DuranDuran
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- Aug 27, 2011
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The 1st post is 2 years old, so it's not relevant, lol.OP asked for opinions and advice. I gave both of these things in a more-or-less lively manner.
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The 1st post is 2 years old, so it's not relevant, lol.OP asked for opinions and advice. I gave both of these things in a more-or-less lively manner.
The 1st post is 2 years old, so it's not relevant, lol.
There are really old discontinued threads in the archives section. The threads can be read, but nothing new can be posted to them. But that's mostly the Michael stuff. There's not that many topics in the music section, lol.Eh, still there. At least now I know this isn't one of those thread-scrapping forums lol. I had never seen the thread before so I assumed it was recent. Oh well.
Nice purple font, though.
You know If MJ was still Alive,I would have wished to hear him sing Here There Everywhere.I could hear him sing it in my mind and I guess in a dream,That's where I'll get to hear it now that's he's gone.
OMG your right....i read "hear there & everywhere" was MJ's fave also along w/ come together...he actually sang it in a hotel (dont remember it) w/ a piano....i also luv that song & literally cried just like real love....and yeah your right i definitely remember/think of MJ whenever i listen to that song...sighmiss him
The martyrdom of John:
“The Beatles split up and we were sort of all equal. George did his record, John did his, I did mine, Ringo did his. It was as we were during the Beatles’ times. We were equal. When John got shot, aside from the pure horror of it, the lingering thing was, OK, well now John’s a martyr. A JFK. So what happened was, I started to get frustrated because people started to say, “Well, he was The Beatles.” And me, George and Ringo would go, “Er, hang on. It’s only a year ago we were all equal-ish.” Yeah, John was the witty one, sure. John did a lot of great work, yeah. And post-Beatles he did more great work, but he also did a lot of not-great work. Now the fact that he’s now martyred has elevated him to a James Dean, and beyond. So whilst I didn’t mind that – I agreed with it – I understood that now there was going to be revisionism. It was going to be: John was the one. That was basically the thing. And when I would talk to mates they’d say, “Don’t worry. People know [the truth]. It’s OK, they know what you did.” But then strange things would happen. Like Yoko would appear in the press, and I’d read it, and it said [comedy Yoko accent], “Paul did nothing! All he did was book the studio…” Like, “F–k you, darling! Hang on! All I did was book the f–king studio?” Well, OK, now people know that’s not true. But that was just part of it. There was a lot of revisionism: John did this, John did that. I mean, if you just pull out all his great stuff and then it up against my not-so-great stuff, it’s an easy case to make.
Wanting to eliminate the “Lennon/McCartney” songwriting credit:
“Well, what happened was there was a backlash from people who didn’t see where I was coming from. “Dancing on a dead man’s grave” was one of the phrases that came up. “What a bighead!” “Why does he want his name in front of John’s?” But it was nothing to do with bighead. It’s just to do with identifying who wrote what. John did a really good Playboy interview where he did that: “This is mine, this is Paul’s.” So I thought, “Just use that! John said it!” I thought that was perfectly reasonable and I still do, by the way. But I don’t think it’s achievable for some reason…. So, at the risk of seeming like… I tell you what, if John was here he would definitely say that’s OK. Because he didn’t give a damn. It wasn’t anything that worried him. But I’ve given up on it. Suffice to say. In case it seems like I’m trying to do something to John.”