nenabunena
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Another one on Tommy Mottolla. Reading these articles really really makes me want to buy Lynton Guest's book - The Trials of MJ - it basically alleges that the trial & allegations was in fact set up & orchestrated by Sony (Mottola). I suggest you check out the other thread (Yetnikoff ) before reading this though.
Read MORE Here & learn to read between the lines.
& people still doubt DiLeo & wonder why he replaced Tohme Tohme I've always maintained that as hard as the trials was on MJ, it finally let him see who his real friends were, the fair-weather ones & who his enemies were. there is a reason both Branca & DiLeo were taken back into the fold. The intended separation of MJ/DiLeo is the same as that with MJ/Branca, to weaken MJ. The villain here aren't the people who stood by MJ's side in his last days, but the ones who conspired against them, namely Tommy Mottola.
Read MORE Here & learn to read between the lines.
Dannen describes one telling scene between Dileo and Yetnikoff, friends who enjoyed a little macho head-butting. Yetnikoff had been lifting weights and bulking up, so he summoned Dileo to his office for a show of strength. As Dileo describes it, “he ran from his desk and went into me like a football player. Well, he hit me hard, but he bounced off. I didn’t budge. See, when you’re short, you’ve got better gravity.”
Jackson may look naive, but when it comes to business, he’s no chimp-cuddling moonbeam. In Hit Men, Walter Yetnikoff says of Jackson, “He has made observations to me about things like promotion which indicate he would be totally qualified to run a record label if he so desired.” Dannen himself describes Jackson as “an ambitious man with extensive knowledge of the record industry’s workings.”
Dileo harbors no ill will toward Jackson over his firing in February 1989. “It’s a shame it ended,” Dileo says. “I really like Michael. It ended for a lot of reasons. First of all, Michael and I spent every day together for five-and-a-half years. A lot of people were jealous of that. And at that point in time, we had a lot of power between us. There was one or two record executives, and a lawyer, possibly two lawyers, that sort of needed me to get out of the way, so that they had more control with Michael. And it also was a way for them to get rid of Yetnikoff, who had a lot of power and was my friend.”
It’s not hard to imagine why a bunch of industry suits wanted to get their hands on Jackson. But how was Jackson convinced? “Unfortunately, they talked Michael into it,” Dileo says, “by promising him—now this is according to Michael, and I believe this—by promising him that if he fired me and hired Sandy Gallin, that he’d be able to make movies in Hollywood. Now the truth be told, Michael never made a movie. The only movie [besides 1978’s The Wiz] he’s ever made was with me, and that was Moonwalker.”
Immediately to the right of the door are four small photos that sum up the Frank Dileo story. Frank and his good friend, the late Col. Tom Parker. Frank and Martin Scorsese. Frank and—wait, is that him kissing Pope John Paul II’s ring? Believe it. A CBS executive in England wanted to thank Frank for his work on several records by overseas acts, including Nena’s “99 Luftballoons.”
“He asked what he could do for me,” Frank recalls. “I said I want to meet the pope. Believe it or not, as wild of a life as I’ve led, I don’t miss church on Sunday.”
The fourth shot is of Frank and Michael Jackson, from behind, standing at urinals in a public restroom. Above Michael’s head, in Michael’s handwriting, are the words, “This water sure is cold.” Above Frank’s head, he wrote, “It’s deep too.”
When Jackson went on trial in 2005, Frank stayed in Los Angeles for over three months, on his own dime. “I know that he is innocent,” Dileo says. “A lot of people attack him for a lot of different reasons. One is, everybody would love to get their hands on the Beatles’ publishing. And he’s just one of those guys, he’s real kind and real nice and he can easily be taken advantage of.
“In this particular case, this kid had cancer, he found him a doctor, they didn’t have any money, he allowed them to live on his ranch. And when it was over, they didn’t want to leave. It was like blackmail. That’s all it was.
“We talked at each and every break,” Dileo continues. “I wanted to let him know that I know he didn’t do it. In fact, when I went there, he didn’t know I was coming. It was very emotional. He went, ‘Frank, I can’t believe you’re here.’ And he started to cry. And I went over and I hugged him and we got on the elevator and he told [defense attorney] Tom Mesereau, ‘This is Frank Dileo. He used to manage me. I’ve had nine managers since then. He’s the only guy that showed up, or even called to see how I’m doing.’ That was a very rough thing on him, a very emotional thing.”
& people still doubt DiLeo & wonder why he replaced Tohme Tohme I've always maintained that as hard as the trials was on MJ, it finally let him see who his real friends were, the fair-weather ones & who his enemies were. there is a reason both Branca & DiLeo were taken back into the fold. The intended separation of MJ/DiLeo is the same as that with MJ/Branca, to weaken MJ. The villain here aren't the people who stood by MJ's side in his last days, but the ones who conspired against them, namely Tommy Mottola.
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