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it's quite simple - writing credits fully due for the creators (essentially encompassing their own personal lyrics and/or composition), while Michael channels it through his own talents.it's hard for me to consider MJ as not writing a song.
it's quite simple - writing credits fully due for the creators (essentially encompassing their own personal lyrics and/or composition), while Michael channels it through his own talents.
part of appreciating a song is to acknowledge and respect its foundation.
that's unquestionablethat's not what i mean. i mean his singing makes the difference..his producing makes the difference..his intuitive ways makes the difference.
this is partly why i picked you up on it, knowing it was somehow related to (and loaded from) your previous downgrading of these guys' creation. no one should ever discount Michael's talents when it's applied to absolutely anything - but that is not an excuse to put down the original creators - i seem to remember that was the case when you put forth multiple arguments that paid no respect to the rights of those original creators:that way, people like the ones who wrote you are not alone can't discount the importance of Michael Jackson's contribution.
I personally thought that demo of "You Are Not Alone" was nearly identical to the album version in relation to melody. I mean, MJ's version is far superior (for obvious reasons), but the melody is the heart of the song and there is no doubt the melodies were the same.
We all have our own ears though, but I was taken aback. I remember that version of "Dangerous" by Crystal Cartier or what's-her-face.... there is a similarity... and there have been other cases where I hear no similarity at all... but this one was nearly spot-on.
In regards to song-writers, due credit must be given to both MJ and the original artists/composers/co-producers. Without Rod Temperton, there would be no "Rock With You" or "Baby Be Mine", two personal favorites. Without Stevie Wonder, there would be no "I Can't Help It". The opening chords to "I Can't Help It'' was all Stevie..... that was his style taylored to fit MJ. The uptempo, jazzy drum-heavy beats of Temperton's songs... those are a Temperton trademark. Go listen to "Spice Of Life" by the Manhattan Transfer. The song sounds very similar to "Rock With You" and "Baby Be Mine" because it's Rod Temperton's song. MJ is a master at picking out songs that fit him and making them suit him, but you have to give due credit to the artist. I think it's a bit unfair to bypass them and credit it all to MJ.