Ms. BlueGangsta
Proud Member
My favorite is constantly changing, so I honestly can't pick just one. :yes:
What's your favorite dance breakdown?
Let's discuss.
What's your favorite dance breakdown?
Let's discuss.
IMWhizzle;4171625 said:I must say, I don't think it's a breakdown, but I really love the panther sequence of "Black or White". It's art, there are ridiculous awesome moves and the message is great. All of this without !
Speaking of the dark side, I will now turn to analogous motives and subjects in Michael’s art. I saw Black or White for the first time in its full version in the early 1990s, when the video had just been released. I wasn’t really interested in Michael Jackson at that time. I was very young and far from mass culture. My idols were representatives of “high” dance genres: great performers of ballet, flamenco, and other classic traditions.
However, the second half of Black or White, commonly called the panther dance, shocked me. I still believe it is one of Michael’s best dances – a pure torrent of aggressive passion, even if played for the camera on purpose. It is the kind of improvised dance that goes back to dance’s original source. It is an absolutely unique case in contemporary pop culture of true, passionate, and spiritual dance; it cannot be seen anywhere else in this sphere. In most instances all we see is gymnastics or vulgar hip swaying, while the elegant tap of dancers like Fred Astaire has become a thing of the past. Real, pure ecstasy is virtually absent from the pop stage.
After seeing the video I wanted to say, “Bravo, Michael!” even though I wasn’t a fan of his at the time. In just a few minutes this man, the only person in the pop sphere who possessed this primordial sincerity, did something vitally important that had not been done by any stage performer with international fame. He placed ecstatic improvisation in the spotlight, featuring it in the video that apparently had no relation to it and was built on positive themes such as boyish jokes and uniting nations. The contrast was striking and even wild, incomprehensible for the common viewer, causing wide controversy and even hostility. Perhaps such a contrast and the contradictory design of the short film were created by Michael intuitively. Perhaps he hoped that his stream of consciousness would once again shock the public.
Remember The Time
It's the one that stuck out the most to me because it also added a new little bit of fresh extra music to the song.
IMWhizzle;4171625 said:I must say, I don't think it's a breakdown, but I really love the panther sequence of "Black or White". It's art, there are ridiculous awesome moves and the message is great. All of this without ��!
CaptainEoLove85;4171736 said:The Panther Dance. I could never get enough of it.
Great article Respect! :yes:Agree. It reminds me of this great article about MJ's dancing, written by a professional flamenco dancer.
Speaking of the dark side, I will now turn to analogous motives and subjects in Michael’s art. I saw Black or White for the first time in its full version in the early 1990s, when the video had just been released. I wasn’t really interested in Michael Jackson at that time. I was very young and far from mass culture. My idols were representatives of “high” dance genres: great performers of ballet, flamenco, and other classic traditions.
However, the second half of Black or White, commonly called the panther dance, shocked me. I still believe it is one of Michael’s best dances – a pure torrent of aggressive passion, even if played for the camera on purpose. It is the kind of improvised dance that goes back to dance’s original source. It is an absolutely unique case in contemporary pop culture of true, passionate, and spiritual dance; it cannot be seen anywhere else in this sphere. In most instances all we see is gymnastics or vulgar hip swaying, while the elegant tap of dancers like Fred Astaire has become a thing of the past. Real, pure ecstasy is virtually absent from the pop stage.
After seeing the video I wanted to say, “Bravo, Michael!” even though I wasn’t a fan of his at the time. In just a few minutes this man, the only person in the pop sphere who possessed this primordial sincerity, did something vitally important that had not been done by any stage performer with international fame. He placed ecstatic improvisation in the spotlight, featuring it in the video that apparently had no relation to it and was built on positive themes such as boyish jokes and uniting nations. The contrast was striking and even wild, incomprehensible for the common viewer, causing wide controversy and even hostility. Perhaps such a contrast and the contradictory design of the short film were created by Michael intuitively. Perhaps he hoped that his stream of consciousness would once again shock the public.