^^^As always Duran, your musical knowledge is beyond compare and I am always in awe of it, just how much you know, all the names and the details. That's beyond fantastic......However, I'm going to find myself in a bit of a disagreement with some of the things you said prior to this last post.
If Mexicans & Puerto Ricans watch Telemundo or Univision instead of ABC or listen to salsa or tejano more than heavy metal, is that racist? If people in Jamaica more likely listen to reggae instead of classical, is that racist? If Black people watch VH1 Soul instead of MTV, is that racist? If some black people call rock music "white boy music" or country "redneck music", is that racist? People tend to want to watch themselves.........
So improving race relations is not as simple as putting Michael Jackson on the cover of Rolling Stone in 1979 or 1980. That's not going to stop racial profiling by the police or getting followed around in stores.
While I can understand your initial point of people tending to gravitate towards those similar to them, I'm afraid I cannot completely agree with the closing lines. It is true that the race relations in America go deeper than the arts, but I think you underestimate the importance of music and the responsibility of the media in educating the public.
Lest we forget, the U.S. is a country where black men were hanging from the trees in the early 20th century, a teen was brutally and viciously slained in the 50s for "daring" to address a white woman and an entire century was needed between the Emancipation Proclamation and the Civil Rights Act.
I don't mean to do a condensed history lesson here because I'm sure most people are aware of these issues, but I'm simply trying to highlight the awful legacy of racism and its continuing relevance. I really love statistics and I know they have already been brought up in the thread before. A simple look at the stats related to the prison population in the U.S. shows a frightening ratio of almost 40% black inmates while the overall percentage of African-Americans is 13,6% (2010 figures). Furthermore, income disparity and social injustice is even more dramatic if one looks at the contrast between white and non-white households.
Some other truly fascinating data can be found here
http://inequality.org/racial-inequality/
Obviously, these issues are far too complex to be "fixed" solely through the proper and timely acknowledgement of African-American talents by musical publications. However, it doesn't mean that art and its observers cannot and do not have a great impact on the lives of people. After all,
we are what we listen to and read, aren't we? And that is where the media's responsibility comes into play - cultivating and educating the public's taste to go beyond their firmly established, familiar lines and broaden their horizons to beautiful values outside of their own, narrow constrains and local cultural spaces. Just like respect said
Sometimes you need to make the conscious effort to change bad social attitudes to not play into those attitudes and not be a part of the system that keeps up those attitudes.
Putting Michael on the RS cover back in 79 may not have raised the income of the average black family, but it could have eased the dialogue between races. Not only that, but the editors would have proven to be people of justice, giving credit when and where due and of vision who can go beyond racial lines. Unfortunately, they failed to do that.
It took Thriller's phenomenal and unprecedented success to force them to no longer ignore Michael and his talents and by "them" I obviously mean everyone from RS to the Grammys to anyone else in between and around. That alone proves just how much work and struggle African-American artists along the decades had to overcome in order to be recognized properly. Thankfully, Michael's universal appeal which goes well beyond any racial, ethnic and national lines is a great testament to the enduring power of his art and that is something no music snob can ever take away.
respect77 said:
Did RS change since then in that attitude? They probably did, just like MTV did and everyone else did, but when we talk about 1979 I don't think you can ignore the racial element behind decisions like that. Like I said before, that is not the only element in it of course. RS never really liked and/or understood MJ and his art, anyway. The funny thing is, though, that today they would probably praise OTW to high heaves as MJ's "best album". At the time they did not think it was worthy of a cover story. So maybe in 20-30 years from now they will finally "get" all of MJ's art. LOL.
The magazine is sadly known for its revisionist policies. Considering their OTW interpretations along time, you are more than entitled to your
optimism. In spite of that though, I got this strange feeling that even they will eventually understand the brilliance, the truth and the depth of Dangerous and HIStory as well as the purity and relevance of Invincible. Hopefully it won't take another two or three decades. Hopefully......but then again, knowing how certain things work in this world it may take a few more centuries. How's that for optimistic?