See, that's what I originally said due to his insulting of us, but calling him that when he's here is taboo. Pentum, he hasn't heard the comparisons, he probably hasn't even heard Malachi enough to tell the differences between the voices. WE know what's happening, and the type of production these Frankenstein songs have speak for itself. These are pitiful, PITIFUL excuses for songs regardless of who they're song by, they only SOUND pretty. It doesn't challenge us or give us depth, they're only there for a quick distraction.
Monster being in IMMORTAL was decided by Cirque BECAUSE THE RAP FIT THE THEME, The Estate had no say in what Kevin Antunes did. Would he have been aware of the magnitude of what he was doing? Probably not, that's why it was limited down to JUST the rap, no questionable vocals.
Bottom line, I'm sick of this and I'm just going to say it. You want to ban or place infractions on my account, then fine.
If you honestly, HONESTLY believe Michael Jackson, one of the greatest vocalists of all time with a vast knowledge of music, recorded these poorly-written songs in such a whiny, inexperienced boy-scout way, you must not have a lot of faith in his vocal ability. Even when he wasn't trying, he could still sing something beautifully and not goaty. When collaborating, Michael - the quintessential perfectionist - would never allow anything poorly written to pass his lips unless he was mumbling and improvising. He had a plan for every song, these songs are evidently never even thought of as being part of the plan. Eddie said that they were going to finalize vocals in London, so why isn't any tracks on his list of songs for an album? Judging by what I've read, Frank was MJ's golden boy and there was conflict between Eddie and Frank because of it. You don't think that he would be bitter if he never got to work with his friend and idol when his brother literally spent his entire adult life as Michael's servant?
Why was Neff-U and Barry Gibb so quick to show us Michael working in video/note form when Eddie hasn't provided a single shred of evidence that he worked on those songs? Why did Michael become so emotionless and whiny for these songs when his philosophy on music was that he never sang what he didn't mean? Why did he record numerous media songs when he said he was done with those songs a year earlier? I really want answers to these questions and I'm waiting for a believer to answer them to a satisfactory degree.
