Fuzball
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- Joined
- Sep 5, 2017
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Bill Bottrell:
Working with Michael on BAD I learned that you always put in many extra bars in places like the intros and outros, cause you never know if he'll go off in a vocal or spoken-word thing. Or maybe a guitar part will be so good you want a breakdown.
Now 2 of my unreleased productions that came out have these looonng intros. With no reason.
This is how you can tell they never got the final edit or mix.
Streetwalker is a mix I'm fine with. But that long intro is crazy!
Monkey Business has both- long intro and a mix that my perfectionism cringes at.
Working with Michael on BAD I learned that you always put in many extra bars in places like the intros and outros, cause you never know if he'll go off in a vocal or spoken-word thing. Or maybe a guitar part will be so good you want a breakdown.
Now 2 of my unreleased productions that came out have these looonng intros. With no reason.
This is how you can tell they never got the final edit or mix.
Streetwalker is a mix I'm fine with. But that long intro is crazy!
Monkey Business has both- long intro and a mix that my perfectionism cringes at.