I didn't really know where to put this because he's not really a celebrity, well, I didn't know him... but he's very nice (I'll make a translation of it since it's in Dutch)It's an interview with François Glorieux in a show called 'de zevende dag':
http://www.deredactie.be/cm/vrtnieuws/mediatheek/redactietips/MMG_michael_jackson/1.553361
interview with François Glorieux "Jackson was a very sensitive man"
(he's some kind of composer I guess who worked with Michael)
Q: Mister François Glorieux is with us today, first of all, thank you very much for coming to the studio because you're a very famous pianist, composer and conductor, am I getting this right?
A: Yes, that's right.
Q: Yesterday, you were in Vienna and you'll go to the Czech Republic later today.But you decided to make a little time for us because you were a friend of Michael, am I right?
A: Yes, that's right. I've met him several times, he has personally asked me and that was very special because one day, I got a phone call from ?John Branka? -he was Michael's lawyer at the time- and he told me: "François, It's very strange, Michael called me and he'd like you to LA". And apparently that was the first time Michael Jackson personally called his lawyer to invite me. And offcourse, I was very suprised.
Q: And why did he invite you?
A: He wanted to get to know me. What I didn't know was that he had all my CDs, about 40 CDs an 30 vinyl records. And Michael was in love with classical music, he admired all the ?arrangements? I did with Beatles songs (I think he reworked Beatles songs, inspired by Bach, Beethoven, Shuman,...). Michael said "You're doing a great job, you encourage younger people to listen to classical music". And that's really the best way to do it. You take a popular song that most people know and you just adjust it to the classical style of music.
Q: And did he want you to rework some of his songs like that too?
A: Well, I already did that because at the time, Michael was so big, with songs like Beat it, Billy Jean, Don't stop till you get enough and so on. And at the time I has a very large orchestra, with brass instruments and percussion and I already reworked some songs of his because Michael and I were with the same record company. My producer said " francois, you've seen him dance! You, who has composed several piece for the ballet of Flanders and Maurits Béjard. Now you should do something for Michael!". And that's what I did. I remember we did a great show on the 'gentse feesten' (A festival in Flanders). Everything was instrumental, that's what Michael wanted. There were no vocals. Michael told me, and that surprised me, that it had to be acoustic. He actually hated all those synthesizers, which he usually used himself.
Q: What was he like?
A: There was a big difference between the Michael I met and the Michael on stage. He was a very sensitive man. I'm very very sensitive myself and I believe that's the reason why we had this connection. He could cry for nothing, just like me, I easily get all teared up.
Q: You also have some pictures of him, when you met him.
* They show some pictures *
A: I have about 200 pictures. And he probably has many more in his collection of pictures. He also told me what to wear. He said: "You've got to wear your purple T-shirt and I'll wear my red shirt because that's a good marriage.", that's what he said, a good marriage between those two colors.
Q: He really thought about everything! In a minute, you'll play a song of his, what song will you play?
A: I'll play 'She's out of my life'
Q: why?
A: Well, that's a bit strange, he didn't write the song himself but Michael told me it was one of his favorite songs. So he played the song regularly. It was very moving.. he, ... how shall I say this.. I ... I've seen him cry. When I played 'she's out of my life', he put his hand on my shoulder. That's why I'm so, so emotional right now, I'm always thinking about those moment, I'll never forget those moments. We still had to meet again. His big plan was that I would play Bad, Smooth criminal , liberian girl,.. with a large symphonic orchestra.
Q: Are you still planning to do that? as a tribute?
A: Well, I've already conducted some song with the national symphony orchestra of London and the BBC radio orchestra. I'd love to do it here, in Belgium but ... in Belgium, I'm not really famous I belgium so.. I don't know
And then the video stops, he played 'She's out of my life' on his Piano and it was very beautiful, I'm trying to find it but I didn't find it yet