Jackson's masterpiece gets a facelift and some dubious remixes

MJJChichi

Proud Member
Joined
Jul 25, 2011
Messages
2,705
Points
0
Location
NY
Michael Jackson, 'Thriller: 25th Anniversary Edition'

By Tamara Palmer

Critic's Rating:


large-3.5.png

312568

Thriller: 25th Anniversary Edition Release date: February 12, 2008 Artist/Band name: Michael Jackson Record label: Epic/Legacy Official Web Site: http://www.myspace.com/michaeljackson Overall User Rating:
large-0.0.png
(0 ratings) Write a review

Why it’s a classic: “Thriller” is an architectural digest of pop music. Its sounds—and the related dancing and visuals—remain a source of stylistic pillaging for an impossibly wide range of artists throughout the world. And it’s super funky.

Why it’s back: A quarter-century seems appropriate to commemorate the bestselling album of all time, and present-day digital technology affords a sharp clarity to these re-mastered originals and new versions. That Jackson currently has some staggering bills to pay and much to gain from a positive image boost might have influenced the release just a little bit, too.

Verdict: If you already own the original and are not particularly an audiophile, this doesn’t add much. “Thriller” itself is still a brilliant presentation that enhances any music collection, but the new tracks are a mixed bag. Kanye West’s remix of “Billie Jean” starts with promise, but never takes off from an early plateau. Will.i.am of the Black Eyed Peas is a natural selection to work with Jackson, but the results seem rushed. Of these bonus beats, the most successful is “Wanna Be Startin’ Somethin” with Akon and Will, but the original still kicks its shaking booty. Will’s fellow Pea Fergie isn’t a cozy fit. Her imitative wailing alongside Jackson for “Beat It 2008” is unnecessary. Jackson would’ve been better served simply re-recording that song by himself or, better yet, including Moby’s genius techno/reggae remix of it, which was part of Jackson’s “Visionary” box set.

X-Factor: More than any of the album’s actual music, the zombie dance from the “Thriller” video is firmly part of the new zeitgeist. Hipsters from San Francisco to Amsterdam (and many places in between) have been caught on YouTube executing the deadly choreography. And groups take over locations from parks to subways with surprise “flash mob” performances to terrorize y’all’s neighborhoods.

http://chicago.metromix.com/music/cd_review/michael-jackson-thriller-25th/312568/content
 
It is just too annoying and painful to see that these writers cannot write without the personal references to MJ's private life. His music has nothing to do wih it. Everybody has bills to pay, not just Michael. Why don't they ever mention that he owns half of Sony/atv when they talk about his needs to make money. Do they think he does it for free?
 
It is just too annoying and painful to see that these writers cannot write without the personal references to MJ's private life. His music has nothing to do wih it. Everybody has bills to pay, not just Michael. Why don't they ever mention that he owns half of Sony/atv when they talk about his needs to make money. Do they think he does it for free?

I agree.
They can't help themselves can they?
 
first of all, they don't know his financial situation. and anyone who starts on that foot is not a legit critic, and i can't take her words seriously because she's coming from a biased media induced place. besides, i don't need her to tell me how great the thriller video is. i already know that. it's a redundant review at best.
 
Back
Top