What I love about the song is his voice and the rhythm.
yes but he also epically chooses the woman (whom he basically abducted during the course of his adventure lol) at the very end over his boss asking him to come back. This scene is just brilliant imo
I skip She Drives Me Wild every time. I hate the horn honk at the beginning and simply cannot skip it fast enough!
Itās a jumpscare!
The car samples are the best parts! My God, I'm surrounded by tastelessness.
Haha wow you're right, I totally can't remember that ending (too busy counting casualties I guess)
I guess it's a reference to the Motown sound
Stop.Is bad at a musical level, the instrumentation, the singing, the whole production is bad and sounds bad.
Remixes do not count.
āThe Girl is Mineā with Paul McCartney is objectively pretty cheesy. But Iāve always liked it because it has a nostalgia factor for me. My brother used to sing the McCartney part and Iād sing the MJ part. Lol, itās a good memory.
The production on this isn't so bad, in fact I'd say it's better than some of the remixes on T25. But what ruins it completely is how overdone the autotuning is and the unnecessary rap parts (remember how every pop song in the 2000's-early 2010's just had to be accompanied with a rap part lmao). It all makes it very cringey to listen. The Janet/MJ part is sweet at least and that's probably the only highlight of this embarrassment.
I think this is a decent idea executed, poorly So not enjoyable but not egregious. Thriller 25 is a hilariously bad idea that's mostly handled fine, actually. I find all those remixes actually charming, even the ones I don't like.
TGIM is a pure and genius marketing stunt. What better way for this "up and coming" artist to promote his new album than with a first single featuring Paul McCartney, despite of what kind of song that is, right?
agree with this , it's just a pretty poor song overall, the chorus is super boring and I don't like the vocal either, the whole thing is overproduced.
Confirmed. There's a few others follow that route as well.
The Beatles have released versions of songs with the sound effects mixed higher in volume (eg Yellow Submarine), and versions of other songs without the sound effects (eg Walrus). I wonder if that could work for Dangerous. Something like "Dangerous and Naked", to use the Let It Be terminology. All the songs would be the same original recordings, with the original vibe, just without the complexity.
Yes even at the time of release felt that was too corny, which is a shame because it's a great track!
