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The kind of waver in the voice, towards the end of the words mostly on some of the tracks on Michael.
SPYHO is my fav too, when it comes to falsetto... and one of the faves overall![]()
That was spelled correctly, this term is a little more technical to explain, but falsetto is a type of vocal register (think of the different types of vocal ranges), particularly achieving and demonstrating a true falsetto is a sign of a trained or gifted vocalist as the range itself is used to sing notes that are outside of normal vocal range. An important note to remember is that technically only males are able to use this register, typically to replicate or sing in the pitch of a woman.
You've probably heard it a lot around hear lately because Michael has one of the most recognizable and strong falsetto.
A few songs that demonstrate this by Michael would be "Butterflies", "DSTYGE", and my personal favorite "Someone Put Your Hand Out"
He’s a high tenor with a three-and-a-half octave range. He goes from basso low E up to G and A-Flat above high C. A lot of people think its falsetto, but it’s not. It’s all connected, which is remarkable.
Technically, Michael has one of the finest voices in contemporary music. His first advantage is the natural speed of his voice. He has the ability to sing in staccato, and sing complex rhythms in perfect timing. The best recorded example of this is the title track from his 1979 album, Off The Wall.
Michael possesses a 4 (!!!) octave vocal range. (Christina Aguelira has a 3 1/2 octave range, Whitney 3, just to give you an example of great voices). His voice goes from two E's below middle C, to two B's above middle C, or 44 notes. This is an EXTREMELY rare range amongst adult male singers. Essentially, Michael is able to reach octaves that other tenors cannot attain with their natural voice. His voice is NOT falsetto, as many people believe. Of course, MJ does use falsetto, but this is the range of notes he can sing in full voice. If you listen to the butterflies acapella, you can hear that all those high notes are in full voice and not falsetto.
An important note to remember is that technically only males are able to use this register, typically to replicate or sing in the pitch of a woman.
The kind of waver in the voice, towards the end of the words mostly on some of the tracks on Michael.
Never really heard that before. Just looked it up in Wikipedia - it says there is controversy, but that it is an established fact that women have a falsetto register. I'm female, and I know that I have used my falsetto register, and only my falsetto register, in school choir as a young teenager (which was ages ago). That's a whole different way of singing and I don't know, I even have this "vocal break" when I change from modal voice to falsetto. Am I a man in a female body? :wild:
LOL! I know what you mean though, my voice does the same thing.
I don't think enough credit is actually given to Michael as a vocalist.
My God, definately.
That's why I'm a fan. Everything else is secondary. The incredible songwriting, the dancing, the theatrics, the music videos... all great stuff - but I'm a fan first and foremost because of THAT voice.
When I played Slave To The Rhythm to my wife she said "you don't normally listen to this kind of music, you're only listening to it because it's Michael."
My reply was "Nobody else could sing it like Michael. That man could make the yellow pages sound funky!"
Seriously, it's all about the voice. I mentioned Slave To The Rhythm and that's a perfect example of what I'm talking about. Just listen to the end of that song, where he sings "She danced to the beat of her oooo-wwwn!" - and you have the handclaps and everything. He's just incredible. NOBODY ELSE can sing like that. No-one.
'Sir, I must be home TO-NOOOOIGHT!!!
That's the part I go CRAZY over! 'She danced to the beat of her ooooo-wwwwn'!! 'Sir, I must be home TO-NOOOOIGHT!!'...If there were no music to that song, it'd kick ass just because of that powerhouse voice!
I actually laugh at that bit. I mean, who else does that? Singers don't do that these days. When Michael sings a song, he considers every syllable of every word.
That's why I feel like I know for sure what IS and what isn't Michael Jackson singing.
I actually laugh at that bit. I mean, who else does that? Singers don't do that these days. When Michael sings a song, he considers every syllable of every word.
That's why I feel like I know for sure what IS and what isn't Michael Jackson singing.
unk:
unk:
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To me, Mike's voice is what make STTR works.
Still Im wondering why the words such as "does it" are hard or not as good to say correctly?
Can any of you musos tell me why he pronounces 'does it' in Stranger in Moscow so differently? I gather it is to sound better overall. I have seen him do this with certain pronouciation of words in singing practice with Seth Riggs.
Still Im wondering why the words such as "does it" are hard or not as good to say correctly? ..., I guess I have sort of answered my own question, but can anyone share their views?
Here is an acappella of S.in.M
www.youtube.com/watch?v=7e1RIaWsXs4&feature=related
I think 'how does it feel?' is just the correct form to ask first... but second many use the word 'do' like for example in 'I do feel your love' often to emphasize how intense they feel... and that's to me underlined by Michaels pronounciation and 'harder melodic' pronounciation somehow of 'does it' ... because it's supposed to be a really very strong intense feeling.