Dutchie
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Really? You pretty much sound like any of your other songs :huh:
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Janet's New Single - Feedback / video on pg. 10 - Discipline cover pg. 15
- Thread starter KOPV
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Really? You pretty much sound like any of your other songs :huh:
His confessions
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^^ thanks for the comment though 
dangerous_88
Proud Member
former king of pop.
aren't they tired?
who is the king of pop now?
justin?
chris brown?
anyway i hoped that this song will bring janet success,but it seems it won't. don't understand it, everyone seemed to like it...
EssenceOfMagic
Proud Member
I listened to it the other day. Didn't really like it but it might grow on me the more i hear it.
His confessions
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yeah i know when I first heard it on perezhilton.com I was like... naawww but when it was played a couple of times I was so into it and right now i Love it and I consider this song being the BEST she has ever made!!!
Dangerous Incorporated
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The vsong is about Janet being sexy and sez itself yet janet couldnt be more covered up. The concept of the video doesnt match the song IMO.
As for the song itself. I love it. Its stuck in my head all day!
As for the song itself. I love it. Its stuck in my head all day!
I wish that she sang more, and didn't buy into this craze in modern music that the more you can manipulate your voice to sound like a robot, the better. What happened to classics like Escapade and Rhythm Nation? What happened to SINGING? Call me old-fashioned, but this modern thing about voice manipulation and drowning out the voice in silly little computerized sounds doesn't do it for me. The artist's VOICE does it for me, and an artist with a voice like Janet's shouldn't want to manipulate and cover it up! Sorry if you disagree, but that's the way I feel.
AllTheLovelyFlowers
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Feedback is on my radio right now.
The DJ says, "...definitely one for the clubs right there....Janet is back with a vengeance!"
The DJ says, "...definitely one for the clubs right there....Janet is back with a vengeance!"
Dangerous Incorporated
Guests
Possible tracklisting for Discipline album
Universal Music Japan's official Janet Jackson website has posted what they are saying is the tracklisting for Discipline.
The tracklisting on their website appears as follows:
01. Discipline (by Ne-Yo)
02. Let Me Know (by Ne-Yo)
03. Luv (by R. Jerkins)
04. Roller Coaster (by R. Jerkins)
05. Feedback (by R. Jerkins)
06. Rock With You (by J. Dupri/Ne-Yo)
07. Letchu Go (by J. Dupri)
08. Tonight (by Stargate)
09. The Greatest Ex Ever (by The Dream/T. Stewart)
10. This Can't Be Good (by Ne-Yo)
11. Feedback (Remix)*
12. [Bonus track]*
* Japanese bonus tracks
It is unknown at this point if this is the actual tracklisting or if it will change.
UPDATE: There is a note at the top of the Japanese website that when translated says that the order of songs and tracklisting may not be final and may be changed.
VH1's review of the Discipline tracks
VH-1 has now posted their own review of the songs that were previewed yesterday at L.A. Reid's private listening party.
The review refers to Discipline as "easily her most dance-oriented album since Rhythm Nation 1814." It also reveals the title of another new track, "Curtains."
Their review of each of the nine previewed songs is posted below:
Universal Music Japan's official Janet Jackson website has posted what they are saying is the tracklisting for Discipline.
The tracklisting on their website appears as follows:
01. Discipline (by Ne-Yo)
02. Let Me Know (by Ne-Yo)
03. Luv (by R. Jerkins)
04. Roller Coaster (by R. Jerkins)
05. Feedback (by R. Jerkins)
06. Rock With You (by J. Dupri/Ne-Yo)
07. Letchu Go (by J. Dupri)
08. Tonight (by Stargate)
09. The Greatest Ex Ever (by The Dream/T. Stewart)
10. This Can't Be Good (by Ne-Yo)
11. Feedback (Remix)*
12. [Bonus track]*
* Japanese bonus tracks
It is unknown at this point if this is the actual tracklisting or if it will change.
UPDATE: There is a note at the top of the Japanese website that when translated says that the order of songs and tracklisting may not be final and may be changed.
VH1's review of the Discipline tracks
VH-1 has now posted their own review of the songs that were previewed yesterday at L.A. Reid's private listening party.
The review refers to Discipline as "easily her most dance-oriented album since Rhythm Nation 1814." It also reveals the title of another new track, "Curtains."
Their review of each of the nine previewed songs is posted below:
1. "Luv" - An extended automotive metaphor (red lights/headlights imagery, the line: "He hit me with his love") makes this like a bumper-car rink for Janet's vocals, which bounce her constant refrain of "Luv, luv, luv, luv..." all over the place. Vocally, it's hyper like the chorus of Chris Brown's "With You," but musically, it sounds like a Southern-fried sequel to Kanye West's "Good Life." Reid played this one twice and after the second time, there was some murmuring about it being the next single. Commercially, that would make a lot of sense.
2. "Feedback" - The single, duh. It has a house beat, but it's the least house-y of the other 4/4 tracks. Oh yeah, Janet goes there. Also, I can't tell you how wonderful it was to hear Janet sing about her period amongst fine wood office furniture and expensive candles. A moment to remember, for sure.
3. "This Can't Be Good" - Think Aaliyah's "Rock the Boat" with a more punishing beat, and you're halfway there. Another obvious reference point would be Michael Jackson's "Butterflies" and/or Janet's own "Spending Time With You" from Damita Jo. Lyrics are standard falling-in-love-too-deep fare, although the song is put together well: the thwack of the snare contrasts heavily with the layers of cooing vocals. The layers pile and pile so that by the bridge, the song is virtually dizzying. This one's extremely well-produced, but perhaps the least exciting track we were privy to.
4. "Rock With You" - This one was rumored to be a cover of Michael Jackson's classic and/or to feature Michael himself. It's neither. It seems to have some melodic elements snatched from Mike's track, although the chorus is more, "Ooh ooh ooh ooooh oooh oooh" than "I wanna rock with you." Janet's vocals seem a bit detached and robotic, but that's not an insult: they're most reminiscent of Donna Summer's in "I Feel Love" without the operatic flair. This one is pure house music, with an electroboogie bass line borrowed from the '80s. It's bright enough so that it wouldn't sound out of place on one of those Beach House compilations released by Hed Kandi.
5. "Tonight" - Speaking of bright, this one just shines. It's another dance track - more or less housey (although the beat pattern has a slight twist keeping it from being straight four-on-the-floor for most of it). It has the filter-house thing of Rihanna's "Don't Stop the Music" going on (the second verse is virtually treble-free), but where that song has a darkish vibe, this one's up up up. Again, Janet seems detached, but that's only during the verses: she breaks out like the sun between clouds during the chorus, belting in her high register that immediately reminded me of "Young Love." The song only gets better as it goes, too: two killer bridges and an amazing breakdown ("Don't leave me alone tonight / Don't leave me tonight") close it out. Epic and brilliant: this is by far my favorite track that we were played.
6. "The Greatest Ex" - A departure for Janet, this one's most akin to OneRepublic's "Apologize." Like "Tonight," there's this epic sensibility, but this time it's applied to the power-ballad template. Timbaland-esque beats skitter around Janet's confession (this definitely seems like the most personal song on the record): "In my heart, I know you'll always be the greatest ex ever." I pointed out to L.A. Reid after that this is the pop smash, the Z100 crossover and he agreed. It's not the best track, but it has tremendous potential to kill at radio. Seriously, if Janet can't get a hit with this one, it isn't her fault; it's the world's.
7. "Discipline" - The baby-making track (though in an interview conducted with Janet today, she told us about "Curtains," which is faster but with a sexy vibe). It's similar in theme to Velvet Rope's "Rope Burn," but not in sound. This is slower and sparser, like a Prince song that's not purple, but black and blue. "I misbehaved / I touched myself even though you told me not to," coos Janet to her "Daddy" before asking him to "take out your frustrations on me." It's heavy stuff, but probably not as dark as it sounds. The snare is made to sound like a whip, which is a pretty brilliant touch.
8. "Rollercoaster" - One of the most bizarre things that Janet's ever done, it wouldn't be surprising if this one ended up being left off the album. It's extremely layered and tough to get your head around: the melody never seems quite right until the bridge and then after, it's more topsy-turvy. Rodney Jerkins produced this one and though it shares virtually no musical ideas with it, it has the same woozy effect as "What About Us?" which he produced for Brandy.
9. "Let Me Know" - A Miami-bass-esque ballad that's somewhat indistinct, but nice all the same. It sounds more like filler than anything else we were played, but it's pleasant enough.
2. "Feedback" - The single, duh. It has a house beat, but it's the least house-y of the other 4/4 tracks. Oh yeah, Janet goes there. Also, I can't tell you how wonderful it was to hear Janet sing about her period amongst fine wood office furniture and expensive candles. A moment to remember, for sure.
3. "This Can't Be Good" - Think Aaliyah's "Rock the Boat" with a more punishing beat, and you're halfway there. Another obvious reference point would be Michael Jackson's "Butterflies" and/or Janet's own "Spending Time With You" from Damita Jo. Lyrics are standard falling-in-love-too-deep fare, although the song is put together well: the thwack of the snare contrasts heavily with the layers of cooing vocals. The layers pile and pile so that by the bridge, the song is virtually dizzying. This one's extremely well-produced, but perhaps the least exciting track we were privy to.
4. "Rock With You" - This one was rumored to be a cover of Michael Jackson's classic and/or to feature Michael himself. It's neither. It seems to have some melodic elements snatched from Mike's track, although the chorus is more, "Ooh ooh ooh ooooh oooh oooh" than "I wanna rock with you." Janet's vocals seem a bit detached and robotic, but that's not an insult: they're most reminiscent of Donna Summer's in "I Feel Love" without the operatic flair. This one is pure house music, with an electroboogie bass line borrowed from the '80s. It's bright enough so that it wouldn't sound out of place on one of those Beach House compilations released by Hed Kandi.
5. "Tonight" - Speaking of bright, this one just shines. It's another dance track - more or less housey (although the beat pattern has a slight twist keeping it from being straight four-on-the-floor for most of it). It has the filter-house thing of Rihanna's "Don't Stop the Music" going on (the second verse is virtually treble-free), but where that song has a darkish vibe, this one's up up up. Again, Janet seems detached, but that's only during the verses: she breaks out like the sun between clouds during the chorus, belting in her high register that immediately reminded me of "Young Love." The song only gets better as it goes, too: two killer bridges and an amazing breakdown ("Don't leave me alone tonight / Don't leave me tonight") close it out. Epic and brilliant: this is by far my favorite track that we were played.
6. "The Greatest Ex" - A departure for Janet, this one's most akin to OneRepublic's "Apologize." Like "Tonight," there's this epic sensibility, but this time it's applied to the power-ballad template. Timbaland-esque beats skitter around Janet's confession (this definitely seems like the most personal song on the record): "In my heart, I know you'll always be the greatest ex ever." I pointed out to L.A. Reid after that this is the pop smash, the Z100 crossover and he agreed. It's not the best track, but it has tremendous potential to kill at radio. Seriously, if Janet can't get a hit with this one, it isn't her fault; it's the world's.
7. "Discipline" - The baby-making track (though in an interview conducted with Janet today, she told us about "Curtains," which is faster but with a sexy vibe). It's similar in theme to Velvet Rope's "Rope Burn," but not in sound. This is slower and sparser, like a Prince song that's not purple, but black and blue. "I misbehaved / I touched myself even though you told me not to," coos Janet to her "Daddy" before asking him to "take out your frustrations on me." It's heavy stuff, but probably not as dark as it sounds. The snare is made to sound like a whip, which is a pretty brilliant touch.
8. "Rollercoaster" - One of the most bizarre things that Janet's ever done, it wouldn't be surprising if this one ended up being left off the album. It's extremely layered and tough to get your head around: the melody never seems quite right until the bridge and then after, it's more topsy-turvy. Rodney Jerkins produced this one and though it shares virtually no musical ideas with it, it has the same woozy effect as "What About Us?" which he produced for Brandy.
9. "Let Me Know" - A Miami-bass-esque ballad that's somewhat indistinct, but nice all the same. It sounds more like filler than anything else we were played, but it's pleasant enough.
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Dangerous Incorporated
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Billboard blog gives review of tracks from Discipline
The Jaded Insider blog on Billboard.com has posted a track-by-track review of each of the songs that were played by L.A. Reid at yesterday afternoon's private listening party for journalists.
Their track-by-track review is as follows:
The Jaded Insider blog on Billboard.com has posted a track-by-track review of each of the songs that were played by L.A. Reid at yesterday afternoon's private listening party for journalists.
Their track-by-track review is as follows:
"Luv" - In contention to be the next single, this track sounds like a cross between Chris Brown's "With You" and Cherish's "Do It To It," aka very youth-like. On it, Janet is doing her usual whisper/talking/singing layered vocals over double drums, cooing "Got me caught in a web/I'm a mess."
(sidenote: L.A. Reid shouted J.I. out for typing away our sidekick while listening to this track. We explained to the chairman of Island Def Jam and A&R of the project that it was the new modern tech way of taking notes. Stay with me here, Mr. Reid!)
In addition, we don't think "Luv" should be the next single. Continue readin and you'll find out why.
"Feedback" - Although this track, which is the first single, took some time to grow on folks, the beat - not to mention the video - is pretty insane. This week, "Feedback" jumps 72-38 on the Pop 100 chart.
"This Can't Be Good" - If you ask J.I., we'd say THIS song should be the next single, hands down. Everything from the piano intro to the rolling bassline on "Good" is reminiscent of old Janet i.e. "That's the Way Love Goes" and "Anytime, Any Place," which we love. This track was written by Ne-Yo (kudos!).
"Rock With You" - The intro to this dance track features a robotic-sounding Janet saying the title over once. J.I. thinks this Madonna-esque song will be a favorite in the downtown clubs of N.Y. It features running piano keys, hard drums and layered vocals.
"Tonight" - This club/dance track is super flirty, which we think is a good look for Janet. "Something in the air has got me feeling like I want I tonight," she belts in the chorus. In other parts, Ms. Jackson sings, "Don't want to be alone / I need you to keep me warm... My body's here / I'm soaking wet / I wanna give you something that you won't forget."
"The Greatest Ex" - At first listen, J.I. thought this song, which begins with the sound of a heart pounding, was redolent of The Dream's "Nikki" off his debut. Come to find out, the singer/songwriter penned this one for Janet. Typical Dream riffs are noticeable on the set, including a few repetitions and scattered "eghs." "I loved you and you loved me / I just couldn't see tomorrow," Janet sings over bass drums and slow running piano strokes. J.I. thought Janet's vocal ability sounded the best on this track so far.
"Discipline" - The sexy title-track was one of J.I.'s favorite and should be considered for third single from the album, but that's just our two-cents. On the sultry track, Janet sings, "I touch myself even though you told me not to / I can smell me on your sheets / I can taste you on my skin." Hot yet? There's more. "Now I want you to come punish me / I need some discipline tonight / I've been very bad / Daddy, make me cry." Still not feeling tingly? How about, "Did I make you mad? / Take out your frustrations on me," which leads to the grand finale of Janet's heavy breathing and sexual cooing, a la Intro on "Come Inside." Straight steamy!
"Rollercoaster" - This Darkchild-produced song starts with what appears to be African drums. The beat is big, full of thumping bass line and Swizz Beatz-like adlibs. J.I. thought it appropriately sounded like the noise you hear when inside a bumper car, taking us back to our Ride Playland and Coney Island days. Ahhh, the memories.
"Let Me Know" - This track sounded a little Dream-ish too, although we aren't hating (Team Dream!). We ain't mad at the fact that it sounded like a mix between Robin Thicke's "Wanna Love You" and Lloyd's "Get It Shawty" - two songs that we love.
(sidenote: L.A. Reid shouted J.I. out for typing away our sidekick while listening to this track. We explained to the chairman of Island Def Jam and A&R of the project that it was the new modern tech way of taking notes. Stay with me here, Mr. Reid!)
In addition, we don't think "Luv" should be the next single. Continue readin and you'll find out why.
"Feedback" - Although this track, which is the first single, took some time to grow on folks, the beat - not to mention the video - is pretty insane. This week, "Feedback" jumps 72-38 on the Pop 100 chart.
"This Can't Be Good" - If you ask J.I., we'd say THIS song should be the next single, hands down. Everything from the piano intro to the rolling bassline on "Good" is reminiscent of old Janet i.e. "That's the Way Love Goes" and "Anytime, Any Place," which we love. This track was written by Ne-Yo (kudos!).
"Rock With You" - The intro to this dance track features a robotic-sounding Janet saying the title over once. J.I. thinks this Madonna-esque song will be a favorite in the downtown clubs of N.Y. It features running piano keys, hard drums and layered vocals.
"Tonight" - This club/dance track is super flirty, which we think is a good look for Janet. "Something in the air has got me feeling like I want I tonight," she belts in the chorus. In other parts, Ms. Jackson sings, "Don't want to be alone / I need you to keep me warm... My body's here / I'm soaking wet / I wanna give you something that you won't forget."
"The Greatest Ex" - At first listen, J.I. thought this song, which begins with the sound of a heart pounding, was redolent of The Dream's "Nikki" off his debut. Come to find out, the singer/songwriter penned this one for Janet. Typical Dream riffs are noticeable on the set, including a few repetitions and scattered "eghs." "I loved you and you loved me / I just couldn't see tomorrow," Janet sings over bass drums and slow running piano strokes. J.I. thought Janet's vocal ability sounded the best on this track so far.
"Discipline" - The sexy title-track was one of J.I.'s favorite and should be considered for third single from the album, but that's just our two-cents. On the sultry track, Janet sings, "I touch myself even though you told me not to / I can smell me on your sheets / I can taste you on my skin." Hot yet? There's more. "Now I want you to come punish me / I need some discipline tonight / I've been very bad / Daddy, make me cry." Still not feeling tingly? How about, "Did I make you mad? / Take out your frustrations on me," which leads to the grand finale of Janet's heavy breathing and sexual cooing, a la Intro on "Come Inside." Straight steamy!
"Rollercoaster" - This Darkchild-produced song starts with what appears to be African drums. The beat is big, full of thumping bass line and Swizz Beatz-like adlibs. J.I. thought it appropriately sounded like the noise you hear when inside a bumper car, taking us back to our Ride Playland and Coney Island days. Ahhh, the memories.
"Let Me Know" - This track sounded a little Dream-ish too, although we aren't hating (Team Dream!). We ain't mad at the fact that it sounded like a mix between Robin Thicke's "Wanna Love You" and Lloyd's "Get It Shawty" - two songs that we love.
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^^ Interesting!
SunsetDriver
Proud Member
Promo pics for Discipline
:woohoo::stretcher
Enrico
:woohoo::stretcher
Enrico
I thought the same thing my dear. What a dissappointment....
144000
Proud Member
if i got the lyric right, Janet compares her body to that of a CL5
http://www.usfreeads.com/1074114-cls.html
(scroll down)
http://www.usfreeads.com/1074114-cls.html
(scroll down)
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wendijane
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:hug:!!!
:lol: perfect post vince:toofunny:
ok im gonna admit the song does get in your head .......
thanx you for posting people:wub:
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144000
Proud Member
Janet certainly has confidence in her image...and..as well she should :yes: good to see ya on here, Wendi:hug:*~MJ Loves MJ~*
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Re: Janet's New Single - Feedback / video on pg. 10!!
Wow! It's so 80's. It certainly is different from anything else I've seen lately. Love that about Janet and Michael, they always stay abreast of what's up and coming. Can't wait till the album drops. :wub:
Janet's album cover revealed!!
source: janetjackson.com
Wow! It's so 80's. It certainly is different from anything else I've seen lately. Love that about Janet and Michael, they always stay abreast of what's up and coming. Can't wait till the album drops. :wub:
Re: Janets New Single***
I thought the same thing too.....Is she going through middle life crisis or what_
she sounds like Britney Spears
But that's my opinion lol
I thought the same thing too.....Is she going through middle life crisis or what_
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I hear a tad Madonna-vibe on RWU rather than Britney. I don't think JJ is going through a mid-life crisis (although I was a tad surprised by the lyrics to 'Discipline' presumably about her father beating her, kinda always thought that JJ had dealt with all that stuff). Similarly I was also surprised by her claim that MJ called her names and made her fat not because I couldn't imagine MJ doing it, in fact we know about MJ's tendency to name calling etc, but because it just seemed to come out of the nowhere. It seemed as if there are still issue there she is dealing with which I always thought that she had dealt with b4 etc.
Anyway whatever it is I am glad she is making music and loving the edgy vibe to her now. But I linda think that she might need some huge promos for this album or maybe a tour shortly after the release to keep to be on the safe side.
Coz at the mo' the interest on Feedback is slowing down over here and when I check on amazon (her Discipline album is like 1000+ while MJ's T-25 100+ on the overall chart, in other cat. like funk, dance, R&B I hardly see it while MJ's various album constantly feature), also Billboard hasn't shown so far an increase in previous JJ albums (which is a good indication that the public is gearing up for the new album).
I don't know but if MJ blow peeps minds with Superbawl/Grammy whether is ad/performance etc I am afraid JJ may need to seriously up her promos.
Anyway whatever it is I am glad she is making music and loving the edgy vibe to her now. But I linda think that she might need some huge promos for this album or maybe a tour shortly after the release to keep to be on the safe side.
Coz at the mo' the interest on Feedback is slowing down over here and when I check on amazon (her Discipline album is like 1000+ while MJ's T-25 100+ on the overall chart, in other cat. like funk, dance, R&B I hardly see it while MJ's various album constantly feature), also Billboard hasn't shown so far an increase in previous JJ albums (which is a good indication that the public is gearing up for the new album).
I don't know but if MJ blow peeps minds with Superbawl/Grammy whether is ad/performance etc I am afraid JJ may need to seriously up her promos.
SexyMamaJo
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Anyone seen this 'cover' of Feedback? very funny
http://www.youtube.com/watch?v=dDAuTtxNzMc[url]
http://www.youtube.com/watch?v=dDAuTtxNzMc[url]
^^:blink: :lol:
I love the new songs, especially Luv :wub:
Feedback has grown on me. I love it now.
There's already a remix with Ciara out
http://www.zshare.net/download/71038397a8df2c/
I love the new songs, especially Luv :wub:
Feedback has grown on me. I love it now.
There's already a remix with Ciara out
http://www.zshare.net/download/71038397a8df2c/
Roxanne
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Dangerous Incorporated
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Feedback (Incorporated Xtended Filmix)
http://www.sendspace.com/file/ypahvh
This is a mix I did. Please tell me what you think.
http://www.sendspace.com/file/ypahvh
This is a mix I did. Please tell me what you think.
Roxanne
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thank you ^
LovelyOne
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Funniest line from "Feedback":
Cause my swag is serious
Something heavy like a first day period
When I heard that I couldn't stop laughing.
But yeah, it's a great club/dance song...
And for everyone saying that this sounds like a "Britney" song, let's just remember who came first, and who got their style from who...
Cause my swag is serious
Something heavy like a first day period
When I heard that I couldn't stop laughing.
But yeah, it's a great club/dance song...
And for everyone saying that this sounds like a "Britney" song, let's just remember who came first, and who got their style from who...
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eighthnoterojo
Proud Member
Re: Janet's New Single - Feedback (all comments here) ***
Is it just me, or... is this like... really hot! :blush: Maybe it's cuz he looks a bit like MJ? He does a couple moves like MJ anyway...
I can't stop watching it.
Edit: Alrighty, I guess I'm the only one then...
When I first head Janet's song Feedback, I wasn't all that impressed. I didn't dislike it; I liked the harmonies and the descending chromaticism a lot, but the rest, well, meh. Anyway, I decided to give it another shot. So I went and watched the vid. I think the vid is really awesome; everything in slow motion, like in space. Really well done vid. So I came here to post about it, and read this thread. Then I found this vid....
Is it just me, or... is this like... really hot! :blush: Maybe it's cuz he looks a bit like MJ? He does a couple moves like MJ anyway...
I can't stop watching it.
Edit: Alrighty, I guess I'm the only one then...
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michaelsson
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luv was the best song on the album
IvoryKeys
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^^^Agree!