Michael started working on the album, he wanted to make something similar to OTW. So he chose this direction and tried to create album, inspired by his previos work. But when he showed material to Sony in 1999, they rejected almost everything except Break of Dawn and Cry. They said album was not good enough. They pushed on him. So he decided to completely change musical direction and make futuristic and "modern" album. That's how songs like Unbreakable, Heartbreaker, 2000 Watts and Threatened were born.
We don't know exactly when Michael said that. But it seems like that he decided to go into futuristic direction 1999 year circa. Because all "futuristic" songs were created after 1999. So my theory still works, and originally during 1997-1999 Michael indeed was trying to make vintage, old school albumAccording to Rodney Jerkins, it was the other way around.
Rodney Jerkins wanted to make a vintage/old school Michael Jackson album, but Michael Jackson himself wanted a more futuristic album:
"My first batch [of musical beats] is what I really wanted him to do. I was trying to really go vintage, old school Mike. And that's what a lot of my first stuff was, that I was presenting to him. He kept '[You] Rock My World'. But he wanted to go more futuristic" (Rodney Jerkins, VIBE Interview)
Upvoting MJfrenzy in the year 2025According to Rodney Jerkins, it was the other way around.
Rodney Jerkins wanted to make a vintage/old school Michael Jackson album, but Michael Jackson himself wanted a more futuristic album:
"My first batch [of musical beats] is what I really wanted him to do. I was trying to really go vintage, old school Mike. And that's what a lot of my first stuff was, that I was presenting to him. He kept '[You] Rock My World'. But he wanted to go more futuristic" (Rodney Jerkins, VIBE Interview)
Yeah it's been here since earlier in the year. I noticed this I think a month or two ago. They've got some for Thriller and Beat It and Billie Jean and Chicago(!) also.I'm not sure how long these have been there and if I'm just finding out about this lol, but they have recently added canvas (background animations) on Spotify for the entire Invincible album.
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Keep in mind, that Invincible still sold 13 million copies worldwide in the first few years. It's only 7 millions less than History! Even with awful promotion, this album still was a success!The Album That Never Had a Chance: Michael Jackson’s Invincible
I was under the impression that it sold somewhere between 8 and 10 million? I may be wrong?Keep in mind, that Invincible still sold 13 million copies worldwide in the first few years. It's only 7 millions less than History! Even with awful promotion, this album still was a success!
Joe Vogel states in his book about 10M sales for Invincible. I dunno what his source was for such a figure.I was under the impression that it sold somewhere between 8 and 10 million? I may be wrong?
Oh yes, that is true. I haven’t read Vogel’s book since it was originally released. I have new revised paperback also. I may give it a read soon.Joe Vogel states in his book about 10M sales for Invincible. I dunno what his source was for such a figure.
Considering the total sales were boosted artificially by fans buying multiple copies (different coloured cover art), the total sales are NOT an indicator for quality.
No no no, Fuzball, you forgot one important moment)) Invincible unlike any other albums was released during the time, when people already prepared to STOP buying physical copies of music, because digital distribution started to become ubiquitous. There was no need to go to music stores, when you could just buy and download it online! So even with these terms Invincible managed to sell more than 10 million physical copies worldwide! That was incredible result in the beginning of 2000s!NOT an indicator for quality.
Yay! Best album best scores!Invincible 500k away from 500 million streams
I saw in another thread here that sales are 13m but I don't believe that.Joe Vogel states in his book about 10M sales for Invincible. I dunno what his source was for such a figure.
Considering the total sales were boosted artificially by fans buying multiple copies (different coloured cover art), the total sales are NOT an indicator for quality.
His book's lose their shine after time, I find.Oh yes, that is true. I haven’t read Vogel’s book since it was originally released. I have new revised paperback also. I may give it a read soon.
I know what you mean. I’ve attempted to re-read it a few times, and the new version but I end up putting it down. I might attempt another go at some point. I quite enjoyed the original hardback when it was first releasedI saw in another thread here that sales are 13m but I don't believe that.
His book's lose their shine after time, I find.
7 Michael Jackson Songs That Showcase His Musical Range and Emotion.
7. “Break of Dawn”
Nestled within Invincible—an album often overshadowed by industry politics and tepid reviews—“Break of Dawn” is a lush, velvety gem. It finds Jackson returning to his romantic roots, but with a more adult tone. This isn’t a bubblegum love song; it’s sensual, grown, and gorgeously textured. It’s MJ as a soul singer, indulging in quiet seduction rather than spectacle.
The track opens with birds chirping and soft keys, setting the stage for a sunrise rendezvous. Jackson’s voice is relaxed and intimate, caressing lines like, “Let’s go down to the park / Making love ‘til it’s dark.” There’s a cinematic quality to it, like a scene unfolding in real time. The Marvin Gaye influence is evident here, particularly from albums like I Want You or Let’s Get It On. But Jackson makes it his own through his breathy delivery and harmonic layering.
“Break of Dawn” deserves praise for its simplicity and sophistication. There are no gimmicks—just pure mood. The instrumentation is warm and inviting: soft percussion, a mellow bassline, and fluttering synths that wrap around the vocals like silk. Jackson doesn’t belt or perform; he whispers, teases, and glides. It’s the kind of vocal performance that reveals its charm over repeated listens.
It also highlights an underappreciated side of Jackson: the balladeer who can set a mood without theatrics. “Break of Dawn” is MJ grown up—not chasing trends, just making beautiful music. In 2025, when sensuality in R&B has made a stylish return, this song proves Jackson was always a step ahead. You can hear its influence in artists like Miguel or Giveon—musicians who blend vulnerability with eroticism in equal measure. “Break of Dawn” is more than a hidden gem. It’s a masterclass in slow jam seduction.
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