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7 Digits - DAT for auction (starting bid 5000$)

Fuzball said:
^ the longer version of She Got It he played in Paris, the vocals were still the same scratch like on the leaked one? Did the longer version have additional lyrics?
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Work That Body and She Got It were both played in uncut format. Vocals were the same as the edited versions mastered for the unreleased Dangerous bonus cuts disc.

While the uncut “Work That Body” version is basically an extended instrumental outro, the uncut “She Got It” is one of the huge surprises of this seminar. There’s a completely unheard rap section when Michael is mumbling the words and beatboxing at the same time. It is just completely crazy. I get why this section was cut for the edited version cause you can barely understand what he’s saying but it is so funny to hear him rap. Think of a mix of snippets we’ve heard of the unreleased “Can let her get away” adlibs, his beatbox intro of Who Is It during the Oprah interview and the Al Capone demo verses. MJ’s beatboxing skills always fascinates me and this segment was just a stellar moment 🔥 I wish I could be able to hear it one more time. He played it 2 times for us. One time during the interview and a second time inside the studio console.
 
Can’t let her get away extended is probably going to be 🤩 love that snippet
 
SmoothGangsta said:
Whether it does or not if it sells you can guarantee it'll go to someone and never be seen again.
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Don't be ridiculous. We'll get one-second snippets with terrible "remastering", and drip-feed with other mediocre thrown-together mixes that do a worse injustice to the representation of MJ's legacy than anything the Estate has put out.
 
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AdeZ said:
Bryan Loren forgot to pay rent
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Most likely reason for the whole "storage unit locker auction" thing. If you can't afford to pay it anymore, they basically throw/sell everything in there away.
 
So 7 digits doesn't have a vocally complete version? At least complete enough to be remixed and released on a posthumous album
 
ABG said:
So 7 digits doesn't have a vocally complete version? At least complete enough to be remixed and released on a posthumous album
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The Estate doesn't want to work on Loren tracks.
 
MJbr2 said:
The Estate doesn't want to work on Loren tracks.
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Yeah, but there's not a lot of new music in the vault, so I imagine they should work with anything that has MJ's vocals on it. Anyway, the estate has no plans to release new songs, so the only option is to settle for leaks, unfortunately.
 
It's likely gonna end up in Korgnex's hands, unless he's already got it.
 
15 years on from his passing and we're still scrambling over poor quality leaks from over 30 years ago. I don't have the words to express just how frustrating it is having these incompetent buffoons managing his legacy.

Are going to have to wait for Branca and co to pass before it passes to someone who actually knows what to do with it?
 
firmware-god said:
How are you coming up with that number? Have you ever heard the song? Cause I did. Multiple times.
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Guess you're not familiar with joking.

Well, the seminar recording is widely available, isn't it? Also, TYLA is a finished track with proper vocals, unlike 7 Digits, which has been said to have only scratch vocals from people who possess copies.

Not to mention TYLA is the best song in the vault as of now by far imo.
 
Ganesh said:
15 years on from his passing and we're still scrambling over poor quality leaks from over 30 years ago. I don't have the words to express just how frustrating it is having these incompetent buffoons managing his legacy.

Are going to have to wait for Branca and co to pass before it passes to someone who actually knows what to do with it?
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Playing devils advocate here, but in general I don’t see incomplete tracks (including 7 Digits) being marketable enough and charting that well. From the Estate’s angle, it’s not the most profitable move.
 
My statement was more general. The 7 Digits thing is the tip of the iceberg.
 
firmware-god said:
I normally don't joke or use sarcasm. And if I do, i at least use a smiley or something. Either way, I'm not talking about the LQ seminar recording. Cause thats not even close to what it sounds like in real life with some good speakers.
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Did you log on here to brag about hearing the song or something
 
Hollywood_Tonight said:
Playing devils advocate here, but in general I don’t see incomplete tracks (including 7 Digits) being marketable enough and charting that well. From the Estate’s angle, it’s not the most profitable move.
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Exactly. So why not just make these type of songs available for fans to listen to on streaming services. What are we hanging on to?
 
MJBenito said:
Bryan Loren played a LL Cool J solo version of “Truth about youth” singing his part and MJ’s part. He said another version exists with MJ vocals but we’re not sure he was telling the real “truth”. Why not play the MJ version, even with scratch vocals, at an MJ based seminar ?

Few moments before that, he started the seminar with a 3 minutes instrumental called “Garbage” he said inspired Teddy Riley to get the Dangerous sound as we know it. It sounded barely like a Ghosts pre-mix from memory and he said few other things during the seminar that let us think at the end he was sometimes playing with HIStory, trying to give himself credit for his work with MJ during the Dangerous sessions and what the album became, even if barely none of his songs made the Final Cut.

On the other side, there’s this other song mentioned here called “All about youth”, that was also played at the seminar and has nothing to relate with “Truth about youth”. It includes Bryan rapping verses MJ was going to record (but never did) and MJ singing chorus with BG vocals. It is really catchy and funky, like almost anything MJ recorded with Bryan. From what I can recall, the chorus and bgvs aren’t scratch vocals and could be easily used on a posthumous duet project.
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Did he played call it off
 
MJBenito said:
Bryan Loren played a LL Cool J solo version of “Truth about youth” singing his part and MJ’s part. He said another version exists with MJ vocals but we’re not sure he was telling the real “truth”. Why not play the MJ version, even with scratch vocals, at an MJ based seminar ?

Few moments before that, he started the seminar with a 3 minutes instrumental called “Garbage” he said inspired Teddy Riley to get the Dangerous sound as we know it. It sounded barely like a Ghosts pre-mix from memory and he said few other things during the seminar that let us think at the end he was sometimes playing with HIStory, trying to give himself credit for his work with MJ during the Dangerous sessions and what the album became, even if barely none of his songs made the Final Cut.

On the other side, there’s this other song mentioned here called “All about youth”, that was also played at the seminar and has nothing to relate with “Truth about youth”. It includes Bryan rapping verses MJ was going to record (but never did) and MJ singing chorus with BG vocals. It is really catchy and funky, like almost anything MJ recorded with Bryan. From what I can recall, the chorus and bgvs aren’t scratch vocals and could be easily used on a posthumous duet project.
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So .MJ was going to record full all truth you need but he did not instead of that he recorded bg vocals and chorus
 
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