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shades;3290174 said:Dear Bumper Snippet,
shades;3290174 said:This I want to respond to. I have read all your posts over the last few months
shades;3290174 said:and I have to say as a (fellow) scientist, (which you state that you are and you use every now and then to gain weight in arguments)
shades;3290174 said:I get somewhat uncomfortable and disquiete in the way a) you approach arguments and b) in the way you cloak your arguments in shrouds of science...
shades;3290174 said:This snippet above (no pun intended) is one of the many examples. I have seen you call other posts "lame" or "weak" etc.,
shades;3290174 said:and now you even, to use your own words, "dissect" a mail (your post with #5978) to show how "weak" the argument is; while your approach is anything but scientific.
shades;3290174 said:For example: you start your argument by stating, and I am paraphrasing here, "who listen to jason m. anyway?" or something to this effect.
shades;3290174 said:Well, if I look at these debates, I would say everyone! (Yes, pun intended). All the OP (Larry) did, is that he/ she gave, on the same scientific premisses that you always seem to use, a psychological perspective on a quote from Jason M. Because Jason is seen as the vocalist of these songs and seems to be part of a great conspiracy (for those are the implications of your arguments),
shades;3290174 said:I would think that the statements of Jason M. (and his motives) is of great importance if not all-telling. In this the OP has an extremely important point to make that you cannot simple disregard because you think it is *weak*. (Or the last sentences of his post is weak.) His/ her point is made on the basis of psychological theories of motivation and action.
shades;3290174 said:Dissecting every sentence linguistically (for the post was also partly cynical and sarcastic) does not make your argument more "scientific" or "valid".
shades;3290174 said:To the contrary; scientific debate is about positions and counter-positions, and more importantly debating *core* arguments.
shades;3290174 said:You can "dissect" each sentence (your post with #5978), but if you do not address the core argument, (in this case motivation and action) the scientific value of your counter-arguments is non.
shades;3290174 said:Or in other words: stating that an opinion/ observation is "lame" or "weak", is showing as a matter of fact the weakness of your own arguments.
shades;3290174 said:And this brings me to the core of my disquiet. In the last few weeks I have seen you debate the Cascio songs on basis of your linguistic and scientific knowledge. In your arguments you give the impression that "linguistics" is an *exact science*,but you know that it is not.
shades;3290174 said:Even though you have made some valid points, your points are at the same time onesided. I don't see a source, I don't see anything of a theoretical framework and premises you are working from, and I def. don't see (which is very important in scietific debate) an openess to approach counter hypothesis on an equal level. Or in other words: even though I see you go to great lengths to disprove an hypothesis that does not fit your opinion; I do not see you take counter-arguments seriously enough to even weight them as evidence or a possible answer.
shades;3290174 said:Counter-arguments against your opinion are burned down as "non-scientific", "weak" and "lame", while the premises of scientific debate is that all answers are open! If someone should open their mind for your arguments, shouldn't you open your mind for theirs? Is that not the only way to go scientifically forward?
shades;3290174 said:For all clarification: to me it is not about if MJ sang or do not sang in these songs. I mean it is important to me, but it is not what I'm trying to get at; what does concern me is the *way you position yourself in the debates* or the *way this debate in general* is handled by those who do not think it is MJ. It seems to me that everyone who claims that this is MJ and they *hear* MJ are either "deaf", "not true fans" or musical, linguistic and scientific illiterate - while this is not the case. If the presumption should be taken that this is not MJ, than the presumption that it is MJ should be considered on equal terms.
shades;3290174 said:And here is where I stall... I see arguments with no scientific credit used as "science", I see "observations" stressed as "facts" while they aren't "facts" and I see "opinions" expressed as valid "scientific" arguments while they aren't scientific - all expressed in shrouds of liguistic mystery... (and yes, this last sentence is sarcastic.) The aim of using "science" in your arguments, seems to me, is not to proof or disprove an opinion or observation; the "science" is used to *exclude*. Too often people are questioned for their "scientific" credibility, while at the same time none is given.
Debate can only occur on equal terms...
Never mentioned Teddy, Eddie or Frank. I was referring to the estate and Sony.^ No...
I am really shocked people think Teddy, Eddie and all those involved would be doing this to distract people from the trial.
Pentum;3290830 said:Small comparison on a typical note pattern Jason usually do:
http://hulkshare.com/on4wk6lx6hb7
The one in DWA is identical to the BN one.
Tricky Stewart is the producer of the Cascio Ballads... Except "All I Need", I believe.
@Aniram, I'm curious. Do you find the vocals on Breaking News enjoyable? Or, do you find the beats and melody of Breaking News enjoyable?
Like the song or not, your standing on the controversy aside, it's fair to say the quality of vocals on Breaking News one of the worst in this album. The tone of voice and the phrasing are out of Michael's characteristics.
I understand how people could enjoy Breaking News. It's a danceable track. But, to say the vocals enjoyable? I'm not sure.
Again, where's the proof to support this as a fact? I haven't seen many people state that the tone and phrasing are out of "Michael's characteristics" outside of this thread. To add to that, how can so many people become convinced over this one song, that it's Michael, if the tone of voice and phrasing is so bad?
It's your opinion that those things are an issue on the record, but there's not much to say that everyone feels that way, or if that's even the case.
Where did I say my opinion is a fact? I have never ever stated my opinon as fact. If you think my opinon is not fair, then you can explain why the tone of voice and phrasing are consistent with Michael's standard.
Also, there are also many people become convinced that Breaking News is not Michael. Just becasue many people believe the song is Michael doesn't make the tone of voice and phrasing of the song good.
I'm not even trying to discredit Aniram. I'm just curious to see whether he enjoys the vocals or the beats and melody about the song. Because for me personally, I enjoy the intro of the song. I like the beats. But, the vocals are a turn off for me.
Even the strongest supporters of the Cascio tracks would admit the quality of the vocals is not up to Michael's standard. One can enjoy the vocals, but it doesn't mean the quality of vocal is stellar. For instance, I enjoy Britney Spear's Toxic and some 90's songs from Take That and Spice Girls, but I don't think the quality of their songs are good. Also, I eat at McDonald's but I don't think the quality of food is great there.
You're right, 100% correct in fact, and for that reason, I wouldn't go around saying the vocals on Breaking News is so great and is the best produced song by Michael or any other artist, and how I can't believe people don't think it's Michael. Vice versa, I wouldn't go around saying the vocals are so bad and question why people enjoy them, and then question whether they even enjoy the vocals in the first place as opposed to the beat of the song. It just seems some of us seem to be having a time pushing our opinion's onto others, despite their being nothing substantial to support their claims as anything more than subjective reasoning. (This isn't directed to you in general.)
To this day, I still have not listened to Breaking News, Keep Your Head Up, or Monster in full.
Whether it is him or not, they just sound plain bad... and Michael songs never sound bad. I have my opinions, but do they even matter at this point? The general public think all the songs sound like Michael.
I was waiting for someone to say EXACTLY that, as i said in an earlier post, SOME fans seem to think Michael can't make bad or mediocre records... well your obviously mistaken, Michael is not GOD, he is infact human, hence he makes mistakes.
If you can't accept that, then you can't accept that these tracks are Michael.
Now i want BUMPER or someone who doesn't believe it's Michael to answer these questions with LOGIC and REASONING ONLY, opinion is incorrect, feelings and senses are also incorrect, we must simply think this through logically.
1. If the tracks are NOT Michael, why on earth have the Jackson's not done anything about it?
2. If the tracks are NOT Michael, why does there seem to be people saying it IS him (10 Engineers who worked with Michael, Janet Jackson has not supported her family's "claims" in subsequent interviews)
3. If the tracks are NOT Michael then why did 2 Musicologists confirm it was (if you can't prove that's a lie, then it must be true)
4. If the tracks are NOT Michael then why are there more people associated with Michael saying it is him?
When i first hear BN, i was furious, i honestly thought that i had been played, i spammed MJJB until my fingers were numb.
When i had cooled down i decided to think about the situation logically with reason, and those were the 4 questions i asked myself, this is how i came to ultimate truth...
My answer to the first question was simple, The Jackson's haven't done anything because it's early days and things can be changed.
When the album was released i re answered the question, The Jackson's haven't done anything because they are waiting on the Murray Pre-Trial to end and they are gearing up their own legal team.
It soon became apparent that was wrong, so i continued, The Jackson's haven't done anything because they can't do anything.
This is the answer i finished on, i simply got to my answer by ridiculing my original 3rd answer which was "The Jackson's haven't done anything because they don't want to do anything"
The way to ridicule a statement is as follows...
1. Why would the Jackson's not want to do anything about fake MJ songs on the album?
A. The Jackson's don't actually believe that the songs are fake, and will not therefor pursue charges.
2. Is it possible that this answer is wrong? If so Why/Why not?
A. Yes it is possible that this answer is wrong because the Jackson's lawyer is wanting to take actions on the Jackson's behalf
3. Is this explanation enough to disregard the whole argument?
A. No
4. Is there a counter point for this argument?
A. Yes, The Jackson's Lawyer does not speak for the Jackson's moral interests, only their legal interests
5. If the Jackson's believe the songs are real and continue with their advocation against the tracks, what are the outcomes of this?
A. Weak album sales (Already a proven factor) hate and friction within the fan-base (Already a proven factor) friction between Sony and the Jackson's (Not yet proven but a strong possibility).
6. Question the original question
A. The Jackson's want to protect Michael and his legacy, so why would they create this trouble if it wasn't true?
7. Form a finalised answer with all of the above taken into account.
A. The Jackson's haven't done anything (the current situation) because they can't (the changed section does not clash with any of the issues brought up).
I did this with each of the questions, and from there i continued with more questions, there is a pattern emerging, i have found that the answers lead to the songs either being MJ with over editing and bad quality (EG: his voice may not have been up to scratch) or that the songs are real, but the recordings were of such bad quality that someone filled parts for Michael, which in essence makes it a duet record.
For those who think their hearing is always right then that leads me to believe that BOJ and HT are both fake and sung by Jason Malachi
I was waiting for someone to say EXACTLY that, as i said in an earlier post, SOME fans seem to think Michael can't make bad or mediocre records... well your obviously mistaken, Michael is not GOD, he is infact human, hence he makes mistakes.
If you can't accept that, then you can't accept that these tracks are Michael.
Now i want BUMPER or someone who doesn't believe it's Michael to answer these questions with LOGIC and REASONING ONLY, opinion is incorrect, feelings and senses are also incorrect, we must simply think this through logically.
1. If the tracks are NOT Michael, why on earth have the Jackson's not done anything about it?
2. If the tracks are NOT Michael, why does there seem to be people saying it IS him (10 Engineers who worked with Michael, Janet Jackson has not supported her family's "claims" in subsequent interviews)
3. If the tracks are NOT Michael then why did 2 Musicologists confirm it was (if you can't prove that's a lie, then it must be true)
4. If the tracks are NOT Michael then why are there more people associated with Michael saying it is him?
When i first hear BN, i was furious, i honestly thought that i had been played, i spammed MJJB until my fingers were numb.
When i had cooled down i decided to think about the situation logically with reason, and those were the 4 questions i asked myself, this is how i came to ultimate truth...
My answer to the first question was simple, The Jackson's haven't done anything because it's early days and things can be changed.
When the album was released i re answered the question, The Jackson's haven't done anything because they are waiting on the Murray Pre-Trial to end and they are gearing up their own legal team.
It soon became apparent that was wrong, so i continued, The Jackson's haven't done anything because they can't do anything.
This is the answer i finished on, i simply got to my answer by ridiculing my original 3rd answer which was "The Jackson's haven't done anything because they don't want to do anything"
The way to ridicule a statement is as follows...
1. Why would the Jackson's not want to do anything about fake MJ songs on the album?
A. The Jackson's don't actually believe that the songs are fake, and will not therefor pursue charges.
2. Is it possible that this answer is wrong? If so Why/Why not?
A. Yes it is possible that this answer is wrong because the Jackson's lawyer is wanting to take actions on the Jackson's behalf
3. Is this explanation enough to disregard the whole argument?
A. No
4. Is there a counter point for this argument?
A. Yes, The Jackson's Lawyer does not speak for the Jackson's moral interests, only their legal interests
5. If the Jackson's believe the songs are real and continue with their advocation against the tracks, what are the outcomes of this?
A. Weak album sales (Already a proven factor) hate and friction within the fan-base (Already a proven factor) friction between Sony and the Jackson's (Not yet proven but a strong possibility).
6. Question the original question
A. The Jackson's want to protect Michael and his legacy, so why would they create this trouble if it wasn't true?
7. Form a finalised answer with all of the above taken into account.
A. The Jackson's haven't done anything (the current situation) because they can't (the changed section does not clash with any of the issues brought up).
I did this with each of the questions, and from there i continued with more questions, there is a pattern emerging, i have found that the answers lead to the songs either being MJ with over editing and bad quality (EG: his voice may not have been up to scratch) or that the songs are real, but the recordings were of such bad quality that someone filled parts for Michael, which in essence makes it a duet record.
For those who think their hearing is always right then that leads me to believe that BOJ and HT are both fake and sung by Jason Malachi
My mistake. KYHU is not produced by Riley (which I guess makes sense... listening again michael's vocals aren't QUITE as bad as the other cascio tracks... though they're still a bit robotic. I chalk this up partly to the fact that "Angelikson" doesn't know shit about music production)
The credits on this album are all over the place. For breaking news: "Programming and Finisher: Teddy Riley" - What the hell is a Finisher?
Riley's ego has swollen beyond the realms of comprehension.
Bumper, when I read larry's post, I didn't think of him ignoring that half of the post where Jason says, 'It's not MJ.'
He makes the point that Jason is bringing attention to the subject, and if he was vocalist he wouldn't be encouraging people to investigate it, you see? That makes sense, right? If he was the impostor, why would he tell people that it's not MJ on the tracks and encourage them to look into it more? That tells us that he probably didn't fake these songs, otherwise he'd encourage the official story!
That's the point larry was making, not that Jason denies it, but that he also brings more focus to the subject by saying he doesn't think MJ is on the tracks. That is very interesting!
Jason could just be one of the doubters as well and that doesn't mean he's right.
What you seem not to get it, we doubters do not care if it is Jason or another impostor. What we do care about is that on those tracks we don't hear Michael. So far Jason seems to be the best candidate, but if it's another impostor it wouldn't change a slightest thing to the situation.
If you can't even be sure it would be Jason, how can you be sure at all it's not MJ in the end?
If you can't even be sure it would be Jason, how can you be sure at all it's not MJ in the end?
Again, I am not a Jason's fan, I am an Arklove fan!