Leonard Rowe

The artists he scammed or playing the good guy is not the point here.
The point is he adds some inside perspective to the whole thing.
Nobody's perfect and nobody owns the truth in its entirety. As things stand, we are searching for pieces of truth in everybody's statements.
 
Yes, unfortunately... But it would be interesting to know what he says in the book, only to confront him.

Would many fans read/buy this book? :scratch:


Go to jetzi - its all posted. I haven't had a chance to read it yet, but I'll try to get to it soon.


 
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From my understanding, we aren't allowed to post Jetzi links here. A thread about Rowe's book was made in MJJ discussion and the link had to be taken down, just giving you a heads up.
 
From my understanding, we aren't allowed to post Jetzi links here. A thread about Rowe's book was made in MJJ discussion and the link had to be taken down, just giving you a heads up.


Thanks. I did not know Jetzi links were not allowed.
 
contract can be found here

http://www.radaronline.com/sites/default/files/AEG contract.pdf



that lawsuit is over and Dileo is cleared. Judge determined that it was just and initial agreement and Dileo's signature wasn't binding/representing Michael.

ps: Allgood alleged that Dileo was fradulent however judge found no fraud on his part. It's not wise to make definitive statements of this sort without the court decision.



Both R Kelly and NeYo who hired and later sued him are black artists. Unless you are arguing that those black artists are racist against other black people I fail to see how does race plays a role in this discussion and/or events.

Thanks Ivy. That contract pretty much sums it up!
 
I do not want and will not buy this book. -_- Is there an online version? :scratch:


I am still not done reading the book, but I found this very interesting:

link:
http://mjfansboycottsony.weebly.com/why-you-should-boycott.html


ANOTHER EXCERPT FROM ROWE"S BOOK (BELOW), SHARED FROM http://www.facebook.com/permalink.php?story_fbid=143444222342126&id=78245489969 TINI'S FACEBOOK:

Leonard Rowe:"He opined that R.Phillips might have believed that he could control MJ better in that state in order to have ultimate authority over him. Rowe says that Phillip is lying about not knowing the state MJ was in."Also he notes that every time he or a another one questions AEG’s involvement, their credibility & character is assassinated in the media or they bring up past things to undermind their credibility He believes that bloggers such as Roger Friedman are paid off to write negative stories in order to deflect from the real perpetrators. He feels that because LA is so corrupt, that John Branca and his ilk have been successful in c...ontrolled MJ’s empire while cutting out his family in any decisions regarding his legacy. Rowe also states that he knew that the LAPD was well aware that Rowe was around MJ during the last months of his life, but no one had asked for a formal interview and that he hasn’t talked to them since seeing the police at Katherine’s home in August, 2009. Rowe believes that MJ’s death investigation reeks of corruption. Rowe talks about the insurance policy that AEG had on MJ and that everything is all quiet about that. He also questions the people reentering MJ’s life – people that Rowe says that MJ vow never to do business with again, such as John Branca WHO RE-ENTERED 8 DAYS BEFORE MJ DIED (!) – how is now running MJ’s estate. He speaks on MJ not wanting rehearals taped, but he was convinced to do so a couple of days before he died. Rowe speculates that the plan was for a movie all along. Again, Rowe talks about his review of MJ’s London Contract with AEG:

* Says that while AEG sold out 50 shows, the contract only had 31 shows in it. He said that MJ told him that he only agreed to 10 shows, but then the contract up the shows ...to 31;
* AEG had no signed contract with MJ for 50 shows;
* AEG had a contractural stranglehold on MJ legally until 12/31/2011, even though the shows would end in London by February of 2010. That probably means that MJ was under contract with AEG to do whatever they wanted him to do until the end of 2011. If he did nothing, he still would not have been able to work with anyone else until that contract period was over;
* AEG is the sole beneficiary of the life insurance policy that was taken out on him;
* AEG had the contractural right to obtain concert cancellation, liability, non-performance insurance, etc.;
* The life insurance policy that AEG was the beneficiary of, was taken out at MJ’s expense and the policy did NOT relive MJ of repayment of advances and other expenses over and above the insurance policy;
* Production costs, living expenses at both LA and LV homes, Tohme’s fee, and everything else was being charged to MJ as an advance to be recouped by AEG;
* That includes the cost of ALL production. we wonder if MJ was going to make ANY money from this deal at all;
* As Rowe correctly notes, production cost typically comes out of the gross ticket receipts and is considered a show expense, not something that the artist plays for out of his cut!
* AEG called for a 90/10 split of the proceeds with MJ getting 90%, however with MJ back paying ALL of the production costs;
* AEG could hold onto MJ’s cut of the concert proceeds for up to 60 days without giving it to him;
* Rowe points out that the artist compensation clause call for MJ receiving 90% of the ‘net pool revenue’ (gross ticket receipts minus expenses) of which MJ and his company are viewed as ‘potential participants’.
* Also in MJ’s contract with AEG was this whole separate clause for Tohme Tohme. AEG was paying $100k per month to Tohme UNDER A SEPARATE AGREEMENT UNDER TT INTERNATIONAL, LLC ( Tohme’s company). Tohme was also the President of the Michael Jackson Company at the time, so how is it that AEG can strike a deal with someone under the employ of MJ and what was in that TT International LLC agreement? Rowe sums it up: AEG paid Tohme to sell MJ out at MJ’s expense. Rowe also goes on to say that he believed the compensation to Tom Tom was for him to block out all over deals from MJ so that AEG was free and clear to do this horrible deal with MJ without competition or even knowledge of better deals on the table. Rowe also mentions that MJ was getting offers all over the world to do shows at multi-millions of dollars a pop.
 
Can someone please solve this equation? :D

This is an outtake from Leonard Rowe's book.
On my flight over, I kept thinking of all the things that Michael and I had discussed privately. All of the suspicious activities that had transpired months and weeks prior to his death played out in my mind over and over again. People that Michael had vowed to never to do business with again, such as John Branca and Frank Delio...

Rowe admits it. AllGood also states in their lawsuit that they had the talks with the Joe (and Rowe) and they are the ones that send AllGood to Frank. So I don't think that Frank should be blamed as he wasn't the one to started this All Good saga.

So, Frank Dileo knows that MJ would NEVER work with Dileo again.. but obviously he doesnt care since he and Joe send AllGood to Frank Dileo? Haha, what a joke..
 
So, Frank Dileo knows that MJ would NEVER work with Dileo again.. but obviously he doesnt care since he and Joe send AllGood to Frank Dileo? Haha, what a joke..


I guess you meant Leonard Rowe knows that MJ would never work with Dileo.

This is from AllGood lawsuit

17. Joe Jackson informed Allocco that he really hoped to produce the Event, it
would be best to reach out to Dileo, because Dileo was Jackson’s then-current manager.

(http://images.eonline.com/static/news/pdf/JacksonAllGoodSuit.pdf - page 5)

This is from MJJC - Allgood interview

Q: How did you come into contact with Frank DiLeo?
Shortly after meeting with Mr. Joe Jackson in Las Vegas about the proposed Jackson Family Reunion Concert, my associate, recommended that we follow-up with Frank. We met Frank and his Partner, Mark Lamicka, in Nashville a few weeks later.
 
I don't believe this one bit. MJ taped everything he did.


I know he taped alot, probably not everything. Dileo was the one who said that MJ couldn't afford it, I think in the interview on MJJC.

I believe it was reported that Paris's birthday was recorded when the Cirque de Soleil was there. Very likely to record your daughter's birthday, so most likely true.
 
He speaks on MJ not wanting rehearals taped, but he was convinced to do so a couple of days before he died.

jrsfan, where did you hear this?

because i remember reading somewhere, i believe it was from a crew member of TII that was part of the tech or sound, and they said Michael said one night, referring to the cameras that were taping him, "What are these cameras for?"

i should've saved that but ill look for it. if anyone already has the source saved, please let me know.
 
jrsfan, where did you hear this?

because i remember reading somewhere, i believe it was from a crew member of TII that was part of the tech or sound, and they said Michael said one night, referring to the cameras that were taping him, "What are these cameras for?"

i should've saved that but ill look for it. if anyone already has the source saved, please let me know.


It is from this link that gives a summary of the book:


http://mjfansboycottsony.weebly.com/...d-boycott.html

which from what I read comes from TINI facebook. I do not have a facebook so I haven't been there. Maybe someday I'll have a facebook, but I am overloaded as it is - it would be one more thing to keep up.
 
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