mikey82james
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- Jul 25, 2011
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Watched this last night and in my local theatre everyone seemed to have a good time, it was a full house. I enjoyed it for what it was. Good but not great. Coleman was excellent
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Love. love. love interviews like these! The interviewer was very good too, and let Magic talk
the autopsy confirmed he had vitiligo. same with doctors reports that were presented in the trial. preponderance of evidence >mj lying (although he probably lied about breaking his nose)MJ never broke his nose. That was a lie he told Taraborelli. Katherine and La Toya confirmed he wanted a nosejob.
Are people really so gullible that they believe a young man who felt insecure about having a large nose just happened to break it, so he needed a nosejob? No, obviously MJ chose to have it done because he hated having a big nose.
Even MJ having hereditary vitiligo is hard to believe. He was bullied by Joe for having dark skin, so it's more likely that he bleached it. Vitiligo can be caused by abusing skin bleaching products.
Seriously?! This is still going on after 40+ years..? No wonder the brothers aren’t earning money when they keep blocking eachother like that.. real shame.1 word: Randy (co-writer of SYB)
Everything Randy did for the Jacksons (written songs like SYB and CYFI) couldn’t be used, because he didn’t approve
Im not convinced they "couldn't" use Randy's material. I think they simply just don't have adequate multitracks of a Victory show and just went with Wembley 88 tracks for all Victory performances.Seriously?! This is still going on after 40+ years..? No wonder the brothers aren’t earning money when they keep blocking eachother like that.. real shame.
Thank you for replying.. it makes it much more logical now, seeing how the director had to work around this issue!![]()
I think that's been proven false because they used vocals from an '84 show for "Beat It" on This Is It (you can hear Marlon going "e-e-e!" in the background like he usually does in the center channel)Im not convinced they "couldn't" use Randy's material. I think they simply just don't have adequate multitracks of a Victory show and just went with Wembley 88 tracks for all Victory performances.
I actually forgot about that, you're right - which makes it even more puzzling. I did note that the audio for the '84 performances on the Thriller 40 doc was incredibly poor though, which already had me worried.I think that's been proven false because they used vocals from an '84 show for "Beat It" on This Is It (you can hear Marlon going "e-e-e!" in the background like he usually does in the center channel)
The dialogue was one of the biggest problems with the film for me tbf. Not even that it was corny at times, it was just poor. To be honest, I don't really feel like Jaafar was able to really shine as an actor with the limited dialogue he was given. He was very much put in a box and kept in there with what he was given. The only person in the film given room to breathe was Domingo IMO and he felt the most natural.I have to say, unfortunately, that I'd give it a 3/10. The atmosphere is fantastic, of course, but the story clearly lacks depth. You don't see how Michael actually came up with his songs. He turns on the TV and suddenly he's writing "Beat It"—that's the depth. It also doesn't show how his "Off the Wall" Sound came from (Studio 54/ The Wiz etc). Dialogues are very flat. They didn't deliver what was promised, and by that I mean the directors. You can clearly see that there were a lot of difficulties during filming, presumably with his family and estate. Jaafar is simply breathtaking on film. There was so much potential, especially with such a cast. What happened? Michael deserved something much deeper. Now I can understand all the bad reviews. By the way, I went to see it twice in a row.
There is so much that was left out.They could at least have shown that Michael, as a child, was extremely lonely, separated from his mother, and that adults cared for him, taking on the roles of mother and father, and letting him sleep in their bed. They could have shown that Michael and his siblings slept in the same room, and that this was perfectly normal for him. They could have shown that he didn't know any other way to experience the love he received, and that he simply let other children sleep in his bedroom without any ulterior motives, simply to pass on the love he had received as a child. Furthermore, they could have shown that his bedroom was as big as a house for others.
The dialogue was one of the biggest problems with the film for me tbf. Not even that it was corny at times, it was just poor. To be honest, I don't really feel like Jaafar was able to really shine as an actor with the limited dialogue he was given. He was very much put in a box and kept in there with what he was given. The only person in the film given room to breathe was Domingo IMO and he felt the most natural.
There is so much that was left out.
I know its a controversial opinion but I would have preferred some of the musical sequences be cut down to fit his backstory in.
The absence of Diana Ross was also strange.
Am I the only one that feels a part two is unnecessary after having watched this movie? Especially if they can't mention the allegations.
Like, what would they talk about? They already got the "Joseph is evil" storyline out of the way and the "MJ wants to shine as a solo artist and make the biggest selling album of all time" too. They could talk about his pill addiction and how bad he felt in his skin, plus his vitiligo and lupus but seeing how they barely mentioned it in the first movie, I don't know if they would elaborate on it that much in the sequel as well.
And how can they talk about anything past 93 without addressing the elephant in the room ? His life had shifted so much after 93 that it's impossible in my opinion to make a movie without being able to mention it.
Of course the script was severely changed, and written under pressure.The script is the weak point of the film unfortunately, in all areas.
I actually didn't mind the way they presented the story. Michael trying to escape Joe and be his own person etc. But the way it was told was not as strong as it could have been.
Jaafar was really amazing though with what he had to work with.
I get the feeling she might be among those who requested not to appear, like Rebbie, Janet and Randy.The absence of Diana Ross was also strange.
Are there any historical inaccuracies, because biopics normally tend to have some? There were quite a few historical inaccuracies in Bohemian Rhapsody.
The Branca glazing was insaneMichael is credited for basically everything, apart from John Branca taking credit for various things lol
They probably changed the song because of narrative reasons. Joe made them work day and night. I don't really like the change but I can see the reasoning.The movie, for me, took a turning point right at the 1984 Victory Tour part.. while almost completely ignoring the Destiny and Troumph era, Off The Wall gets a relatively small part.. it ‘just makes him a bigger artist’. THen the Victory part starts.. the ‘last concert of the tour’ gets introduced with MJ wearing his clothes from the opening night... Then it continues using Wembley 88 audio (it sounds like a blend from 2 nights, not using the available Victory Tour multi’s they have) for the Human Nature performance.. where MJ does some sidegliding and stuff.. which he never did during the Victory era.. skipping Heartbreak Hotel (which was in the earlier trailer) and then showing MJ getting back on stage for a performance of WDAN.. IN HIS BILLIE JEAN OUTFIT. this is were i got annoyed as a fan.. during WDAN MJ gives the ‘this is our last and final tour’ speech, which is the actual same speech from the last LA concert.. but it happens during a different song. Why acknowledge the actual lines from the speech but change the song, outfits/staging surrounding it.. ?!
What do I mean? Just imagine/pretend seeing MJ opening his concert singing WBSS in his SC outfit… same thing, outrageous!! Must admit the WDAN breakdown sounded quite funky.. i liked that actually.
I think was in there cuz theres a chubby man with a cigar in his mouth and i thought that was dileoBrancas inclusion wasn't as bad as I had expected. Movie-wise there had to be people in MJs corner. Where was Frank Dileo though?
It could have been worse, but his inclusion was 100% vanity from Branca given that other such important characters were cut. I was kind of shocked at how limited a role Quincy had.Brancas inclusion wasn't as bad as I had expected. Movie-wise there had to be people in MJs corner. Where was Frank Dileo though?
it would be a pretty sour note to end the film on unless it intended on being 4-6 hours long. in fact, you could probably make a film based on each era. one of the legit criticisms seems to be that the film is like a montage, that it condenses so much. it seems pretty clear that the critics complaining about not portraying michael as a monster are believers in leaving neverland so forthWhat with it being the turning point of his career and everything.