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yessss....I can’t remember the last time I was genuinely really excited about an official Michael Jackson release.
Still waiting for Dangerous 25 .....2012’s Bad25 or 2014’s Xscape, that’s pretty much it. I’ll give them credit for MJ ONE in Vegas and MJ The Musical, but overall it’s been a pretty dismal experience apart from fan projects such as podcasts, remixes, restorations etc.
The 2027 reference is their fiscal year which I believe also encompasses at least the second half of 2026. That's why that date got thrown around in the mix.part 1 ( april 2026)
part 2 ( october 2026)
PS: please stop it right now with 2027!!
Yes my understanding the fiscal year 2027 beginns in April 2026 and ends in March 2027The 2027 reference is their fiscal year which I believe also encompasses at least the second half of 2026. That's why that date got thrown around in the mix.
Really. I think the big projects were and are successful. The Cirque show, MJ the Musical, and the people working on the MJ biopic are all professionals in their field. Michael's son is also very involved in the project.It was to be expected that the biopic would be a mess. After all, the Estate is behind it. Therefore, you should only have very low expectations.
That may all be true for the past, but there still seem to be some fundamental problems with the film's realization, which doesn't seem very professional to me. And I'd like to point out that Teddy Riley, an absolute professional, worked on fake songs.Really. I think the big projects were and are successful. The Cirque show, MJ the Musical, and the people working on the MJ biopic are all professionals in their field. Michael's son is also very involved in the project.
This has already been canceled by branca, fans only celebrate online history30Durch die Verschiebung des Biopics auf 2026/2027 steht HIStory 30 nichts mehr im Wege . Es gibt keine Ausrede, dieses Jubiläum nicht zu feiern. 2027 ist übrigens das 40. Jubiläum von Bad . Ich kann mir vorstellen, dass der zweite Teil des Biopics von dieser Ära handeln wird.
He was born in 1980, so do the mathOut of curiosity how old will JC be in26/27?
When you see that these kids are all middle aged men now ,
EXACTLY .... they should know betterit really hits home how long ago all this shit was.
Depends if they can put on a catchy song to draw people in with the marketing. Black or White for the Dangerous era might go a big way.The issue I think with having multiple parts to the movie is I believe people will start to lose interest. Numbers will go down after an initial release.
How about Music and me? Sung by a very young Michael it would become amazingly autobiographical.The biopic should end with "For All Time"; Mike's last finished (and released) song.
Last finished song? How do you figure?The biopic should end with "For All Time"; Mike's last finished (and released) song.
Well, Michael didn't release any new song after 2008, and that makes FAT his last one.Last finished song? How do you figure?
Human Nature Dream Away Stranger in Moscow and For All Time throughout the two films would be a master class.Well, Michael didn't release any new song after 2008, and that makes FAT his last one.
Human Nature Dream Away Stranger in Moscow and For All Time throughout the two films would be a master class. [...]
People have had doubts about this journalist since they got the Chris Brown's tribute performance at the AMA awards cancelled but they were the first ones to break the news about the delay a while ago, and every time they post something about the biopic it gets shared by other news media shortly after, so at this point it's safe to say they're credible.International distribution is up in the air as ‘Michael’ faces a legal setback, rewrites, and reshoots. But the real problem is that nobody seems to have any idea what the heck the movie is actually going to be, or even if it’s going to be released as a single movie at all.
Lately, producer Graham King has been chatting with Skydance’s David Ellison about an intriguing potential opportunity—taking over international distribution of Michael. Lionsgate is handling the U.S. release of the controversial and twice-delayed Michael Jackson movie—or movies, depending on what happens during the next few weeks of a wild and fairly unprecedented scramble—while Universal is set to distribute in foreign territories, where the project will likely earn the majority of its box office.
But either or both studios can opt out if Michael becomes something materially different from the $150 million musical biopic they agreed to help make and distribute. Lionsgate, freshly separated from Starz and seeking its own sale, desperately needs potential tentpoles like the M.J. movie—even with the headaches it has entailed for film chair Adam Fogelson. But Universal is substantially less thirsty, especially with a packed 2026 release slate that includes three animated franchises and big movies from Chris Nolan, Jordan Peele, and Steven Spielberg.
So Team Ellison, if they gain control of Paramount—Trump-willing, of course—and if the deal terms make sense, want to put themselves in the right spot to step in for Universal. (A Skydance rep declined to comment.) And if not Paramount, maybe Warner Bros. or Amazon, which is building its international distribution group and already has a pay TV output deal with Lionsgate. And if no studio bites, Lionsgate could even distribute Michael worldwide itself, using a network similar to its foreign partners on the John Wick and Hunger Games movies.
Why does this matter? Scheduling aside, why wouldn’t Universal want this high-profile and potentially very lucrative movie? After all, Jackson is still a massive music star overseas, and his legacy outside the U.S. is far less tarnished by the allegations of pedophilia and the court cases that dogged him during the last third of his life. But the problem—as I first mentioned back in January, when I broke the extraordinary news that the film’s entire third act had to be rewritten and re-shot due to the overlooked terms of a settlement between the Jackson estate and a child-abuse accuser—is that nobody seems to have any idea what the heck the Michael movie is actually going to be now.
Certainly not Donna Langley and Jimmy Horowitz, the Universal studio chief and top dealmaker, who signed on with the understanding that this would be one movie, and it would be released in 2025. The screenplay by John Logan celebrated Jackson’s life and music, but it also addressed the allegations against him, painting a fuller picture of the star—even if, as I revealed when I read a near-final draft last year, the script went to great lengths to paint Jackson as a victim of nefarious parents willing to leverage false accusations for a payout.
But now? Lionsgate C.E.O. Jon Feltheimer confirmed last week what we all knew months ago: The movie isn’t hitting its October 3 release date, which was already pushed from April due to the required reshoots. The revised third act is written, and director Antoine Fuqua has set three weeks of additional photography starting next week in and around Los Angeles. Yet the specific Jackson accuser in the original script—Jordan Chandler, whose claims of molestation at Neverland Ranch generated a massive settlement that also prevented his case from ever being dramatized in exactly the way Michael originally ended—has now been scrubbed. It’s not clear how Logan ends the movie, but Universal still has not seen the revised script and has been shown only about 20 minutes of footage. (A studio rep declined to comment, as did King’s publicist Katie Schroeder, who initially asked me for detailed questions and then disappeared.)
Meanwhile, King is pushing hard to split the project into two movies. I’m told there’s about an hour and 45 minutes of performances alone starring Jaafar Jackson, Jackson’s nephew, and King thinks the footage and M.J.’s life story is sufficiently cinematic to justify a two-part big-screen, global event. King also believes that he left money on the table by not Wicked-ifying his $900 million-grossing Queen biopic, Bohemian Rhapsody, into two installments back in 2018. (That movie suffered a similarly troubled production. Remember when director Bryan Singer was fired for “erratic behavior” with only a few weeks left in production?) Plus, the Jackson estate is on the hook to cover most of the additional costs, including the shooting that would be required for a second movie, though the exact split is still up for negotiation, I’m told. The estate, an influential partner in this project (co-executor John Branca is a character in the film), originally warranted that the Logan script was legally sound—even though it most definitely was not.
To that end, the Michael cast and crew, including stars Colman Domingo, Nia Long, and Miles Teller, are in talks to potentially return to L.A. for a few weeks in July to shoot additional footage that would be used in the second movie. That’s assuming Logan can finish the script by then and everyone signs off. There are currently no deals for any talent for a second movie. And King, Fuqua, and Logan have yet to present their vision of the two-film split to either Fogelson at Lionsgate or Langley at Universal. If I’m those studio execs, I’d of course be a bit nervous about the Horizon problem: namely, if the first Michael movie doesn’t work, the second becomes a total wipeout. With the estate paying for most of this, it’s almost certainly worth the risk for Fogelson. But for Langley?
What’s especially dangerous here is that the first movie will be shooting its all-important new third act while its writer attempts to finish a script for a second movie that can be seamlessly blended into a coherent two-film narrative with enough big musical moments in both halves and two satisfying endings—all in the span of a tight six-to-eight-week window. Not easy. But reassembling the busy cast months later also wouldn’t be easy.
Maybe the first movie ends with Jackson splitting with the Jackson 5 and his abusive father after the famous 1984 performance at Dodger Stadium. Maybe it ends with the Pepsi commercial fire that same year that led to Jackson’s lifelong struggle with painkillers. That’s all being worked out now, on the fly, with Universal waiting to hear the plan and decide thumbs up or thumbs down. If I’m betting, I’d put a little money on King getting his wish and Michael becoming two movies, and Universal eventually staying on board—with a few financial or release date concessions for its troubles. But either way, the machinations behind the scenes on this movie are fast becoming some of the most interesting in recent history.
There's literally no way in hell anything related to Michael Jackson bombsOnly rumours but I’m starting to believe what some of this guy is coming out with.
There may be twisted wires but he’s been correct so far with delays , movie split into two and other bits and pieces.
This entire project has turned into a complete mess due to the Jordy stuff being erased. To me, the movie is fucked as it will not address allegations. A truly wasted opportunity to set the record straight.
I hate to be negative but I now think this film will bomb.
Doesn't matter, the assholes in the media will still trash it for daring to depict Michael as innocent which is what they would have done anyway in the weeks and months of bombarding us with nonstop hit pieces. We don't know what will happen regarding the first allegations in the movie but they already shot scenes for the strip search, i presume two movies is what will happen. All of this speculation and doom & gloom is silly, the Musical is top 20 all time on Broadway despite releasing after his 2019, MJ One has grossed close to 1 billion by now, Immortal made nearly 400 million. Michael is a unshakeable & unrivaled colossus in the world of culture. When it comes out it will be hugeA biopic should depict reality, not a watered-down version of it. Unfortunately, I also have a feeling that's exactly what will happen. This would be a missed opportunity to set the record straight.